This well-written and devastating feature in The New York Times Magazine, “The Insect Apocalypse is Here,” is worth reading. You might cry, though.
In conversation, sometimes, a student will wish mosquitoes away. I tell them that mosquitoes are an important part of the food chain for a number of species, and that while I, too, would like to be mosquito-free, we must understand that we are one small part of a whole. We may soon manage to become the whole, though, through chipping and choking everything else out. This article is about the decline of all insects and the overall functional extinction of many species - and our often unnoticed acclimation to it all.
Now here’s another recent look at the current and projected scale of global warming and how it compares to the agreements and actual international practices regarding emissions.
OK, this is too cool - apparently puffin beaks fluoresce! Particularly given my recent foray into fluorescent sculpture and my mixed media acrylic series on Atlantic puffins, I'm feeling inspired to perhaps make a fluorescent puffin of my own soon...!
Whew, my life has been very busy socially and professionally of late, and I've let blogging slip a little! Here is a selection of readings on our current environmental problems to make up for it:
In case you haven't been following along (I do understand the appeal of attempting to ignore that Trump is in charge of the USA), here's a list put together by The New York Times compiling twenty-three environmental laws, regulations, and policies that Trump has overturned in the first hundred days of his presidency. At least Elon Musk is trying his best to get humanity to Mars, since it seems like it'd be best if we just left Earth to the rest of the species that inhabit it and move to a lifeless planet that won't suffer as much from our short-sighted and morally questionable leadership.
In yet another disheartening move by the new Trump administration, the United States Department of Agriculture has removed a variety of documentation regarding animal welfare and enforcement of current standards of care from their website. In a hilariously disingenuous statement, this decision is explained as being based in part due to the USDA's "commitment to being transparent."
I really hope my blog doesn't end up as an incessant Cassandra dilemma, but that seems to be where we're headed.
Here's the latest in super depressing news: Republicans are somewhat literally gunning for the Endangered Species Act.
The Environmental Protection Agency was just frozen, "temporarily halt[ing] all contracts, grants and interagency agreements." It's also been placed under a media blackout. I cannot emphasize enough how problematic this is not only for its immediate effect but also for the implications this action has in conjunction with other decisions and promises - including sharply increasing drilling and mining operations in previously protected land - already made by Trump and his team. This will lead to short-term financial profit at the short-, middle-, and long-term expense of catastrophic environmental mismanagement. It's not a unique decision, unfortunately, but it is still a deeply wrong one to make.
How cool is this - President Obama has signed the National Bison Legacy Act making bison the first national mammal (though bald eagles are still secure in their national animal status).
To celebrate, here's a gallery of all of my bison paintings completed thus far!
Here's a neat article from The New York Times on one of the plants I work with in my interactive installations, the Mimosa pudica or "sensitive plant." I do have to qualify their results, however, because none of the plants I've grown has ever stopped recoiling from human touch/interaction. I wonder just how repeated their "repeated exposure" was.
Most Americans know who Albert Einstein was, but comparatively very few people know who Neil deGrasse Tyson is. They know who Kim Kardashian is, though! In the present in the United States, entertainment and lowest-common-denominator appeal are revered and expertise has less impact than demagoguery. When people stop admiring intelligence, they stop working to attain it. That's where we are now. The United States has a lot to learn from other older, more mature cultures, and I hope we can wisen up soon.
Here at USM, we had the 2015 Art Major Project focused on 3P Quick Cure Clay. Now, John's getting to co-teach a whole course at LSU with it! Here's the article written about this neat class in The Daily Reveille.
A great op-ed, "The Bison Roundup the Government Wants to Hide," was just published in The New York Times about the politically motivated annual bison cull that takes place in Yellowstone National Park at the taxpayer's expense. I'm all for the suggestions of the author, Christopher Ketcham, with the clarification that I'd like any seasonal hunting to be restricted to that which encourages an ecological balance as opposed to one based on farm/ranch priorities, fear, or the desire for trophies.
The Pursuit, LSU College of Science's annual magazine, wrote an article in their 2015 issue about 3P Quick Cure Clay, Dr. Pojman, and our collaboration (although they accidentally misattributed my role to a Jessica Nelson). You can read the article, entitled "LSU Chemistry Professor Creates Multi-Use Quick Cure Clay", on page 23 of 60 here if you're interested!
