black vulture

LSU Vet Med Artist Residency Artwork 20 Process

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Here are a couple of photos of the in-progress Vulture Sculpture! In the first image, you can see how I built an internal armature out of pink styrofoam insulation, wire, and disposable chopsticks. Armatures are really helpful for a few reasons: A) they provide structure and support to bolster strength and keep the clay from sagging, B) they weigh a lot less than clay which makes the piece-in-progress lighter so it puts less stress on weight-bearing areas while wet/uncured C) if you leave the armature inside - like you can do with QuickCure Clay - the finished piece is lighter than if it were solid clay which is typically desirable, and finally D) the armature materials usually cost less than using an equivalent amount of clay.

Then in the second image, it’s midway along; I’m still sculpting the QCC (note the head and wings are unfinished) but it’s taking real shape and I’ve already incorporated the artificial turf, though I have yet to “mold” it with the heat gun. Finally, there’s the finished piece in a similar orientation for comparison!

LSU Vet Med Artist Residency Artwork 20

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This is the final piece of artwork I completed on-site at LSU Vet Med during my two-month summer 2022 residency! I think finishing 20 exhibitable pieces including mixed media paintings, a relief, ceramics, and a sculpture in 7 weeks is a remarkable feat, so I am very happy with my productivity.

I worked right up until the day of the exhibition opening on this piece, but I managed to get it “finished” in time - I put that in quotes as I still needed to briefly borrow it back from the exhibition midway through to put a protective varnish on top!

I had wanted to do a sculpture this whole time because A) I’ve always liked putting on exhibitions that have multiple disciplines and media on display to more deeply engage a broad viewership, B) I wanted to really highlight QuickCure Clay, as I’d helped create it with Dr. John Pojman at LSU a decade ago and it felt right to use it in at least a couple of pieces this summer, and C) I had been given a couple pieces of artificial turf from the wildlife hospital that I wanted to incorporate into artwork in some way, and relatively early on I had a lightbulb moment wherein I thought the astroturf had vulture neck-feather vibes! It worked very well, in that a lot of people couldn’t figure out where the artificial turf was used and at least one viewer told me she thought I thought the gravel I used as an installation aid was astroturf. Another viewer asked me if this was a taxidermied piece, which made me feel really good about the likeness!

I titled this piece Vulture Sculpture mostly because I didn’t have time to think about titling it when I had to make the show labels (I didn’t even think it was likely to get finished for it!), but I also do like the rhyme and the clear identification of the species of the bird. I sold this sculpture that same evening to the fabulous Dr. Mark Mitchell from Wildlife and ZooMed and his partner Dr. Lorrie Hale Mitchell from Integrative Medicine! They very kindly were willing to let me take it on exhibit first (as I’m doing with the rest of the sold paintings), but I made some delicate choices with this piece - the claws, the beak tip - that meant I thought it best to let them just take it after my LSU Vet Med solo show came down instead of potentially injuring the piece in shipping.

This is Vulture Sculpture, a mixed media sculpture of a black vulture including QuickCure Clay and ZooMed’s artificial turf, 13.5" x 7.5" x 20.5", 2022.

LSU Vet Med Artist Residency Journal 5

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After I made the pinch pots, I refocused on some of the paintings I had in progress. I prioritized working on my mosquito painting, as since it’s a work on paper it will need to be framed, and framing it for the exhibition here at the LSU School of Veterinary Medicine would be more impactful if the timing allowed! I also continued to visit different areas - primarily large animal and wildlife - to see if any new patients might make their way into my work. I attended the release of a wild black vulture who I’d had a chance to observe several times through the healing process. Wildlife releases are such meaningful moments, and I don’t think I’d ever get tired of participating in them.

July 4th was a Monday, and though it was a federal holiday, captive animals still need food, water, clean habitats, and/or treatments! This meant that I was invited to take a look at several endangered Louisiana pine snakes while they were undergoing routine veterinary testing and care. Later that week, I attended the July exhibition reception at the Baton Rouge Gallery of four different members’ work.

That weekend, the Baton Rouge Orchid Society hosted their annual show and sale, and I oohed and aahed over the specimens on display and purchased several new-to-me orchids. The event was held at the LSU Burden Center, so I also wandered their outdoor gardens until the heat drove me back to the studio! Then that evening I attended the LSU Glassell Gallery’s Bloom opening reception in the downtown Shaw Center for the Arts.

It is really exciting to get to see a variety of contemporary artists exhibit work regularly; I love that Baton Rouge has a sufficiently large artistic population and gallery presence to provide the opportunity to attend this many receptions during my time here.

Below is a photo of a live oak outside of the Baton Rouge Gallery festooned in ferns, lichens, and just being its own little ecosystem - I absolutely adore these trees, even though I’m also allergic to them! They’re iconically southern and also remind me of my grad school days. Then all the subsequent images are from the orchid show and the Burden Center!