Upcoming: BROTA Artist Residency with the Buenos Aires Botanical Garden!

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I am very excited to share that I was invited to be the second artist in residence ever at the BROTA International Residency Program in collaboration with the Buenos Aires Botanical Garden (Jardín Botánico Carlos Thays) this summer!

I will be at BROTA for a month-long residency spanning May 15 - June 15, 2019. I’m slated to have two exhibitions, one in the Buenos Aires Botanical Garden and one in the BROTA exhibition space. It’s a fantastic opportunity to focus a new body of work on botanical subject matter and I’m also looking forward to getting a chance to experience Argentina for the first time!

Estoy muy emocionada de compartir que voy a atender el programa de residencia internacional BROTA con el Jardín Botánico Carlos Thays de Buenos Aires este verano. Voy a quedar allí un mes - desde el 15 de mayo hasta el 15 de junio de 2019. El plan es tener dos exposiciones, una en el Jardín Botánico y otra en el espacio de exhibición de BROTA. ¡Es una oportunidad fantástica para enfocarme en un nuevo cuerpo de trabajo sobre un tema botánico, y también voy a experimentar la cultura argentina por primera vez!

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Artist Residency Advice

Are you considering going on an artist residency but aren’t sure if it’s a good idea? Maybe I can help you sort through your thoughts. I have been on eight different residencies thus far, and have a range of experiences to draw from in my reflections. Since some of what’s going to come up might make it sound like I dislike residencies, let me just state right at the beginning that I love being an artist-in-residence! I do, however, think it is very important to fully think through your residency plans to make sure that you, too, have great experiences.

1. Have you been on any other artist residencies before?

If not, you may not be sure if residencies are for you or you may be sure… but nevertheless hate it when you get there. All but one of my residencies (I’ve been on eight) have had artists apply, arrive, and flee early. This is even more surprising when you consider that typically residents have already purchased round-trip tickets, have made rental car arrangements, and other financial decisions that mean the cost of leaving early can be very expensive indeed compared to just sticking it out once already there. Here are some of the reasons I’ve heard as to why people have left early:

  • They thought the residency would inspire them during a period of creative funk, but once they arrived, unpacked, and sat down in the studio in front of an empty easel or table, they feel blocked even more intensely.

  • They applied to a very isolated residency with few people around, and while this fact was disclosed and they thought they were comfortable with the isolation, in reality it was very scary and they couldn’t handle it.

  • They applied to a rural residency - out in nature - thinking romantically of strolls through a forest. They left when they discovered that insects including mosquitoes, flies, spiders, beetles, and ants regularly got into their living spaces and they could hear large animal noises outside at night.

  • They either through lack of research or misleading advertising copy were physically unprepared for the residency. Several that I have attended required twenty-minute steep climbs up a mountain. One had only a sawdust toilet. Several had no hot water. A couple required boiling the water to make it potable.

  • There was no reliable internet or cell phone connection on the residency site and while they knew in advance about that, they didn’t fully appreciate how much that changed their comfort levels and/or process.

If you’ve never been on a residency before and want to try it out, I recommend doing a short domestic one to minimize costs and dip your toes into the experience before taking on a longer-term or international one. Even if your residency is fully funded (more on this in question 5 below), it is still costly to do a residency as many fully-funded ones nevertheless don’t pay for travel costs as well and there are often associated charges that rack up (taxis to airports or airport parking, higher food costs due to unfamiliar and sometimes restricted setups at the residency, costs of renting a car or of public transit, paying someone to look after your pets/plants, etc). Dipping your toes in can let you begin to get a taste for whether or not you like them and what your preferences would be moving forward.

If you have been on a residency before, you have probably started to form some opinions about them - the importance (or insignificance) to you of location, number of other residents, studio setup, exhibition space, duration, provided amenities, cost/payment, and application fees are all factors to consider.

2. What are your primary motivations for going on residencies? Will the one you’re considering satisfy those?

I like to escape from the familiar patterns at home that take away time making art - hanging out with friends, going to the gym, hitting up the local farmers market, etc - and really focus on artwork production. I enjoy exposure to new and different ways to live, and love immersing myself in new ecosystems.

Residencies not only build my professional standing through artwork generation and exhibition but also improve my teaching.  Attending residencies has allowed me to expand my network of artists, galleries, and opportunities, which I can then share with my students through guest artist lectures and exhibitions in my institution and exhibition opportunities for our students.  Residencies also facilitate conversations with other art professors and instructors, expose me to new classroom exercises, and allow me the opportunity to visit world-class museums with art collections that I can reference in the classroom.

I know why I go on residencies and get a lot out of attending them. You may not have the same desires for going on one, though, and your motivations may or may not be realistically achievable in the residency you’ve chosen. For example, if you want to see other artists’ studio practices, applying to a solitary residency (I’ve been on four where I was the only artist in residence during my stay) is a bad idea.

Here’s another example of thinking through your motivations: I speak Spanish proficiently and therefore attend residencies in Spanish-speaking places often. More often than not my fellow artist residents have little to no Spanish proficiency (they were allowed to fill out the application to the residency in English), and they are regularly surprised by how limiting not speaking the local language can be both in their day-to-day existence and in their arts scene engagement, and several felt somewhat dissatisfied in the end by that limitation.

3. Have you researched the residency, the town or city the residency is in or outside of, the country, the weather that time of year, the crime level, and so forth?

It is really important to be educated beforehand about what you might experience, particularly if your destination is international. For instance, I knew that there was limited electricity in the Peruvian Amazon residency I attended and I brought a very useful solar light along with me. I also got a few vaccines - yellow fever, for instance - in advance of heading off to that residency and brought some anti-malarial medication along just in case. You should brush up on at least a few phrases in whatever the primary language is - I learned some French and Portuguese prior to my residencies in France and Portugal and they both proved quite handy. You’ll possibly need travel adapters, or even voltage converters, for your electronics. Are you going to rent a car? Will you be driving on the side of the road that you’re used to? The list goes on, and varies tremendously.