From the Audubon Society of Portland:
The occupation of Malheur by armed, out of state militia groups puts one of America’s most important wildlife refuges at risk. It violates the most basic principles of the Public Trust Doctrine and holds hostage public lands and public resources to serve the very narrow political agenda of the occupiers. The occupiers have used the flimsiest of pretexts to justify their actions—the conviction of two local ranchers in a case involving arson and poaching on public lands. Notably, neither the local community or the individuals convicted have requested or endorsed the occupation or the assistance of militia groups.
Apparently a set of keys was found outside by the "militia" thus letting them inside the small, unprotected bird sanctuary. This ingenious hostile takeover is made even more impressive since while they are claiming to have 150 occupiers, journalists on scene are reporting only 6-15.
The real problem is that these terrorists' repeated claims to federal land are damaging the environment. From the Center for Biological Diversity on the 2014 Cliven Bundy illegal grazing debacle in Nevada:
"The Gold Butte area south of Mesquite is officially designated as critical habitat for the tortoise – an area essential for its long term survival. But the BLM continues to allow grazing by trespass cattle.
Despite having no legal right to do so, cattle from Bundy's ranch have continued to graze throughout the Gold Butte area, competing with tortoises for food, hindering the ability of plants to recover from extensive wildfires, trampling rare plants, damaging ancient American Indian cultural sites and threatening the safety of recreationists."
The United States needs to step up on federal land management so this type of terroristic action doesn't become seen as a viable option. These armed sovereignists want to become martyrs or messiahs, but what they really need is to be imprisoned and fined.
I was sick recently, so I had the time to watch the television series Newsroom. One clip really stuck with me:
Now given that this is from a fictional television series, viewers could be forgiven for thinking it an exaggeration. But the facts check out, though sadly a few are outdated and have increased negatively in the meantime.
What really interests me apart from the immediate content is that the whole reason it's funny (admittedly in a macabre sense) is because most scientists are a little less depressingly stark about our situation. Why is that?
It turns out that a recent paper "Duality in Climate Science" published in Nature Geoscience takes scientists and the media to task for underselling our ecological position due to fear of politically and professionally calamitous ramifications. The paper summary reads:
Delivery of palatable 2 °C mitigation scenarios depends on speculative negative emissions or changing the past. Scientists must make their assumptions transparent and defensible, however politically uncomfortable the conclusions.
What that's saying is that unless we can time travel backwards or develop technology in the future that we don't know exists yet, we're screwed. Here's another not-at-all-comforting review of this and other papers saying in part, "The latest installment of depressing news is the delightful prediction that dozens of American cities are at risk of drowning before the century is out, turning places like New Orleans and Miami into the lost kingdom of Atlantis."
Not only are we on the eve of our biannual Student Art Exhibition, but university administration requested that we have a two-person faculty show as well! So anyone who is in the area should stop by and check out my artwork, the work of my colleague Susan Nelson, and the work of our fabulous art students.
Friday, December 4th from 3-5pm (refreshments will be served; the exhibition is open to the public)
December 4-10, 10am-4pm
The University of Saint Mary
Goppert Gallery (located on the ground floor of Xavier Hall)
4100 S. 4th Street
Leavenworth, KS 66048
You can see the full release here, but I've included the bulk of it below.
Art Students Showcase Their Work in the Fall 2015 Student Art Exhibit
12/3/2015 12:00:00 AM
(Leavenworth, Kan.)—From whimsical drawings to captivating photography, the University of Saint Mary displays the impressive work of 41 art students in the Fall 2015 Student Art Exhibit.
All students enrolled in a studio-art course—including Drawing I, Ceramics I, Photography I, Computer Graphics, Digital Page Layout, and Advanced Studio in Airbrush—are given the opportunity to show their favorite pieces from the semester. The artwork of Associate Professor of Art Susan Nelson and Art Program Director Shelby Prindaville will also be on display.
“Every semester, students look forward to sharing their work with the community,” said Prindaville. “It’s their chance to show what they’ve been learning and perfecting in class.”
She went on to explain, “Students learn how to select and mat appropriate pieces as well as get the valuable experience of having an audience view their work in the context of an exhibition. USM art majors and minors actually organize and install the show—learning gallery and museum preparator skills, too.”