Sioux City

Upcoming: 2024 ARTcetera Juried Exhibition and Fundraising Auction

One of my obvara raku vessels was juried into the 2024 ARTcetera exhibition and fundraising auction at the Sioux City Art Center! This exibition opens with a reception on Thursday, March 21, 2024, from 5-7pm. Artworks will be made available for sale at “Buy It Now” prices on March 22, and the exhibition continues through April 18 when the auction is held as a part of a ticketed event evening.

The opening reception will be free to attend, and if you’re interested in buying tickets to attend the auction, you can do so here.

The Sioux City Art Center is located at 225 Nebraska Street in Sioux City, IA, 51101.

Sioux City Art Center Board of Trustees Renewal

I was appointed to the Sioux City Art Center’s Board of Trustees in January 2021, and subsequently elected and reelected as President of the Board of Trustees in 2022 and 2023. City board appointments are for two-year terms, so my term was ending in December 2023. The Sioux City Art Center’s director and board asked me to seek to renew my appointment in October 2023, so I reapplied and waited for City Council to deliberate. They sent out my renewal letter and certificate recently!

Siouxland Woman Magazine Featured Artist Profile

Below is the digital spread of my featured artist profile in Siouxland Woman Magazine’s Volume 9 Issue 2, published in January 2023! While it’s the current issue, you can also look at the whole magazine online here.

Whiterock Art Show Photos!

Here are some photos from my three-person show Whiterock Art at the Betty Strong Encounter Center in Sioux City, IA! You can still check out this exhibition in person through November 13, 2022. I have 37 works on display, including 20 chromatograms, 15 site-specific ceramics, and 2 painted bas reliefs on panel using the polymer clay I helped create (QuickCure Clay).

As you can see, I arranged dried botanicals harvested from Whiterock Conservancy in four of my 41.816, -94.646 ceramic vessels to show this ceramic collection’s utility and connection to the landscape. My friend, former colleague, and master ceramist Susan Nelson inspired me to do this, as she often shows and photographs her ceramic work with ikebana, or the art of Japanese flower arrangements. I also placed a representative sampling of the small rocks, twigs, and other debris I cleaned out of the clay in a fifth display inside one of the smallest dishes.

At the reception for the show, I sold four of the 41.816, -94.646 ceramic pieces! I was pretty pleased with that, particularly because my price point for pieces in this collection was significantly higher than that of my stoneware work, given all the additional labor that went into this site-specific series. One of the buyers selected a piece holding dried botanicals, and another picked the vessel containing the rocks, twigs, and debris cleaned out of the clay body; both shared with me that they plan to keep those displays intact. That intent surprised me, but I’m happy that my decorative touches felt so appropriate that they’ll continue on beyond the exhibition!

Upcoming: Whiterock Art at the Betty Strong Center!

You may remember I attended an artist residency at Whiterock Conservancy outside of Coon Rapids, IA, in summer 2021. My good friend and colleague Terri McGaffin had already completed a residency there that spring 2021, and turned me on to the opportunity. Another Sioux City artist, Pauline Sensenig, then followed suit this summer 2022.

All of us will be exhibiting our work in a three-person show called Whiterock Art at the Betty Strong Encounter Center in the Lewis & Clark Interpretive Center in Sioux City, IA, from October 2 - November 13, 2022. The reception will be on Sunday, October 2nd at 2pm, and I hope you can join us - there will be a reception and presentation by Whiterock’s own Liz Garst, co-founder and Board of Directors member of Whiterock Conservancy.

I designed our show logo, postcard, and poster (viewable at the exhibition) - below you can take a look at the digital postcard.

Show postcard back design

2021 ArtSplash Festival Judge!

This past weekend (September 4th and 5th) was the 2021 ArtSplash festival, hosted by the Sioux City Art Center. I had previously attended the 2019 ArtSplash which was held in Riverside Park; the 2020 festival was cancelled due to the pandemic. This meant a lot of people - including myself - were really excited to attend the 2021 ArtSplash, which was relocated downtown to take place in and around the Sioux City Art Center itself. I think this was a very smart change that highlights the institution and clearly links it to the festival.

