round panel

Arts Itoya 2025 Residency Artwork 2: Even the Shadows Are Fresh

There’s a word in Japanese that doesn’t quite have a satisfying translation to English: 新緑 (shinryoku). It’s the new, lush green of early summer. One of the plants that always captures that feeling for me is the ginkgo tree (Ginkgo biloba). I wanted to capture 新緑 in a painting of ginkgo leaves.

In researching possible titles for this painting, I learned that the ginkgo tree holds particular significance in Japan as one of the “survivor trees” that survived the atomic bombing of Hiroshima. I watched a short documentary on the man who has dedicated himself to caring for these trees and the trees themselves here. I highly recommend watching it; it is a moving story.

I also was inspired by haiku about shinryoku and related concepts like wakaba and midorisasu, like this poem from the poet Teruko from the Rainier Haiku Ginsha: “は一色ならず色重ね (shinryoku wa hitoiro narazu irokasane) / fresh green is not one color but layered hues.”

This is Even the Shadows Are Fresh (新緑), acrylic on round wooden panel, 12x12x.875”, 2025.

As a little bonus, here are a few images I’ve gathered of ginkgo leave motifs around Japan!

Arts Itoya Painting 4: Shingling

My fourth painting is of a shingling plant I documented in Yakushima, in this case Ficus pumila. Ficus pumila is a native species in Japan (and other East Asian countries). I’m always attracted to epiphytic shingling plants (plants that climb up trees or rocks vertically such that their leaves look like lush shingles atop their substrate). This was a very time-consuming painting in both the drawing and painting stages, but I think it was well worth the effort!

Yakushima Island was not as fertile for rice production as other areas of Japan, so during the Edo period, Yakushima paid for its shoganate taxes by logging sugi trees and producing wooden shingles rather than in the more customary rice. This deforestation had negative environmental impacts. Reforestation and conservation efforts including declaring the island a UNESCO World Heritage site have since tried to rebalance the important island forest ecosystem. This painting’s title references both the plant’s growth habit and common grouping name as well as Yakushima’s ecological history.

This is Shingling, acrylic on round wooden panel, 12x12x.875”, 2024.

Shelby Prindaville's "Shingling" acrylic painting of Ficus pumila on a round wooden panel.