Blue Hour — Shelby Prindaville — Upcoming events & blog

A number of people have shared with me that they really enjoy when I post progress images of my artwork, so they can see the process! Here are the behind-the-scenes pictures from this past summer.

As always, I remembered to document more with some paintings than others; I appear to have been so focused on the making of it that I never paused to photograph the process of creating Red Spider Lily - sorry!

Please also keep in mind that I take progress photos somewhat haphazardly compared to the care I put into the finished artwork images in terms of lighting, perspective, backgrounds, and color accuracy.

First we have Even the Shadows Are Fresh:

Next, we have Blue Hour:

Here is After the Rain:

And finally, Edge of Motion:

Painting tanuki (Nyctereutes viverrinus) unintentionally became a multi-year quest, which lived up to the yokai version’s reputation for illusions and light-hearted trickery.

I decided to paint them on the fan-shaped washi paper which I dyed with indigo (aizome) in my workshop in Tokyo in mid-May. Due to the coloration of the washi and the folkloric aspect of tanuki, I chose to paint them in a limited color palette which isn’t completely monochromatic but which has indigo as the key color.

Tanuki are nocturnal, so the English title Blue Hour felt appropriate as the blue hour is a term for the short period of twilight just before sunrise or just after sunset. The Japanese title is 藍影 (Aikage), which means Indigo Shadows.

This is Blue Hour (藍影), acrylic and traditional indigo dye on fan-shaped washi paper, 7.7x15.75”, 2025.