4. Have you reached out to former residents to get a better idea of what the residency will be like?

I really recommend this; do research on who has previously attended the residency and read any of their blog posts about it, and perhaps even shoot a few of them emails asking for their advice for you. Even if they loved it, they may have great packing advice, and if there were points they didn’t like so much that’s helpful knowledge to have when you’re making your own determinations about attending.

5. How much is the residency you’re thinking of attending charging and/or providing you in terms of a stipend? Are there any donation, workshop sessions, work hours, or other requirements associated with the residency?

There are a lot of amazing residency opportunities out there… and then there are more than a few that are clearly money-making operations that are perhaps better understood as a vacation-in-disguise rather than a work arrangement. There’s absolutely a place in the world for that latter type, too, but you really want to go into your residency understanding which it is and whether that serves your purposes.

I only attend places that are “split-cost” or “fully-funded” residencies. Split-cost residencies share the cost with the artist; they are not free but rather partially subsidized. There is a fee you will pay to the program that covers your share of the housing, studio space, marketing, exhibition space, and other needs in a “split-cost” residency, but the host organization is also covering part of the cost. Fully-funded residencies have no costs to attend (though most don’t pay for your travel to get to and from the site) and some even have stipends. Most that have stipends do have some compensating task you complete for the host organization, however - it could be donating some of the work you make during the residency, or leading a workshop for a local audience, or contributing to the overall property (gardening, cleaning, cooking for the group, etc) in a certain number of work hours per week. Be realistic about what you are willing and able to do!

I have several reasons why I only attend split-cost or fully-funded residencies. Most importantly, I think that having the host organization bear some or all of the cost makes them more selective of their residents and more professional in their residency requirements and structure. It also looks better on your resume or CV! I also find that split-cost or fully-funded residencies are what fit into my budget. You might reasonably then wonder why I don’t only attend fully-funded residencies - the answer is that there are only a few international residency opportunities that are fully-funded, and of those, even fewer that fit into my summer availability. Since my artwork has an ecological focus, having an international studio practice is important to me and worth a reasonable shared cost to me.

You may be considering a “full-cost” residency, however, where you would be paying for everything at tourist/consumer prices. If so, just make sure you get your money’s worth and consider any amenities offered that may make the price point more reasonable, like covered meals, transport, guest availability, and so on. Also note that many full-cost residencies have a more service provider-customer relationship rather than an arts program-artist relationship, and that does impact the tenor of the residency. A number of full-cost options also don’t actually require/expect that you make artwork while there, which some people enjoy as it takes some pressure off but can also somewhat defeat the purpose of going on a residency as opposed to just a vacation in a local hotel or Airbnb.

6. Is the specific residency you’re considering actually a good fit?

This question sort of loops back around to the points brought up in several of the other questions. Be honest with yourself and introspective, and really think through if the residency will be a good fit. Will there be any other residents on site while you are there? Will you have to share a room? Will you need to be comfortable staying in a co-ed space? Will you be lonely? Will you have internet access? Is there a kiln? Will you get to exhibit? Is the location one you want to be in for the length of time of the residency? Will you feel safe? Will you have easy transportation options? Can you cook for yourself?

Again, I know that I may sound like I think residencies are terrifying, unproductive experiences - and while on a rare occasion they unfortunately can be, I’ve been fortunate to have in general benefited personally and professionally from the ones I’ve attended. But the takeaway is that not all residencies are right for all artists, so doing your homework and reflecting on your own motivations and needs will go a long way towards ensuring that if you do attend a residency, you have a great time and perhaps even make some new lifelong friends!

Finally, here are some of the biggest residency aggregation sites to browse through to find your first, or next, residency!

Res Artis



La Pedrada de Noemi Residency Journal 6

Sorry for the break in updates - I ended up being in several places without internet as I'll be discussing!  Anyway, back to the journal...

It turned out Sunday ended up not being so good for Sella either, and I had gotten wrapped up in a painting, so I had another studio day.  Then Monday was spent getting ready for the solo exhibition Noemi had arranged for me in La Casa Museo Orlando Hernandez (The Orlando Hernandez House Museum); we got the keys to the place from the local government and scoped it out, prepared the exhibition room, and got double-sided mounting tape to help secure my pieces to the walls.  Tuesday evening was my opening, but that morning Noemi had arranged for me to visit the northern part of the island's recycling center for a tour as a part of a group (she had originally planned to come as well, but ended up needing to sit for state exams that day).  I was a little skeptical of how interesting it would be and also had yet to install the artwork or shop for the reception refreshments, but Noemi said she thought it would take around an hour and really wanted me to go.  So I went!  It actually took three and a half hours, and only about half an hour of it was interesting (touring the actual facilities).  The other three hours involved watching videos and protracted lectures and Q&As about the importance and minutiae of recycling - in my case, at least, preaching to the bored choir.  But I got back with - just! - enough time to eat lunch, install my artwork, and run to SPAR to buy some refreshments.  The reception went well, and then the rest of the week I babysat the exhibition (with no internet) and started some new pieces from within the exhibition itself - a sort of performance art in its own way!  On Friday I did an artist lecture and a demo of QuickCure Clay, and then later on another exhibition opened up in an adjoining space, and their reception also flooded over into mine and I had a hopping second reception-of-sorts as well.

