botanical garden art

BROTA and Buenos Aires Series "Transmigration Landscapes" Failed Tests

I experimented with a number of different chromatography processes to learn which method would be conceptually and aesthetically strongest for my own practice. Two of the failed tests I did were interesting enough in their own right that I kept them, too, though as is evident they use a different technique that proved less effective at pigment differentiation than the process I used for the main Transmigration Landscapes.

These are, respectively, Failed Test 1 and Failed Test 3.

BROTA and Buenos Aires Series "Transmigration Landscapes"

I had my chromatography series Transmigration Landscapes framed right before moving, and so I’ve taken the time to photograph the pieces in their final form! From this Buenos Aires Botanical Garden collection, there are seven framed pieces each containing five loosely grouped chromatography plant portraits. The framed dimensions are 8.875x30”.

These are, in order:
Transmigration Landscapes : Arc
Transmigration Landscapes: Atmosphere
Transmigration Landscapes: Cadence
Transmigration Landscapes: Flare
Transmigration Landscapes: Percussive
Transmigration Landscapes: Reflective
Transmigration Landscapes: Vibration

BROTA and Buenos Aires Series "Gardens of Memory" Sacred Fig Skeleton

This is one of my favorites (I have several!) of my new pieces from this residency - it’s perfect in its deceptive simplicity. I say deceptive because work went into obtaining the components of this piece, from learning how to make banana paper while on residency in Peru, to sifting through hundreds of fallen leaves in the Buenos Aires Botanical Garden before finding this perfect leaf skeleton specimen, to discovering that the two suited each other beautifully.

This artwork is mixed media including a Ficus religiosa skeleton leaf, matte medium, and handmade banana paper and is 17x11” (unframed dimensions).

BROTA and Buenos Aires Series "Gardens of Memory" London Planetree Leaf

And here is another mixed media leaf piece in the overall Gardens of Memory series. This one includes a London planetree leaf, methylcellulose, toner, and acrylic on artisanal handmade silk paper.

BROTA and Buenos Aires Artwork Series "Gardens of Memory" Oak Leaf

This is another mixed media leaf piece in the overall Gardens of Memory series. This one includes an oak leaf, methylcellulose, toner, and acrylic on artisanal handmade silk paper.

BROTA and Buenos Aires Series "Gardens of Memory" Homes

My new photographic transfer technique using methylcellulose and toner doesn’t require a flat surface for the substrate, so I also created this piece Gardens of Memory: Homes. Eventually displayed on a small marble pedestal, it is a mixed media sculpture including a found snail shell, bird’s nest, methylcellulose, and toner. The piece is probably a little larger than you might imagine - its core dimensions without the pedestal are 5.125 x 5.125 x 3.5”. The snail shell is that of an apple snail, so titled because they can grow to the size of an apple. I sold this piece while in Buenos Aires to another artist, the very talented Masako Kano.

BROTA and Buenos Aires Artwork Series "Gardens of Memory" Sycamore Leaf Diptych

Here is a new diptych, meaning partner pieces that will always be shown together. Diptychs can also be framed or otherwise physically linked together, too, but in this case I am framing them separately. These are mixed media pieces including sycamore leaves, methylcellulose, toner, and acrylic on artisanal handmade papers. The first paper is a very eco-friendly renewable dyed banana paper that I collaboratively made on a former residency in Peru, and the second is a handmade silk paper from Ato Menegazzo Papeles in Buenos Aires.

BROTA and Buenos Aires Artwork Series "Gardens of Memory"

As you can see in this earlier post, I worked atop two very large trunk cross-sections for a permanent outdoor installation. I also worked atop smaller trunk and/or branch cross-sections as well. Here are four new pieces in my “Gardens of Memory” series. The series is so titled because the substrate is very directly a part of a once-living tree (paper is too, but in a more distanced form), and the images atop it are from various botanical gardens I’ve frequented.

BROTA and Buenos Aires Outdoor Installation Pieces

Here are two partner pieces I created to donate and install permanently in Buenos Aires after I leave with the help of BROTA! They are both mixed media pieces including acrylic, methylcellulose, toner, and marine varnish on a tree trunk cross-section, and will be diagonally mounted on wooden poles outdoors when installed. The institution that will host these works is yet to be determined. The two pieces are part of my Garden Memories series.

BROTA and Buenos Aires Artwork Series "Transmigration Landscapes" Preview

With permission from the Buenos Aires Botanical Garden, I have been taking plant samples and using chromatography to create a series of very literal plant self-portraits that also function as abstract landscapes. I am titling this series Transmigration Landscapes. There are 35 of these portraits, as well as 2 test designs that I liked enough to keep as well. Since I currently don’t have access to a scanner, processing photos of each to share clean images of the work requires a significant investment of time, so I figured I’d share a peek now with the promise of more to come!