I was invited to serve as one of the two 2021 ArtSplash judges, and I was honored and excited to say yes! I visited each of the approximately 50 artist booths and looked closely at the work presented as well as spoke with the artists about their processes. My co-judge and Briar Cliff University art professor Nan Wilson and I then came together, compared our notes, and visited a number of booths again before selecting four Awards of Excellence, a Best 2D, Best 3D, and Best in Show artist.

This was my first time judging an art festival, though I have judged art shows and competitions before. In my previous judging roles, I did so solely based off of the work itself, without access to the artists until after the awards ceremony. I really enjoyed getting to speak with the artists and learning more about the work and process as a part of this ArtSplash judging. Overall, I’d say the 2021 ArtSplash was a blast, and I look forward to 2022 ArtSplash!

My Artist For the Earth Opening Reception!

Well, Earth Day 2021 was quite eventful! I’ll do a separate post on the ART 225 Painting I project we took on earlier in the day, but this post is all about how my opening reception went for my Artist for the Earth solo show at The Block Gallery in downtown Sioux City.

First of all, I want to say a big thank you to the Morningside Art Department federal work study studio art assistants Devyn Reilly and Rachel Steinkamp for helping me to install the show. While I’ve installed many a show alone, it is so much nicer to have skilled help working alongside you! I also had Rachel take some nice shots of the show after we installed it, so I might add more to the blog later, but here are a few photos I took tonight.

The last photo in the grid is thanks to some of my lovely friends, who not only came out to support me at the reception but also gifted me with a bouquet of flowers and purchased artwork and reproductions. A bunch of wonderful colleagues, students, and community members also came through and many left with various pieces of artwork as well. It was a lovely evening!

Upcoming Solo Exhibition: Artist for the Earth Shelby Prindaville at The Block Gallery

I was invited to have a solo exhibition at The Block Gallery in downtown Sioux City, and since my work is ecologically-focused, gallery director Gia Emory and I agreed that opening the show on Earth Day 2021 seemed appropriate! I also went ahead and registered it with the Earth Day Network, which coordinates Artists for the Earth and thus gave me an easy show title to boot!

This show will not only display some of my 2D work, but will also include pieces of my ceramics! I’m quite excited about that, as this will be the first time ever that I’ll be exhibiting ceramic artwork.

The exhibition poster for my Artist for the Earth show at The Block Gallery!

The exhibition poster for my Artist for the Earth show at The Block Gallery!

New Artwork: Synthesis, and Upcoming Invitational Exibition

In late December I was invited to participate in an upcoming exhibition and fundraising support event called The Maskuerade for local art gallery Vangarde Arts which has, as is unfortunately the case with many arts organizations, suffered during the pandemic.

Vangarde Arts has been a great supporter of the arts in Sioux City as well as of Morningside College, so I happily agreed to participate. Vangarde provided each invited artist with a white cotton 3-ply face mask, and asked that each mask be made into a unique artwork. The pieces are then to be auctioned off with the proceeds going to support their organization.

This was more of a challenge than I think many viewers might realize for several reasons:

  • The substrate (the face mask) is rather small and of a defined form already, so there’s limited room to work.

  • As an artist, I think you want to embrace the media you’re working with - so making it unrecognizable as a face mask to me ends up defeating the purpose of the challenge.

  • While I think one could pretty easily paint on a cotton mask as a canvas, I question whether viewers will easily differentiate an original painting from an existing fabric print. This meant I felt I needed to get somewhat sculptural while still embracing the substrate and its intended function in order to really make it transform identifiably into an original artwork.

  • I didn’t want to lose my own artistic focus and hand - I wanted to make this piece work within my oeuvre rather than existing outside of it.

I mentally wrestled for weeks just in trying to develop a concept, and then with only a vague starting point in mind I then physically wrestled with the mask itself for a couple weeks to try to see if that manipulation would inspire me to come up with an artistic solution. Finally all the reflection and experimentation paid off, and with an idea in mind all I then had to do was execute it!