Over the weekend Noemi took me to the north to see the towns of Arucas and Gáldar, and we visited the Painted Cave museum, where we got a chance to glimpse aboriginal cave paintings from a carefully monitored chamber so as to attempt to preserve what's left of the paintings after severe degradation from tourists during the late 70's and 80's.  Noemi also thought I should try paragliding, so she arranged for a friend to take me up in a tandem parachute!  I'm up for new things, so I did it, and I'm glad I had the experience - but I didn't enjoy it very much.  I get pretty motion sick, and the turning and swooping set it off quite strongly.  I also got bored with it after the first few minutes - we just sort of looped back and forth over the same bit of land, and once I'd taken it in... the views were extremely similar to what you'd see out of an airplane, so it felt more normal than I would've thought.  I love scuba diving, though, and I know that is not everyone's bag, so I'm still pleased I gave paragliding a go.  On Sunday we visited the Maspalomas area so that I could see the sand dunes, which were beautiful, and I got a taste of the Maspalomas beach as well which is a tourist hotspot (it turns into Playa del Ingles, which is the most well known) and was absolutely crammed with people.  I prefer the beach at Las Canteras in Las Palmas or in Arinaga, honestly.  Then we went up to see Sella, finally, and her place was great!  She runs a retreat center called EcoTara where groups with instructors book in to run yoga and other health and lifestyle retreats.  We spent a lazy afternoon there, and the drives along the way both coming and going were spectacular as well.

Then we took my show down (the other exhibition in the adjoining space kindly babysat mine as well over the weekend), and I went down to Arinaga to rejoin Silviu, who had been busy scoping out opportunities for me to have a second exhibition down there, because he's just that lovely of a person.  We spent the next day figuring out where I'd have the second show, and La Canela y Hierbabuena said they'd love to have me.

La Pedrada de Noemi Artwork 5

And another one - I've done a piece on a very similar frog in relief before (The Slightest Disturbance), and now here's a painting from a different angle of a marsh frog, Rana ridibunda and/or Pelophylax ridibundus, from the Jardín Botánico Canario Viera y Clavijo.  This piece is acrylic on gessobord, 5x7", and is titled Comfort Zone.

La Pedrada de Noemi Assemblages 1 & 2

Here are the two assemblages I created during my sick day - they obviously differ quite a bit from my normal artwork, but I enjoy them nevertheless.

The first I'm titling See Turtle and is made of beachcombed stones, epoxy, and acrylic on a 6x6" birch panel used as a shadowbox.  I did not paint or change the appearance of any of the found materials.  I did paint the panel.

The second doesn't have a definitive title yet, but perhaps it will be Beachcombing.  It is made of beachcombed stones and shells, epoxy, and acrylic on a 6x6" birch panel used as a shadowbox.  I did not paint or change the appearance of any of the found materials.  I did paint the panel.

I realize they are rather simple, but I like the concept that these were a collaboration between the local people (those who originally used the concrete/stones for construction and decoration), the ocean (which shaped them into what they are today and also contributed the two shells on the second piece) and myself (the arranger).  I also enjoy taking departures every now and then from my typical practice!

La Pedrada de Noemi Residency Journal 5

We decided to do a late evening scuba dive on Tuesday afternoon so I headed over to Arinaga and we went out at around 7:30pm.  It was a really magical dive - at first, I saw many familiar fish, but we got closer to them (I think Silviu realized from seeing my paintings that I really make use of detailed reference imagery).  But then toward the latter half of the dive we saw: a moray eel - its head, at any rate, a trumpet fish up close (we'd previously seen two from farther away), a cuttlefish (!!!!!!!!), and from rather afar, a very large manta ray, locally called a "chucho negro."  Some we didn't necessarily get good camera angles on or my camera itself couldn't handle the distance, but it was nevertheless completely magical.  I had hoped I would get to see a chucho negro at some point while here, but I never imagined I would be lucky enough to see a cuttlefish.  They are possibly my favorite marine animal.  (Though this dive's perfection was a little bit balanced by the fact that I was wearing a different mask and it kept letting in some water such that I couldn't see everything quite so well and was a little preoccupied by it; it's not that it's super problematic in that you breathe through your mouth anyways when scuba diving so having water around your nose isn't so bad, but depending on your orientation in the water - if you turn upside down due to buoyancy issues or because you're looking under a cliff - it can get in and around your eyes and it's ocean water - plus even if it's just hanging out in/around your nose, it's not the most comfortable thing in the world.)

We spent quite a while on this dive, and when we came back we got cleaned up and then had a meal and I spent the night in Silviu's spare apartment since it was so late.  The next day we thought we might go for a very short dive again, but we didn't have that much air left in the tanks and Silviu had a sore throat and felt very lethargic so we scrapped that plan - I totally understood and anyway, the dive the night before was so amazing I'm not sure an immediate follow-up could have possibly lived up to it.  Silviu has been wanting to do some art projects of his own and wanted to trade expertise with me, so we spent the day looking at the materials he already has, discussing options, and then in the evening we went to a giant Chinese bazaar to buy more LED light strings for his projects as he's interested in making artistic light boxes.  I spent the night again since we were doing stuff quite late into the evening.  Sadly, the next morning I too woke up with a sore throat and somewhat lethargic/dizzy.  Since Silviu wasn't planning on doing a whole lot that day art-wise, and since I was likely coming down with what he had had, I begged out of sticking around midday and went back to Noemi's place to chill.

The following day was meant to be a work day, but I was definitely sick.  I thought if I tried to paint that I'd just make more work for myself to have to undo, so I sorted some beachcombed findings and created a couple of assemblages.

I was going to go with Silviu up to Noemi's sister Sella's yoga retreat in the mountains on Saturday (Noemi wanted to take me, but she is taking a state exam to attempt to win a highly competitive place as a public school art instructor this weekend), but Friday was rough enough that I still needed to do basic things like shower (well, here it is somewhat more involved given that the water is only intermittently warm and my shower doesn't have a shower curtain so I have to be rather careful about where I aim the shower head) and buy groceries so I could eat breakfast, so I thought trying to spend the whole day out and about sounded overwhelming.  Luckily, when I asked if we could postpone that a day Silviu said Sella was a bit busy on Saturday anyway and Sunday was ideal.

