Associate Professor of Art
While I haven’t finished posting about my summer adventures, time is still progressing and the new academic year has begun! Today is the first day of classes this fall at Morningside University. I am teaching Design and Graphic Design I as well as overseeing Graphic Design Internship and Advanced Studies in Graphic Design.
It’s fun to get to see familiar and new faces, and I’m looking forward to getting to see all the new artwork my students will be making!
After asking about it repeatedly for three years, I successfully convinced the lovely folks over at Dakota Potters Supply to allow us to do an obvara raku workshop on October 21, 2023! Obvara is a low-fire scalding-and-sealing process wherein you create a fermented sourdough/beer bath, plunge approximately 980°C naked ceramics fresh out of the kiln into it, wait for them to start to bloom with different tan-to-brown markings, and then arrest the surface carbonization process by rinsing the pieces off in a water bath. Obvara has an even higher chance of cracking due to the extreme thermal shocks involved than non-bath raku processes.
Getting the chance to do raku is relatively rare, and many ceramists haven’t even heard of obvara, let alone had the opportunity to do it - so I’m really grateful for the experience! Joining me on the trip were Morningside faculty Paul Adamson, alumni Calissa Hanson and Deb Murakami, and students Laura Greene, Taylor Greene, and Lauren Hedlund.
In addition, I learned about honey raku from a ceramist at this year’s ArtSplash festival - it’s basically like horsehair, feather, or sugar raku surface carbonization, but with honey! I brought some along and we tried it out too - though I want to experiment with it some more at future workshops as I was so excited about the obvara opportunity that I only kept one textured plate aside for honey raku.
Here are some photos from the workshop itself, soon to be followed by pictures of my finished pieces! I applied for and was granted funding from our Faculty Development Committee to help with my costs, so I made and brought 18 pieces along this go-round - both to make up for any thermal shock victims, and because I didn’t need to apply glaze to my obvara or honey raku ceramics so I could get more processed compared to when I need to apply 1-8 layers of glaze to each piece on-site before firing (for crackle and copper glazes or ferric chloride dips). If you’ve been following my raku workshop production, 18 is about double the number of ceramics I typically aim to bring.
Whew, it’s a busy fall! My solo show Materiality has closed, and I’ve been hard at work with the aim of getting all the sold pieces from it into the hands of the buyers. Here are some photos of the exhibition and reception! I was very pleased with the show installation and flow, which was due to our amazing preparator Shannon Sargent. There was great community turnout for the reception - it was a fantastic event.
I’ve been fortunate enough to receive Morningside University Ver Steeg and Morningside Experience Grant funding to support my research through my summer artist residencies at the LSU School of Veterinary Medicine and Phoenix Athens these past couple of years - and now, I am exhibiting that artwork (as well as artwork from my Whiterock Conservancy residency, raku workshops, and general studio practice) in a solo show on campus in Eppley Art Gallery!
I titled this show Materiality because of the wide variety of media on exhibit; for artwork in this show, I dug my own wild clays, made my own ash glazes and saggar-fired plant vines onto pottery, built substrates out of recycled wood and concrete, worked atop unusual surfaces including antique ceramic tiles and papyrus, incorporated a wide range of veterinary materials, harvested natural cave pigment, and made use of scientific processes including chromatography and frontal polymerization.
Materiality is on display August 23-October 7, 2023. It’s open to the public on weekdays during business hours, which will be 8am-5pm once we have student workers begin their shifts, but until then it’ll be 8am-4pm. The show reception will be Wednesday, September 26th from 3-4pm - I’ll give a short artist talk, we’ll serve refreshments, and the event is free and open to the public!
Shelby Prindaville's Eppley Art Gallery Fall 2023 "Materiality" show poster.
I am extremely happy and honored to announce that I have earned tenure at Morningside University. I came in on a shortened tenure clock due to having already earned tenure and promotion at my previous institution, so this news comes in my third year here at Morningside University as Art Department Chair and Associate Professor of Art!
In that time - even in a pandemic - I have experienced the professionalism, academic excellence, support, and warmth of the Morningside community in an abundance of ways. I look forward to continuing my work and service as I join the ranks of the tenured Morningside faculty!
I am very excited to announce that I have accepted a new position starting in the fall at Morningside College in Sioux City, IA, as Art Department Head, Director of the Helen Levitt Art Gallery, and Associate Professor of Art. Morningside is a great liberal arts college with a vibrant art community, and I am enthusiastically looking forward to this new adventure and the career progression it offers me!
Nevertheless, I have been honored to have served the University of Saint Mary as Art Program Director and Assistant Professor of Art for six years, and to have earned tenure and promotion in rank to Associate Professor just as I am departing. I will miss the many amazing faculty members, staff, students, and SCL, as well as the beautiful campus, that make USM unique. I learned a lot in my time at USM and will be leaving with a multitude of treasured memories and strong friendships.
Here’s to embracing change, opportunity, and growth!