This is Synthesis, a wearable mixed media artwork including a white cotton mask, thread, acrylic, gel, Cladonia rangiferina “reindeer lichen,” Tillandsia usneoides “Spanish moss,” pine needles, and bark. Its dimensions are 7x13x4.5”.

Synthesis, a wearable mixed media artwork including a white cotton mask, thread, acrylic, gel, Cladonia rangiferina, Tillandsia usneoides, pine needles, and bark; 7x13x4.5”, Shelby Prindaville, 2021.

The Maskuerade exhibition will have open house hours on February 11, 12, and 18 from 6-7pm in Vangarde Arts which is located at 416 Pierce St, Sioux City, IA 51101. An online auction will be open from February 15-18, and a silent auction and Fat Tuesday on Friday celebration will be held February 19 at 6pm with a live auction following at 7pm.

I'm a Sioux City Art Center Board of Trustees Member!

Back in October, I learned that the Sioux City Art Center Board of Trustees had a couple openings through a friend already on the Board - so I applied. In December, I had a virtual interview with City Council, and I recently learned that I was approved! I look forward to serving my community in this function for the next two years.

SCAC BoT Certificate.jpg

Current Solo Exhibition: Contact at Eppley Art Gallery

I’m opening up the school year with a solo faculty exhibition, Contact, at Morningside College’s Eppley Art Gallery! If you’re in Sioux City and can safely visit, check out my poster below for all the pertinent details. I’ll show some gallery images later on for those of you who are further afield or unable to attend.

Publication in the 2020 Kiosk

I entered artwork into the jury pool for the 2020 issue of the Kiosk, which is published at my own institution of Morningside College in Sioux City, IA. Two of my pieces, Balancing Act and Camelflage, were selected and the magazine’s print edition will be distributed in a few weeks!  If you’d like to see the digital version, you can browse it here. The 2020 issue is Volume 82, which is a testament to the longstanding tenure of this publication - the first issue was released in 1938.

Pandemic Productivity

Well, the world’s been upended. As a professor, this is the first time I’ve attempted to teach online coursework, and obviously the circumstances - these courses were not designed with online in mind, ISP overloads are causing even my own mid-tier home internet to no longer be able to stream high-quality video between the hours of 7am-2am, students have other demands on their time like familial support and sharing devices and spaces - are sub-optimal for sure. The courses I’ve been teaching this semester include Figure Drawing (no live model anymore and no ability to give rapid critiques on what is the hardest technical subject matter, but at least they can do self-portraits and use public domain imagery), Painting I (honestly, not so bad especially since we had a little over eight weeks in person to lay the groundwork), and Senior Art Seminar (I am mourning the loss of accessible senior thesis shows and receptions but am intrigued about how a virtual exhibition could be executed), as well as overseeing internships. We’re all just trying to cope as best we can with these new circumstances, but from the conversations I’ve been having with students I think we’re all chomping at the bit to be able to return once it’s safe to do so. When that will be, though, is still the big unknown.

I know that I am very lucky in that overall I still have my job and am not currently in financial crisis like millions of others due to this pandemic. The quarantining has nevertheless overhauled my personal life, too, beyond the obvious lack of professional and social gatherings. I really enjoy exercising, but more than that, I also need it - when I’m too sedentary, my back weakens to the point that it then goes out. What seems to work best for back maintenance is regular, long, and fairly high-intensity cardio. However, my knees are not able to cope with high-impact exercise. This means that ellipticals are my favorite workout, followed by swimming and riding stationary bikes. (I’m a gym devotee not only due to the access to low-impact forms of exercise but because I really appreciate climate control when I’m exercising - I sweat a lot even in air conditioned spaces. I also like the ability to watch cable television on their machines since I don’t have cable at home!). Because I can’t do any of my gym workouts, I have been alternating long walks around the neighborhood and riding my bicycle in laps around a nearby elementary school parking lot.