Fortunately, Saturday I woke up on the mend - still sick, but with a much clearer head and the energy to actually shower and walk to the grocery store and work in the studio!

La Pedrada de Noemi Artwork 3

This piece is rather quiet, even though it features a loud subject - the Ornate Wrasse, Thalassoma pavo.  I am particularly pleased with the background, which is in keeping with my overall style but also references the refraction patterns of the ocean.  I also think this painting shows that though the Ornate Wrasse is brightly colored, it can blend in surprisingly well.

It is acrylic on pastelbord, 9x12", and I'm still wrestling with the title.

La Pedrada de Noemi Residency Journal 4

Silviu's partner was still in the hospital on Wednesday, so I had another studio day.  Then the following day I caught a ride into Las Palmas with Noemi and explored the old Vegueta district where the Centro Atlántico de Arte Moderno (CAAM) is located - which currently has a very nice exhibit of feminist modern art on the 1 1/2 floor.  Then I walked through the more modern commercial Triana district, found the San Telmo guagua station and took guagua 12 to Playa De Las Canteras which is a rather touristy beach area on the northwest of the city and walked all the way down the beach toward the auditorium.  Playa De Las Canteras is very pretty; there is normal sandy beach, rocky sections, and some small spots of black sand beach.  It seems particularly suited for surfing, or at least that's what I saw most people doing!

After all of that walking I was kind of pooped by the time I got home that afternoon!  I decided I wanted a bit more adventure, though, so the following day I took a guagua to Las Palmas and another to the Jardín Botánico Viera y Clavijo.  This botanical garden is all open air - no greenhouses - and is carved into a mountainside, so there's rather a lot of climbing to get from one side to the other.  My bus stop was on the tall side, so I had to descend to see the bulk of the park.  As I entered and was preparing to go down, I noticed some people taking photos in a direction that was not very interesting... and then saw they were taking photos of a largarto, a type of lizard native to the Canary Islands.  So I joined in but after I'd captured a few pictures it skedaddled.  Another man who seemed to be a frequent visitor mentioned that if you had some bread or fruit you could lure them out.  I had some old croissant in my bag, so I gave some to him to try, but none seemed interested at that time.

So I made my way down, exploring the mountainside vegetation at the same time while passing by several signs warning of rock slides and disclaiming liability on the park's behalf.  It felt like a really long descent, but eventually I was more or less on the bottom level of the park and I explored the ponds, small forests, palm section, the cactus area, a waterfall, and so on.  Then I considered finding a bus from the bottom as ascending seemed like a lot of work, but I thought about the largarto sighting and decided to return to my own bus stop and hope to see more lizards along the way.  I did spot a couple from afar, but they were quite skittish.  But once I made my way up to the top (and the way up surprisingly seemed like much less work than the way down - I think because I knew where I was going this time!) I tried the bread strategy again and actually enticed one!  Sharing my old croissant with that lizard was a real highlight, and there will certainly be at least one painting that comes from it.

I hiked back up to the bus stop, and took a bus back into San Telmo.  Noemi had told me that she might be able to take me back and also that we could see an exhibition opening that evening in Las Palmas, so I wasn't in a big hurry to go back to Agüimes yet - so since she prefers to meet near the auditorium I took guagua 12 to Playa De Las Canteras again and ate a very late lunch there, sat on one of the black sand beaches for a bit, explored a local shopping mall, and then met up with Noemi at a nearby cafe.  She said the exhibition opening had been misinformation - it actually wasn't that evening - but that there was a concert starting at 9pm if I wanted.  I was pretty tired from all the hiking and walking around, though, and live concerts aren't actually my jam (give me nature any day over being crammed into a space with a ton of other people jostling around) so I said I'd prefer to head back if it was all the same to her.  So we stopped by her mother's place to pick up some things and say hi, stopped by a cafe to chat with some of her friends, and then returned.

The next day we had planned to go up north as she was going to show me a town called Agaete, but Noemi had slept poorly due to anxiety about upcoming exams she has so she begged off.  Instead I had another studio day!  The following day I had arranged to go back to Arinaga and see Silviu, who I was missing since we had spent four days together and then a week away.  He has a German friend, Helmut, staying with him for a few weeks.  When I got to Silviu's we thought we might go snorkeling, but then realized we really didn't have time as we had plans to go to a different barbecue in Moya that afternoon and watch the World Cup game between Germany and Mexico.  So I had a non-work day (neither painting nor getting firsthand experiences/taking reference images) but it was a really enjoyable one.  Our hosts were very nice, and their daughter is a cosplay artist and I enjoyed seeing her work and discussing it with her, plus of course Silviu is so nice.  Monday Silviu had to sing and also his partner was finally getting to come home from the hospital, so I stayed back in Agüimes and had another studio day.

La Pedrada de Noemi Artwork 2

This acrylic on gessobord is quite small - only 5x7" - and purposefully awkward.  To me it's simultaneously uncomfortable and amusing.  The subject is a redlip or horseface blenny, Ophioblennius atlanticus.  I'm titling it Stage Left.  This painting also uses iridescent gold in both the background and the eyes, so it too is more arresting in person than in photo.

La Pedrada de Noemi Residency Journal 3

Whew, the last two journal entries were long!  It's because each felt like it had its own narrative and that I needed to see it through in one go, but I'll make this one shorter.

