Vulpes vulpes

Phoenix Athens Residency Artwork 10

A photo of a section of a cave wall near where I harvested my pigment - this spot had just a couple of red ochre ribbons, but deeper into the cave there was a bigger deposit.

I started making the substrate for this piece in Athens, but I continued it after my return home and painted it here! The background is special - the substrate is made of white concrete mixed with natural cave pigment I harvested at in an abandoned silver mine tunnel on my friend’s monastery grounds and then processed into powder. I believe it is red ochre, which is one of the original archaic pigments used in ancient cave paintings. I also applied the red ochre to the surface for extra pigmentation.

The subject matter is a wild adult male red fox (Vulpes vulpes) which I got to observe on Mount Lycabettus due to the kindness of my field biologist friend Dimitris! He discovered that this fox shifts dens around 8am when the sun begins to infiltrate his early morning den; the one he moves into a narrow cave tunnel with two openings in a cliff face. Watching him navigate an almost sheer rock wall to get to that second den was witnessing a truly skilled athlete in action.

I like that the substrate and the subject both have caves in common, and though I glazed the whole of the fox irises with gold, a portion of them beneath the glaze are just the raw red ochre. I managed to finish this piece in time to install it in my Materiality show in Eppley Art Gallery, so it’s on display there through October 7th if you’d like to see it in person!

This is Ancient Origins, acrylic, artist-harvested red ochre natural cave pigment, and concrete on recycled wood round, 17.5x17.5x.75”, 2023.

Shelby Prindaville's acrylic painting of a red fox atop artist-harvested natural red ochre cave pigment and concrete on a recycled wood round.

Week 5 in Athens

I started off my fifth week by working in the studio, this time with the angle grinder and a diamond blade, cutting all my found pieces of street and paving tiles and stones to approximately the same height and then cementing them into a mosaic. I continued working in the studio (mostly painting) on Tuesday and Wednesday as well. On Thursday, I took an early morning hike up Mount Lycabettus again with my new field biologist friend as he had located one of a wild male fox’s dens, and knew I’d like to see it! Fox time is even earlier than tortoise time, so afterward I had breakfast at a cafe on the mountain and then revisited my two tortoises. The smaller, likely female tortoise had just finished her repast and began to enter her burrow. The rest of the day I was back to work, and I kept it half of Friday as well… and then, it was installation time for my show.

I bought L-shaped installation screws from the local hardware store and installation went relatively smoothly… except for one wall, which after we laboriously installed most of Marginated (I paired one tile of it with one tile from Symbolism in a separate spot) had a too-big-to-ignore blank area, but it was too small for any other artwork. I really didn’t want to move Marginated, so I thought about it and realized that a small mirror would be conceptually powerful and aesthetically perfect. I’d titled my show Athenian Habitat, so a mirror puts the viewer into the ecosystem - which they are - and adds some actual life and movement into the exhibition. The next problem was where to find the right mirror! I thought it was possible one might be sold at the general store I purchased my tree slice from, and I was right… but they were only sold as a part of a mixed media home decor sculpture which had two circular mirrors but also several decorative tin discs and a metal rod and plate display.

I went to five other stores (a home goods store, a pharmacy, a supermarket, and two hardware stores) and none of them had what I wanted and weren’t sure exactly where to go though I was recommended Ikea (which is quite a distance away!). I didn’t want to spend another day or two hunting for another option, so I decided that one of the mirrors in the mixed media home decor sculpture would work… if I could get them off in one piece, as they were soldered onto the other metal design elements and armature.

I had to overpay for the components I wanted since they came attached to a bunch I didn’t, and then as I walked back I began just trying to dissemble it by hand. I got the smaller of the two mirrors involved off pretty easily! Then I started working on the big one as I arrived back at the gallery. Dimitri came over to try to help, but he shattered the larger one in his attempt. I eventually got it off anyhow, but the shattered glass was distracting rather than complementary so I went with the smaller of the mirrors.

On Saturday it was really hot, so I had intended to go to the Byzantine & Christian Museum but I ended up just going back to the studio to work. Dimitri and Maria put together a barbecue dinner (with some vegetarian options!) that evening in part to celebrate my exhibition opening, which was very fun! I did make my visit to the Byzantine Museum happen on Sunday, though, even though it was again really hot (due to the heat wave named Cerberus), and then Dimitri and Maria had such a nice time they wanted a redux dinner… but this time the police shut down their outdoor grilling. They persevered with hot plates and a griddle indoors, and I enjoyed their Za'atar pita dressing!