Iowa

Upcoming: 2024 ARTcetera Juried Exhibition and Fundraising Auction

One of my obvara raku vessels was juried into the 2024 ARTcetera exhibition and fundraising auction at the Sioux City Art Center! This exibition opens with a reception on Thursday, March 21, 2024, from 5-7pm. Artworks will be made available for sale at “Buy It Now” prices on March 22, and the exhibition continues through April 18 when the auction is held as a part of a ticketed event evening.

The opening reception will be free to attend, and if you’re interested in buying tickets to attend the auction, you can do so here.

The Sioux City Art Center is located at 225 Nebraska Street in Sioux City, IA, 51101.

Sioux City Art Center Board of Trustees Renewal

I was appointed to the Sioux City Art Center’s Board of Trustees in January 2021, and subsequently elected and reelected as President of the Board of Trustees in 2022 and 2023. City board appointments are for two-year terms, so my term was ending in December 2023. The Sioux City Art Center’s director and board asked me to seek to renew my appointment in October 2023, so I reapplied and waited for City Council to deliberate. They sent out my renewal letter and certificate recently!

Siouxland Woman Magazine Featured Artist Profile

Below is the digital spread of my featured artist profile in Siouxland Woman Magazine’s Volume 9 Issue 2, published in January 2023! While it’s the current issue, you can also look at the whole magazine online here.

My 41.816, -94.646 Ceramics

In my three-person show Whiterock Art at the Betty Strong Center here in Sioux City, IA, I have 37 pieces on display! There are 2 painted reliefs, 20 8x8” chromatograms, and 15 handmade ceramics. I’ll post photos from the show and reception shortly, but right now I want to focus on those 15 ceramic pieces in detail.

My Whiterock Conservancy ceramic body of work is special in that it is 100% site-specific in every component. I dug my own clay out of the Middle Raccoon river beach cliff, cleansed it of rocks, roots, and other debris, and then I did not amend it (often potters mix additives into their harvested clay to improve elasticity or other desirable characteristics, but I thought that would weaken this collection’s conceptual power). Below are images documenting my clay collection!

I handbuilt 15 different vessels, and as I was doing so, I thought about if I should glaze them at all, and if so, would transparent glaze from non-local sources taint the project…? I shared this quandary with friends, including my wonderful former colleague and master ceramist Susan Nelson.

After a couple of weeks mulling it over, Susan arrived at a different solution: ash glazing. I learned from her that ash can be used as a glaze, often in combination with clay to lower its melting point and smooth out the finish. I reached out to Whiterock Conservancy co-founder Liz Garst to see if I could collect some of the ash they generate, and she was kind enough to collect me a gallon bag of ash from a slash pile burn primarily composed of invasive honeysuckle bushes.

I inter-library-loaned a book on natural and ash glazes and conducted a variety of tests to determine the best ash glaze mixtures, application methods, and firing temperatures - but I also had deadlines to meet that meant I couldn’t dally too long in the experimentation phase. I eventually settled on using three ash glaze mixtures that used different proportions of clay to ash mixed with water and put 6 pieces in a Cone 8 electric kiln firing and 9 pieces in a Cone 9 gas kiln firing. Below (respectively from left to right) is a still wet raw ware handbuilt bowl, bisque-fired pieces, my work study students and I experimenting with ash glaze recipes in the ceramics studio, and ash-glazed bisque ware awaiting its glaze firing.

Below are are the finished pieces in the 41.816, -94.646 collection. Those title numbers are the latitude and longitude of the artworks’ origin, and if you input them into a map application you’ll see a pin drop on Whiterock Conservancy near the river beach! I love that these ceramics are made of the land itself, and are glazed with the conservation efforts of people today trying to restore what we’ve lost in ecosystem health and diversity. The colors, texture, and variation resonate in this body of work, and I look forward to comparing these pieces with future geographic coordinate collections, as I plan to create site-specific ceramics from other localities as well.

Upcoming: Whiterock Art at the Betty Strong Center!

You may remember I attended an artist residency at Whiterock Conservancy outside of Coon Rapids, IA, in summer 2021. My good friend and colleague Terri McGaffin had already completed a residency there that spring 2021, and turned me on to the opportunity. Another Sioux City artist, Pauline Sensenig, then followed suit this summer 2022.

All of us will be exhibiting our work in a three-person show called Whiterock Art at the Betty Strong Encounter Center in the Lewis & Clark Interpretive Center in Sioux City, IA, from October 2 - November 13, 2022. The reception will be on Sunday, October 2nd at 2pm, and I hope you can join us - there will be a reception and presentation by Whiterock’s own Liz Garst, co-founder and Board of Directors member of Whiterock Conservancy.