I try to stay out for at least 30 minutes each time, but especially on the walks I aim for an hour since I’m not getting high-intensity exercise from them. I haven’t ridden a real bike (as opposed to a stationary bike) in such a long time that I’m basically relearning how to do so and am not great at controlling it yet, but I’m already improving a little! The neighborhood walks have been both interesting and a bit scary - I was attacked by a loose and very territorially aggressive dog a couple days ago but luckily I wasn’t bitten. I have discovered that Sioux City is not the most walkable place due to a lack of sidewalks and crosswalks on some major streets (Gordon Drive, I’m looking at you). A lot of people also block their driveway sidewalks with vehicles. Furthermore, the weather has not been particularly conducive to outdoor exercise. We had a blizzard that knocked the power out for several hours a week ago, and today I was awoken by the sound of hail and whistling wind. It’s also been quite rainy, which is fairly normal for March but does put a damper (see what I did there?) on being outdoors. But needs must! Here are a few coronavirus door signs I documented on my neighborhood walks.

Since I’m still working (and doing so in a different way that was unplanned-for), I have less free time than one might anticipate. Between work, needing to exercise more frequently since the intensity is lowered, and cooking all of my meals, I’m staying fairly busy. I also have a list of chores I’ve been slowly tackling (filing my taxes are next on the list). But everyone needs some form of fun, and I’ve been feeling just a little too stressed to want to begin a new professional piece - though I hope to begin that soon! So instead, I’ve been making a few ceramics. For professional development, I was sitting in on a section of Ceramics I this semester because it was the one discipline I knew barely anything about, and that seemed like a deficit that especially since I also serve as Art Department Head I wanted to address. I learned some about wheel-throwing (there’s much more there than I’ve mastered as of now, but maybe some day!), and a little about glazing. About six or seven weeks in, I gathered that you can add chunks of rust (aka iron oxide) into the clay and they will add value and texture. What values and textures are TBD each time, though, based on firing and other variables - the iron oxide will likely melt in high-fire temperatures and that can cause cavities and vertical runs! That really captivated me - I think because A) I love color, B) I love nature-based chaos as a compositional wild card, and C) I love the conceptual power of rust. It also opened up the world of additives in general, and I decided to attempt experimenting with adding mica pieces, dried clay bits, and potentially other media like vermiculite too.

Obviously the pandemic has disrupted my ceramics progress, but it hasn’t halted it. I’ve been slowly but steadily making pinch pots at home as a low-pressure creative outlet and form of fun. Here are a few images of some of my current experiments. I won’t see how any of these pieces actually turn out until they’ve been through bisque-firing and then glazing, so probably at this point we’re looking at the fall, but it’s something nice to work on nevertheless!

Moving to Morningside!

Whew, so I still have quite a number of new pieces to show you from my BROTA residency, but I am interrupting the stream of new art piece posts to share that I have finished moving from Leavenworth, KS, to Sioux City, IA, and have officially started at Morningside College!

From the time when I arrived back to the US in mid-June until the end of July, I drove up to Sioux City a number of times - to scope out the rental market (it’s insanely competitive), to sign the lease on my new house, to accompany the movers, to escort my enormous plant collection, and finally, to move myself and Ashlar the gargoyle gecko. I’ve now been in Sioux City for a little over two weeks, and while there are still boxes everywhere I turn, I’m making progress at unpacking every day and have even started work (though classes don’t start until August 21st).

I’m excited to dive into the vibrant art community both at Morningside and in Sioux City! I also need to get back into my normal exhibition schedule, as I took a bit of a hiatus due to the move and the fact that the return shipping address for the artwork was a big unknown for a while…

Time for a New Adventure!

I am very excited to announce that I have accepted a new position starting in the fall at Morningside College in Sioux City, IA, as Art Department Head, Director of the Helen Levitt Art Gallery, and Associate Professor of Art. Morningside is a great liberal arts college with a vibrant art community, and I am enthusiastically looking forward to this new adventure and the career progression it offers me!

Nevertheless, I have been honored to have served the University of Saint Mary as Art Program Director and Assistant Professor of Art for six years, and to have earned tenure and promotion in rank to Associate Professor just as I am departing. I will miss the many amazing faculty members, staff, students, and SCL, as well as the beautiful campus, that make USM unique. I learned a lot in my time at USM and will be leaving with a multitude of treasured memories and strong friendships.

Here’s to embracing change, opportunity, and growth!