Two of my pieces of artwork, Balancing Act and Camelflage, were selected at the end of November for inclusion in the Fall 2018 edition of the Tulane Review. I was waiting to post about it until I could share some pictures of the actual magazine since they mentioned sending me a contributor’s copy, but it’s been a little while without seeing it in the mail and I wanted to share the news so I’ll just update if/when I receive it!
My exhibition, titled "In the Dark" (in Spanish), associated with my Intercambiador ACART residency is opening tomorrow evening! I haven't been able to take a photo of the second sculpture I made yet for various reasons, but the show will have two interactive sculptures of mine as well as five paintings (two of which I just finished and also have yet to post online!). The exhibition will be held in Quinta del Sordo here in Madrid, Spain, and will be up from July 20-28th. Here's the exhibition card:
I'm exhibiting my series of botanical-garden-themed mixed media reliefs made on residency this summer at La Maison Verte in Marnay-sur-Seine, France, as well as the first three paintings in my ongoing puffin series inspired by my 2014 Icelandic residency in the University of Saint Mary's Goppert Gallery! My work is in its own distinct space, but the Gallery has a number of rooms to it and is also simultaneously exhibiting student artwork from this past semester as well as our graduating senior Brandon Handy's senior thesis exhibition, "Nature from Afar and Close-Up." The gallery is free and open to the public, with exhibition dates and times as follows:
December 9-15, 2016, 10am-4pm with an opening reception today from 3-5pm - complimentary refreshments will be served.
If you'd like to join us, Goppert Gallery is on the ground floor of Xavier Hall on the University of Saint Mary's main campus found at 4100 S. 4th Street in Leavenworth, KS. Here's the full press release if you're interested, though since we sent it out we've changed a few details so this post has the most current information.
I'll upload some photos shortly!
Whew, I've got a packed exhibition schedule coming up - not that I'm complaining! Here's another confirmation that just came in. I've been selected to exhibit two pieces, Perfect Form and Balancing Act, at the competitive 7th Annual Nature and Wildlife Exhibit held by the St. Augustine Art Association.
Opening reception and awards ceremony: Saturday, July 23, from 5:00 to 8:00 p.m.
Exhibition dates: July 23 - August 28, 2016
Gallery hours: Tue-Sat: Noon to 4pm, Sundays: 2-5pm, Artwalk: First Friday of every month 5-9pm
Location: St. Augustine Art Association, 22 Marine St., St. Augustine, Florida, 32084
Contact: 904-842-2310, www.staaa.org
Just recently found out this good news - three of my bison paintings have been accepted into this curated exhibition on the theme of Americana! Hosted by the Des Moines Social Club, Americana is held in Viaduct Gallery in Des Moines, Iowa. My wonderful colleague Susan Nelson shipped them for me since I am currently on an artist residency in France.
Opening Reception: June 29 from 5–9pm
Exhibit Dates: June 29 – July 30, 2016
Gallery Hours: Sundays 8am-8pm, Monday – Thursday 7am-9pm, Fridays 7am-10pm, Saturdays 8am-10pm
Location and Contact: 900 Mulberry Street, Des Moines, IA 50309; (515) 369-3672
How cool is this - President Obama has signed the National Bison Legacy Act making bison the first national mammal (though bald eagles are still secure in their national animal status).
To celebrate, here's a gallery of all of my bison paintings completed thus far!
And here's the finished first painting! It's a conceptual, experimental piece - those are real Atlantic blue mussel shells (Mytilus edulis) adhered to the panel; I beachcombed some while I was in Iceland and was quite interested in their coloration and form and how I might use them to break the picture plane. I wanted to explore ideas of illusionism, perspective, shaped or irregular canvases, cast shadows, organic versus architectural form language, and intertidal zone ecosystems.
I'm titling this painting Byssal Bird, and it's a mixed media piece with acrylic, watercolor, Atlantic blue mussel shells, and epoxy on a 16x12" basswood panel.
I'm almost done with the first puffin painting - the one I gave you a sneak peak of - but in the meantime I'm potentially done with the second; I've been adjusting it over the past couple days and I may go back into it again, but here's where it's at now. If I do go back into it, it'll be for minor changes at this point. I'm typically pretty bad about taking progress photos (particularly in taking well lit/consistent lighting source ones, so please excuse the slight lighting changes in the thumbnails) but I'm trying to make more of an effort to document my processes.
I'm titling this one Littoral Layers. The final piece is graphite, charcoal, and acrylic on a 16x20" basswood panel. I typically do start with a line drawing (after preliminary sketching, of course), but then in paintings where I add to the natural support media for the background, I usually paint in the beginnings of a background before moving on to the foreground elements and then go back and forth until there's a resolution. This painting was different in that I really developed the foreground elements before addressing the background, though after that I did my normal switching back and forth routine.
I've started a new series of paintings on the juvenile puffin, Toti, that I met at the tail end of my residency in Iceland in 2014. Toti was a puffling that failed to launch and imprinted on humans, so he is now a permanent resident at the Saeheimar Aquarium. I wanted to start on these pieces sooner, but better late than never.
Here's a sneak peak of progress on the first painting!
Recently, I was hired to do another commissioned painting of an amphiuma - an aquatic salamander with vestigial legs that looks like an otherworldly sea serpent or eel. My patron saw my first commissioned amphiuma painting done for Dr. John Pojman (it hangs in his office above his amphiuma Chrissy's aquarium) and wanted an original piece for herself.
Unfortunately, after mailing the new piece off to my customer and tracking it through delivery, there was radio silence. I worried that she didn't like the piece but also considered that she may have just been waiting to open it on a specific date (an upcoming birthday, for instance) so I made a mental note to send her an email in a week or two to check in. Before I could, she emailed me, and it transpired that the package was, in fact, not delivered (or possibly, not delivered properly and stolen off communal property).
Queue multiple weeks of back-and-forth with UPS, but finally the insurance paid out such that I had been paid to make the commission and my client received a refund on never having received the commission, so we were both made mostly whole again. Even though it's possible it's now lurking in a box in a UPS subbasement or was pawned for the value of the frame, I like to imagine the painting is hanging in a place of pride over a drug lord's couch somewhere. Since I do have the digital image, though, I can at least run off reproductions, so it's not completely lost to the world.
Here's the first painting I've been working on. I'm tentatively calling it completed, but I may revisit it as the residency progresses.
The paper is heavily textured with ridges and translucent stripes, and the snails are painted in acrylic. The working title is Côclea Casas.
There are donkey pieces in the works as well, but they're all still very early...