The next day, I just stayed at home and painted, with a brief sojourn to look at a parade and a pop-up plaza fair in honor of the worldwide day of donating blood.  Then on Sunday Noemi drove the two of us up to a barbecue in the mountains, at a public park by a lake with grills and picnic tables dotted around.  A medium-large group of her friends and acquaintances gathered, and I managed to converse all right with a number of people while eating delicious queso fresco, salted potatoes with mojo, and grilled vegetables and drinking a mojito, a mildly alcoholic cider, and a mildly alcoholic beer, all followed by desserts - I was stuffed by the end, but the eating was spread out over about four hours.  I also in that time managed to sunburn my forearms; thankfully I at least has the prescience (and at the beginning, the cold) to wear an elbow-length sleeved lightweight top, so I didn't burn more.

I was going to go back to Silviu's and do more diving/snorkeling on Monday, but his partner has been in the hospital this whole time and they decided to move him so Silviu quite rightfully needed to help out his partner with the relocation.  So I stayed home and painted.  I was actually a little happy about the cancellation, as I have an exhibition soonish and no artwork (yet) to show in it!  We were going to meet the following day, Tuesday, instead, but then Ricardo's doctors decided to operate on him so we canceled that date as well.  I explored some of Agüimes in the morning, failed to withdraw money from two different ATMs (a Bankia and a Santender) three times, had a costly call to Chase to troubleshoot why which included both my selecting the wrong type of account followed by a fraud trigger (despite my having lodged a travel notification before leaving), walked back down to the bank and managed to withdraw money, and returned to paint by early afternoon.

La Pedrada de Noemi Artwork 1

Here's the first finished piece of artwork from my residency!  It features two Canary damselfish, Similiparma lurida and/or Abudefduf luridus.  There are a lot of this species in the Zoco Negro where I went snorkeling and had my scuba diving "baptism."  The males are territorial, and this species is occasionally called sergeant major (though the name more commonly applies to a different damselfish species).  I've decided to name this painting Reconnaissance.  It is acrylic on pastelbord, 11x14", and looks even nicer in person because the water and the eyes of the fish have iridescent silver and gold paint on them, respectively, and so they shine intensely depending on viewer angle and interior light levels.

La Pedrada de Noemi Residency Journal 2

The fourth day I took the bus (called la guagua here) down into Arinaga to meet with Silviu.  This in itself was more complicated than I would've thought as no one sold ticket cards in the station until later on and also while Noemi thought buses ran every half hour, they actually only run once an hour.  I had planned on taking the 10:30am bus, but since that wasn't actually an option I had time to hunt down a different card vendor.  I could also have just paid in cash, but that costs more.  Finding the open vendor took a bit, since all I had to go on was that it was on the Parque de los Moros, and I had no idea where that was despite some iffy verbal directions, but I found it and purchased the card.  Sadly, the best card is only sold in Las Palmas and requires a photo of you (it is good for whatever destination you want) so I just got a ten-trip Agüimes-Arinaga version and got back well in time to take the 11am bus.

I got to Silviu's place around 11:30am and he invited me upstairs for breakfast.  I had already had breakfast, but his version involved tea, cookies, and a friend, so it was all good!  His friend was a biochemist retiree named Trev from England who moved here very recently.  Due in part to Trev who doesn't speak much Spanish but also because of my not-full fluency, we all spoke in English.  Silviu is fluent in at least Romanian, Spanish, English, German, and conversant in Italian and French and possibly more?  After our very lazy breakfast (my second) we went down to the beach at Zoco Negro, which is a tidal pool with a manmade rock barrier to calm the waves and allow for a more relaxed beach experience.  Silviu left us there to gather more stuff, and upon his return he and I went snorkeling in Zoco Negro.  He very kindly lent me all the gear, including a mask, the snorkel, a swim cap and hood, and a neoprene short-sleeved/short jumper that was his partner's as I had expressed my fear of being freezing (the water is quite cold and the weather is so temperate with so much wind that you have to sit in the sun for some time before you even want to get in the water, and then if you are me you want quickly to come back out!).  The neoprene helped with the warmth, and also lent an extra level of buoyancy that was helpful in letting me not work at all at floating but instead focus on taking photos with my new underwater camera.  My mask initially didn't work and kept letting water in but then Silviu switched with me and it worked perfectly.

We stayed out for a while - maybe 45 minutes to a hour - and then hung out on the beach for a while longer.  Then we ordered some pizza.  Silviu is mostly vegetarian himself and he's also the most hospitable person, so he just ordered vegetarian ones and we had some wine with dinner.  He told me to come back tomorrow at the same time, and then he drove me to the bus stop and I took the bus back into Agüimes.  I looked at the photos from this first snorkel and while a few were good, a lot were out of focus.  It requires a lot of multitasking to take good underwater photos and I need to learn how to do it all!

The following day when I came in we ran some errands first - we stopped at Trev's to pick him up, and went grocery shopping at Lidl (a German chain of supermarkets) where I picked up a few extra things as well.  We then went to a dive shop (!!) and checked how late we could get equipment to go scuba diving (!!!!).  The shop is open until 8pm, so there was plenty of time as Silviu thought a late afternoon dive would be nice.  Then we went back to his apartment and unpacked the groceries and had some tea, and Trev came over, and then Silviu said he had to run some errands so Trev and I talked while Silviu picked up some goat milk and other items.  When he got back he made a late lunch of pasta, and by the time we were all done it was around 7pm!  He got out his own scuba supplies (suits, flippers, hoods, gloves, shoes, masks) and I tried to get in my 7mm neoprene suit, which was again actually his partner Ricardo's.  Ricardo is, I'm told, heavier than I am, so from what I gather it should be easier to put his suit on than one that actually fits me... if that's the case, I don't know how on earth I'd get into one that fits me.  Even with Ricardo's, I couldn't get into it the way I needed to and skinned a finger trying to pull it on!  Silviu however is magic and also strong and managed to get me into it, in part using the aid of plastic bags to get my limbs to push through and then managing to pull the bag out the end.  He said it's easier to get into wet ones than dry so that next time it wouldn't be as bad, which I hoped would come true!

