new artwork

BROTA and Buenos Aires Artwork 1

I’ve been working on two different series of artwork from the start using the new-to-me methylcellulose and chromatography papers, but both are very experimental and I’m not sure exactly what the finished products should even look like at this point. That’s why I’ve yet to reveal much in terms of production other than a couple early test images from the chromatography papers.

However, I started feeling anxious about how experimental I’m being - of course it’s good to experiment, but I wanted the comfort of completing a more traditionally “me” type of piece with a clear end point. Plus, I bought those artisanal handmade papers from Ato Menegazzo Papeles, and it would be a shame not to even work on some while here!

So while this isn’t the first artwork I’ve created here, it’s the first I am declaring finished! The painting is of a dwarf water hyacinth, Eichhornia crassipes. The common names in Spanish for this plant are (as per Wikipedia): jacinto de agua, flor de bora, camalote, aguapey, lechuguín, tarope, tarulla o reyna. I chose this plant in particular because I love how graphic and full of character it is, and the fact that it’s an aquatic plant means that the whole of the plant, including its root system, can be shown in a figure-ground relationship that also celebrates the handmade paper. Water hyacinth is an ornamental plant that is occasionally consumed and used medicinally, but is also highly invasive in warm climates and is often illegal to own or sell. An interesting dichotomy that inspired my current tentative title: Adrift.

New Artwork: Puffinry

I haven't actually added paint to this piece in a couple months, but I also hadn't decided it was done either.  I'm finally willing to call it and say it's officially finished!

This piece is acrylic on birch panel, 20x10", and is titled Puffinry.

La Pedrada de Noemi Artwork 3

This piece is rather quiet, even though it features a loud subject - the Ornate Wrasse, Thalassoma pavo.  I am particularly pleased with the background, which is in keeping with my overall style but also references the refraction patterns of the ocean.  I also think this painting shows that though the Ornate Wrasse is brightly colored, it can blend in surprisingly well.

It is acrylic on pastelbord, 9x12", and I'm still wrestling with the title.

La Pedrada de Noemi Artwork 2

This acrylic on gessobord is quite small - only 5x7" - and purposefully awkward.  To me it's simultaneously uncomfortable and amusing.  The subject is a redlip or horseface blenny, Ophioblennius atlanticus.  I'm titling it Stage Left.  This painting also uses iridescent gold in both the background and the eyes, so it too is more arresting in person than in photo.

La Pedrada de Noemi Artwork 1

Here's the first finished piece of artwork from my residency!  It features two Canary damselfish, Similiparma lurida and/or Abudefduf luridus.  There are a lot of this species in the Zoco Negro where I went snorkeling and had my scuba diving "baptism."  The males are territorial, and this species is occasionally called sergeant major (though the name more commonly applies to a different damselfish species).  I've decided to name this painting Reconnaissance.  It is acrylic on pastelbord, 11x14", and looks even nicer in person because the water and the eyes of the fish have iridescent silver and gold paint on them, respectively, and so they shine intensely depending on viewer angle and interior light levels.

Intercambiador ACART Residency Journal 5 - New Artwork!

Here's my first painting featuring a fox kit I met while in Portugal.  City Solstice, acrylic on canvas, 14 5/8 x 22 5/8".  I'm not 100% certain, but given the very thin margin I left, I think I'll be framing it (ugh, the cost though!).