I designed our show logo, postcard, and poster (viewable at the exhibition) - below you can take a look at the digital postcard.

Show postcard back design

2021 ArtSplash Festival Judge!

This past weekend (September 4th and 5th) was the 2021 ArtSplash festival, hosted by the Sioux City Art Center. I had previously attended the 2019 ArtSplash which was held in Riverside Park; the 2020 festival was cancelled due to the pandemic. This meant a lot of people - including myself - were really excited to attend the 2021 ArtSplash, which was relocated downtown to take place in and around the Sioux City Art Center itself. I think this was a very smart change that highlights the institution and clearly links it to the festival.

I was invited to serve as one of the two 2021 ArtSplash judges, and I was honored and excited to say yes! I visited each of the approximately 50 artist booths and looked closely at the work presented as well as spoke with the artists about their processes. My co-judge and Briar Cliff University art professor Nan Wilson and I then came together, compared our notes, and visited a number of booths again before selecting four Awards of Excellence, a Best 2D, Best 3D, and Best in Show artist.

This was my first time judging an art festival, though I have judged art shows and competitions before. In my previous judging roles, I did so solely based off of the work itself, without access to the artists until after the awards ceremony. I really enjoyed getting to speak with the artists and learning more about the work and process as a part of this ArtSplash judging. Overall, I’d say the 2021 ArtSplash was a blast, and I look forward to 2022 ArtSplash!

Whiterock Conservancy Journal 1

On my first day here, I unloaded my car which I had packed with art supplies, groceries, my bicycle, and a small suitcase. I’m staying at the River House, which is a very nice three-story house filled with art and books. I then headed over to Liz Garst’s house - she is the founder of the Whiterock Conservancy - and spoke with her and a couple members of her family for a while before heading back to the River House and testing out the Gator UTV.

The second day I met two of the groundskeepers here, and one - Amanda - took me on a small tour of the prairie loop, the abandoned log cabin and turtle pond loops, and discussed with me some ideas on good pigmentation and animal sighting opportunities. I shared with her that I have had a deep desire to see a wild tree frog for the past few months, and she replied that she sees them occasionally and will keep an eye out. I also rode my bicycle on the main trail loop that goes down through the campground and out past the turtle ponds, and met a couple of very nice women camping on the way! I spotted a number of turtles from afar as well as some frogs, geese, and dragonflies. I also harvested some plants and soil samples with the intent of doing some new chromatography artwork. In the evening, two of my friends joined me as my guests for about a week of my two-week residency!

On the third day, my friends and I ate breakfast together and then took the Gator UTV out for a spin, and I taught one of them how to use it. Then I biked the turtle pond section while they Gatored it, and we met at the top of the hill and hiked the Bluebell Trail together. It took us about 4 hours to get back to the UTV, but that was at a very leisurely pace and we collected a lot of chromatography material along the route! On the way back home, I passed Amanda and stopped to say hello; she remarked that she had seen a tree frog as well as a toad about five minutes previously near a tree and pointed it out. I hopped off my bike and went to search the radius, and I miraculously found the tree frog! He even held really still on the branch he was on while I took him out of the brush and permitted a decent amount of photos before he got froggy on me. That evening we were all invited to cocktails at Liz’s house where she shared more about Whiterock’s mission of conservation and sustainable agriculture as well as her family history - including a visit from Soviet Union premier Nikita Khrushchev during the Cold War to learn about hybrid corn from her grandfather!

I'm a Sioux City Art Center Board of Trustees Member!

Back in October, I learned that the Sioux City Art Center Board of Trustees had a couple openings through a friend already on the Board - so I applied. In December, I had a virtual interview with City Council, and I recently learned that I was approved! I look forward to serving my community in this function for the next two years.

SCAC BoT Certificate.jpg

Time for a New Adventure!

I am very excited to announce that I have accepted a new position starting in the fall at Morningside College in Sioux City, IA, as Art Department Head, Director of the Helen Levitt Art Gallery, and Associate Professor of Art. Morningside is a great liberal arts college with a vibrant art community, and I am enthusiastically looking forward to this new adventure and the career progression it offers me!

Nevertheless, I have been honored to have served the University of Saint Mary as Art Program Director and Assistant Professor of Art for six years, and to have earned tenure and promotion in rank to Associate Professor just as I am departing. I will miss the many amazing faculty members, staff, students, and SCL, as well as the beautiful campus, that make USM unique. I learned a lot in my time at USM and will be leaving with a multitude of treasured memories and strong friendships.

Here’s to embracing change, opportunity, and growth!