Then he left to the swim shop - at about 7:35pm - to get the air tanks and regulators.  By the time he got back, it was about 8:15pm or so, so we were officially doing a twilight dive for my first one as sunset is around 8:55pm here.  Then Silviu showed me the tanks, and mine looked enormous!  I learned later that it was in fact bigger, and that was because a first-time diver might freak out and hyperventilate the whole time and use up the air very quickly.  The enormousness meant it was super, super heavy.  The whole jacket rig was 45 pounds.  It was a lot.  Then Silviu added 6kg to the pockets, so approximately 13 pounds, as divers need weight to counterbalance the neoprene and their own fat reserves' buoyancy.  Then we had to walk down two flights of stairs, across the promenade, down another flight of stairs, and down a ramp.  I was already tired from wrestling the neoprene on so the walk with around 58 pounds of weight on my back was brutal.

We decided to do my "baptism" in Zoco Negro, a somewhat familiar stomping ground since I had snorkeled there before.  I didn't take my camera on this first trip to focus on just being present and safe in the gear, watching the pressure and popping my ears, and so on.  We got into the water, Silviu put my fins on, I got my mask on, tried out the regulator, and soon enough we went under.  I didn't love breathing through the regulator above water, but doing it below is actually much better.  The first few minutes I had issues with water getting into my mask, but we figured out it had an improper seal due to the swim cap getting under it so we fixed it and then I had far fewer issues.  Silviu controlled all the depth and pressure-related decisions and also watched the gauges, so I didn't have to learn about that part, he just made it happen.  Zoco Negro was magical at night - all the sea slugs were out in force - and by the midway point of our dive I really wanted my camera but the first half I would've hated having it so it was probably good I didn't bring it along.  The latter bit of our dive it started getting quite dark and we soon wrapped it up.  The whole thing was probably around 35 minutes or so.  Getting out of the water, my tank and weights felt so very heavy!  Silviu offered to carry it in addition to his own, and I didn't know how he'd manage and said I thought I could do it but he insisted.  He did get both of them back, but it clearly surprised him how hard it was to do!

That evening he suggested it was late enough I could just stay over (he has a second apartment in the complex I could use) but since I hadn't planned for that I didn't have anything including nightly medicine and stuff so we decided he'd bring me back that evening and the following night I would spend the night.

The next day I actually felt rather ill with stomach upset and frequent trips to the bathroom, and I considered canceling, but then Silviu had to delay our start time and in the hour-long delay I felt pretty crappy so I figured I'd feel crappy wherever and I might as well be doing cool stuff instead of laying in bed.  So I went in, and we had some tea (I did not eat anything though!) and we went for a late afternoon scuba dive - around 4pm.  I still had a lot of air in my tank since I did not hyperventilate the first dive so we used the same equipment.  Getting in the neoprene was slightly easier since it was wet, but that just meant it went from impossible to slightly less impossible.  I still had to have Silviu's assistance to get into it properly.  This time, I carried my tank but he didn't put the weights in until we got to where we were going, which made it better.  He mentioned his air was low in his tank so he might need to use my emergency regulator.  We saw a different area, actually in the ocean proper and not just a sectioned off pool, and it was really neat.  On this dive, I did take my camera.  At some point Silviu did need to switch to my regulator, and I thought the dive would be over, but then we kept on!  One trite but true takeaway - the ocean is huge.  Really, I know it is, but being in it and just swimming about underwater and seeing it just go on and on and filled with life is amazing.

After our dive, we got out of our suits (not as hard as getting in, but still quite a workout) and rinsed off, got dressed again, and then went to Moya in the north to run an errand and then went back south a little to an all-inclusive hotel where Silviu sings (that's his current job - he's a singer in a few different places, and earns enough at each gig to only have to work like four times a week for a couple hours).  I watched him perform - I recognized some and I know several were Sinatra - but also took in the all-inclusive vacation atmosphere, which was interesting because since it is not to my personal taste when traveling, I don't have much experience with it.  Then we drove back to Arinaga, got late night tapas from a couple different restaurants, and then went back to the apartments at around 1:30am (!) and Silviu showed me the one I'd be staying in.

I got to bed around 2am and woke up at around 9:30am, still tired, so I leisurely got ready and left the apartment at 11am.  Silviu was coming back shortly, so I beachcombed for around half an hour and then we had breakfast together, returned the dive shop tanks and regulators, and then he drove me to catch the bus... but as we were waiting for the bus, I mentioned I was going to try to find a pharmacy when I got back to Agüimes as my skinned finger had gotten a bit infected and somehow I managed to forget to pack band-aids.  Silviu thought we had time, so we caught a pharmacy just as it was closing for siesta and I bought a package of band-aids, but then when we got back to the bus stop the ladies waiting said my bus had already gone.  So then Silviu, who is a complete gentleman, just drove me back instead.  I invited him in and gave him a choice of the greeting card reproductions I'd brought along (he selected two) and an alcoholic chocolate bar I had purchased for myself in Ireland since I felt like I needed to attempt to balance at least a little tiny bit the amount of kindness he gave to me.

La Pedrada de Noemi Residency Journal 1

I flew from Dublin to Las Palmas, Gran Canaria, Spain on June 1st.  My trip was not the best (though it could've been much worse) - it was delayed due to the pilot reaching too many flight hours, then when we boarded I was seated next to a couple on the aisle, with the woman in the center seat and the man in the window.  The man was very perturbed by the delay and yelled and cursed at his partner, at the airline and plane in general, at the fight attendants, and so on.  I was concerned and didn't love being in the same row as him.  The flight was with Aer Lingus and apparently they are a very budget airline (I do try to buy the cheapest tickets) - not only did they make me pay extra for one checked bag, but they also didn't even serve complimentary drinks or snacks and made me gate-check my carry-on (for free, but I prefer to keep it with me).  Finally about two-thirds of the way through the flight an attendant sternly told the angry man to shut it and that he had been like this at the gate, too (!!) and that if he kept it on he'd have problems on arrival.  Honestly, I think if this were a flight with US flight attendants, he wouldn't have been allowed to board or would have been kicked off already or the flight would have been diverted...

