I’m excited to share that Mother Nature Network just published an interview article about my work: “Artist explores the natural world with a nose for the otherworldly.” The writer, Mary Jo DiLonardo, did a great job with this write up.
I have a few more photos to share from my LASM exhibition and associated demos/events! This was a fantastically fun trip, all thanks to the amazing Dr. John Pojman.
I have a full schedule of demonstrations, lectures, and interviews for the next couple of days associated with the Polymers in Art Through the Centuries exhibition going on at the Louisiana Art & Science Museum (LASM) - the first took place earlier this evening! An LASM public relations staff member posted livestream video to Facebook throughout the night - here's a snippet:
The University of Saint Mary not only issued a press release a little over a month ago on my summer exhibitions and awards, but also just published an article about it in the Fall 2015 issue of Aspire Magazine.
I just recently completed a radio interview about my career thus far with host Loren Swenson on KNCK Radio 1390 AM / 94.9 FM for the CHS Alumni Moment series. (I attended Concordia High School from 2000-2004.)
I can't directly link to the piece, but if you're interested, visit KNCK Radio's website and then in the black header in the upper center of the page there's a button titled Alumni Moment. If you click on that, you can find my interview!
I'm so pleased 3P Quick Cure Clay has been getting so much press lately! This latest article titled "An LSU professor has invented a curious clay with a range of applications, from art to industry" from the Greater Baton Rouge Business Report highlights my work with the product here:
About two years before officially launching 3P QuickCure Clay, Pojman reached out to art students at LSU to get some insight on his products. Pojman started working with former LSU graduate student Shelby Prindaville to mold his mixture into something more useful to artists by perfecting the consistency. Then he began selling it online.
“He would send me test products, and I would tell him what needed to be tweaked,” Prindaville says. “At some point we reached the stage where I thought it was a really viable sculpting medium and I started making things with it. And he figured out how to make it cheaply enough that he launched the product out into the world.”
The final version of 3P QuickCure Clay allows artists to bypass much of the difficult and tricky parts of sculpting, eliminating the need for a kiln. Also, 3P Quick Cure Clay is strong enough to build sculptures without first creating wire and paper “skeletons” or armatures, Prindaville says.
Prindaville used the medium to create a series of small sculptures of lizards called Anoles. The whimsical figures depict the lizards in various positions, like one balancing straight up its thin tail, that are impossible to create using other types of clay without wire armatures.
Prindaville, now the art program director at the University of Saint Mary in Kansas, uses 3PQuickCure Clay in her classroom because students can cure their work with a heat gun before the class period ends. She says the college cancels classes for one week each spring and students work on projects outside the school’s curriculum.
“Last year, I invited John to come up; he shipped us a large amount of clay and sold us a large amount of the clay. The students did all sorts of stuff and they created a show at the end,” Prindaville says. Some of the student’s creations now mingle alongside the chemistry books and salamander tank in Pojman’s office at LSU.
I was interviewed for this article on Dr. John Pojman's innovative 3P Quick Cure Clay. Here's an excerpt:
About four years ago, Pojman started working with former LSU graduate student Shelby Prindaville to mold his mixture into something useful to artists, and began selling it online. Now 3P QuickCure Clay can be found in art stores in New Orleans and New Mexico.
The clay they developed allows artists to bypass much of the difficult and tricky parts of sculpting, eliminating the need for a kiln. Also, 3P QuickCure Clay is strong enough to build sculptures without first creating wire and paper “skeletons” or armatures.
Prindaville is now art program director at the University of Saint Mary in Kansas, and uses 3PQuickCure Clay in her classroom because students can use a heat gun to cure their work before the class period ends. She orders it by the pound from Pojman, who produces it from his office space at the Louisiana Business and Technology Center at LSU—a step up from his garage where he used to mix it on weekends.
“I think it’s a really interesting and innovative medium,” Prindaville says. “The great things is, it gives instant results. With regular clay you have to be careful about the moisture, and you can’t apply wet clay to a finished product, but with 3P you can apply wet to dry.”
Dr. Paige Jarreau has just published an interview with me on From the Lab Bench!
Paige is herself an extremely impressive and multi-talented science journalist and photographer, so I'm very pleased to count her as a friend, as well. When you're done reading that fantastic write-up, make sure to dig around the site a while as it has loads of other interesting features including a page devoted to her beautiful photography.
The Arts Council of Southeast Missouri's Let's Talk Arts series has published their interview with me! There are two ways to view it:
I really appreciate Dr. Joni Hand's insightful questions as well as all the work the council members and staff and juror Ruth Ann Reese put into the Wild Things national juried exhibition and follow-up with me.