Then as I landed I checked that my residency program director, Noemi, was going to come get me.  I had texted her via WhatsApp a couple times through the day keeping her up to date, and so when I opened my phone I assumed I'd have contact from her - but instead, I got a very confused response and eventually realized I'd mistyped her number by one numeral and was texting some other random person in the region.  So from her perspective, I hadn't contacted her at all or let her know about my plane delay or anything!  Fortunately she's very nice and also on top of it so when I finally actually reached out to her, she said she was only a couple minutes away from the airport.  I was kind of mortified though - it's rude not to let the person picking you up from the airport know that you will be delayed if you have the opportunity to tell them.

Luckily, my baggage arrived relatively quickly and mostly whole (I lost a zipper pull I think in Ireland?).  I came out and found Noemi, and we made our way to Agüimes which is where she lives and where I will stay with her (in her house).  She had an eyepatch on one eye, and explained that she is taking a course on welding and soldering and a piece of metal had gotten into her eye!  Fortunately it wasn't too serious but it needed medicine and to rest for a couple days.  A friend of hers kindly drove her to the airport and drove us both back to Noemi's.

Agüimes isn't very far from the airport, so we got there fairly quickly which was good because it was around 10pm at this point.  Noemi's friend departed and Noemi took me on a quick tour of the house and the village and then let me use some of her groceries to make dinner before I went to bed.  I'm staying on the second floor of her house.

The next two days I used to decompress, unpack, explore the town a little, get to know Noemi, do laundry, go grocery shopping, and so on.  I was kind of tired from all the gung-ho exploring of Ireland!  Noemi's English is probably around my level of Spanish - maybe a little worse - so we tend to talk in Spanish.  I'm actually kind of surprised at how well we've managed given that I am not fluent in Spanish.  Noemi is super busy right now though with her welding course, teaching art courses, and other responsibilities.  She kindly took the time anyway to chat with me those first two days and even took me down to Arinaga on the second day to walk the promenade and see the beach.  I had told her that I know the most biodiverse and interesting ecology in the Canary Islands is actually its marine ecosystem, so I had purchased an underwater camera (a middlingly-low version as I didn't want to invest too much in what might be a once-off piece of equipment which may or may not be that useful).  She has a friend named Silviu who she said would probably be willing to help me explore the ocean who lives in Arinaga and pointed out his door as well while we were there.  The evening of the second day the town Agüimes was celebrating Corpus Christi and they laid out a "carpet" of dyed salt and sand through several town roads and then had an evening mass in the church followed by a procession over the "carpet."  It was a relatively small ceremony, not a festival or anything, but it was interesting to witness.

Something I was unprepared for is the wind.  There is a lot of wind.  It makes it feel cooler than it is, and it's already rather temperate.  I brought two pairs of shorts, but I don't know if I'll be using either!  The wind is so strong that there is genuinely no need for a dryer here.  In other places I've been they also do without dryers (Ireland, France, Portugal, mainland Spain, Italy, Peru) but the clothes tend to dry kind of stiff and can depending on the weather take days to fully dry.  Here, the wind moves the clothes around so much they are perfectly soft and they dry within a few hours of being hung up - even cargo pants, which often take days.

The third day I started to work on a new painting.  There was no new inspiration yet from the Canary Islands, but I was feeling like I wanted to start my studio practice so I decided to work with some imagery from the US and Ireland.  That evening, I met Noemi's partner who had just gotten back from a trip to Egypt, and we all chatted.  Noemi had also arranged that I meet with Silviu the following morning to start to explore the ocean.  She said he knows how to scuba as well as snorkel, and I might be doing either or both!  I had read about scuba diving and thought about it before coming on the residency, but the literature said you probably shouldn't take your camera down on your first go since you should be focused on just managing your breathing and the gauges and everything, and I thought it would probably be too costly or time consuming or both.  I figured I'd probably just go snorkeling, and that might still be the case, but it was interesting that if he thought it was a good idea Silviu might be able to teach me scuba diving as well!  To be honest, I only have memory of having snorkeled once and that was around sixteen years ago, but it seemed mostly fine so I guess we'll see how I do!  Noemi said she's never been scuba diving but perhaps someday she will.

So I went to bed at the end of the third day excited and nervous all at the same time about what the following day would bring.

Summer 2018 Residency at La Pedrada de Noemi

I will be spending part of this upcoming summer in Agüimes, Gran Canaria of the Canary Islands, Spain, at this very exciting artist residency: La Pedrada de Noemi.  The Canary Islands are located off the northwest coast of Africa, and I have always wanted to explore African island ecologies - Madagascar and Mauritius are still on the wish list!  The Canary Islands just seemed like a great fit given that the language and governance will be quite familiar as I have cumulatively spent around eight months in various parts of Spain, but the environment will be an interesting departure.

The Canary Islands have a very biodiverse marine ecosystem, so I plan to purchase an affordable underwater camera and create artwork based on that aspect as well as any terrestrial fauna or flora I find compelling.

I will also be extending my layover on the way to LPA as one of the routes went through Dublin and I would love a chance to explore that city (and potentially the neighboring countryside).

It should be a fun and productive summer!

Intercambiador ACART Residency Journal 14

My final days in Madrid were spent in the studio, figuring out how to pack up and ship my artwork back home, and completing visits to the Prado and Reina Sofia museums as well as the Palacio Real and the Catedral de la Almudena.

When I studied abroad at the Universidad Pontificia Comillas-ICADE ten years ago, I took an art history class that was held most of the time in the Prado, so I feel strong nostalgia not only for the artwork inside but also for the rooms and building itself.  The Prado has a shocking amount of masterpieces for the size of the collection.  It's always interesting to me how even when I've seen the pieces in person as well as via reproduction, I'm still hit every time I go with how some artists really suffer in reproduction while others are assisted by it.  A guard stopped me fairly early on and pointed out that on my guide it says in a tiny icon on the back that no photos are allowed, so unfortunately you won't get to see any of my own photos of Bosch's salon, or Velazquez's Bufones series, but I actually wasn't warned at the very beginning so I can share a couple images with you!

The Reina Sofia allows photos in all its exhibitions except the "Pity and Terror - The Path to Guernica" Picasso retrospective.  Though I respect its historical and artistic significance, I don't really emotionally connect with Picasso as much as other artists and pieces in the Reina Sofia anyway - I am, for instance, somehow always surprised by the engrossing, varied details and the meticulous brushwork of Dalí.  There were also a large number of temporary exhibitions featuring a range of artists including several contemporary ones.

No photos were allowed in the interior of the palace, but the Palacio Real is a really interesting space - on the one hand, the wallpapers, stucco decorations, and much of the decor is over-the-top and stands up to modernity just fine; on the other, some parts have suffered more than others.  The ballroom/dining hall floor has seen better days, and some of the furniture seemed worn and small - in fact, so did a few of the rooms.  Overall, though, the effect is pretty regal particularly when focusing on the Salon Gasparini or the Throne Room.  

The Catedral de la Almudena is right next door to the Palacio Real, and though the interior of the cathedral is nice, my favorite part (where no photos are allowed to preserve the holy atmosphere) is the Capilla del Santísimo which is inlaid in mosaic tile by artist and Father Marko Ivan Rupnik.

My flights back home were great - though American Airlines had in their infinite wisdom chosen to use a plane with no personalized in-flight entertainment on the cross-Atlantic trip over, they did use a super teched-out plane on the return voyage.  The windows tinted and untinted electronically, and the personal monitors in the seat backs had the most complex navigational information system I've seen as well as a surfeit of television and movie selections.  I unfortunately didn't manage to get an aisle seat, though, which my knees really felt, but I did get asked to move from my middle seat to a window seat across the plane and happily complied so I could at least not be penned in on both sides by people.  Plus my new seat neighbor was a nice guy.  I was fairly worried the whole day as my connection in Dallas Fort Worth was only two hours, which is cutting it really close, but fortunately everything - passport control, baggage claim, customs, security - went smoothly and decently quickly and I made my next flight on time.  That plane also had personalized in-flight entertainment, weirdly enough, as it's quite atypical on such short domestic trips.  American Airlines, I do not understand you.  Please to have personalized in-flight entertainment on all the longest trips first and then if you can on the rest it would be a nice perk.

I landed, my luggage came out in order, and my amazing colleague Susan came and picked me up!  I am home!

Intercambiador ACART Residency Journal 13 - Exhibition Shots

Here are a handful of exhibition shots of the interactive sculptures and artist statement/exhibition text from my Quinta del Sordo exhibition in Madrid.

Intercambiador ACART Residency Journal 12 - New Artwork!

Seriously, I've been really hard at work here creating lots of new artwork!  

I went to see the Zoo Aquarium de Madrid a couple weeks ago, mostly because I remember it being huge from when I visited it ten years ago and with unusual access to some of the animals like the giraffes, bears, and wallabies.  They've tightened up some of their security since, though I still saw patrons feeding peanuts to lemurs and bears despite the signage (I saw that ten years ago too, but also saw a wallaby with an entire bagel and giraffes also being fed peanuts by the crowd!), and it still seemed big but not quite as huge as it did when I was younger.

I typically don't paint zoo animals; I prefer to paint animals that are local and/or native to the places I'm inhabiting, and I also don't think I get very unique perspectives on many zoo inhabitants unless the zoo is one of the few that has surprisingly close access to the animals.  However, this time around despite less access than I remember (though still on the more access side of zoos), a giant anteater had escaped from his enclosure and was having the time of his life in the green space between his enclosure and the public walkways.  There was still a small fence between him and the walkways, but honestly, the fence he escaped from was much more difficult to surmount so while he could've escaped full-stop, I believe he just preferred the green space to that of his desert-themed enclosure.  If I'd wanted to, I could've touched him, but I didn't - both because I'm a good zoo visitor, and also because he was a fighter!  Peahens, unaware of his escape, were pecking around happily when he ran over and began repeatedly charging them.  He did that until they hid behind some bushes and then he happily commenced wandering around the green space, digging and eating in the grass.  I watched him for a while and then went off to other parts of the zoo; I returned a few hours later and he somehow got his girlfriend out as well!  I think the Zoo must know they can escape, but I'm honestly surprised it's allowed since unwise guests could really cause a problem quite easily with the anteaters...

Watching him enjoy himself so much (and having an exceptional amount of access to him), it felt like I actually did get a real glimpse into his character.  I left wanting a souvenir of the experience, and in my mind there's no better souvenir than painting him.

Dominion, acrylic on canvas, 25x39 3/4".

Intercambiador ACART Residency Journal 11 - New Artwork!

I really like how this piece turned out.  A number of people have asked me about the background/paper, and yes, I did paint the background as well including the darker spots - the paper started off white.  But no, I didn't handmake the paper, though it is artesanal!  I bought it at Jeco here in Madrid.

The Ninth Hour, acrylic on paper, 11 3/8 x 15".