artisanal paper

New Artwork: Incursion

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As was the case with my last new artwork, I began this painting while in residency at BROTA and the Buenos Aires Botanical Garden but didn’t finish it until now! It’s another painting of the water hyacinth - an attractive plant that due to human spread is now an invasive menace.

My first painting of this plant, Adrift, is intentionally more flat and graphic. It focuses on shape, color, and contour. In this painting, I wanted to add more realism through volume, depth, detail, and light via water reflection. The substrate is another beautiful handmade paper by Ato Menegazzo Papeles in Buenos Aires, Argentina.

This is Incursion, acrylic on artisanal handmade paper, 19.5x15.5”, 2023.

Shelby Prindaville's second painting of a water hyacinth.

New Artwork: Adrift

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Every artist has a few pieces they’ve started but not yet finished… and then time passes. Some of them kick around for months or years before they get picked back up again - if they ever do!

This painting is a piece I began during my 2019 Argentinian artist residency at BROTA and the Buenos Aires Botanical Garden. I got it quite close to being finished at the time, but there were a few touches left to add… and upon my return to the US, I shifted focus to moving houses and beginning the next school year, then COVID hit… and I just never returned to it until recently!

This is a painting of a water hyacinth, which is simultaneously a beautiful tropical aquatic plant native to South America and also a globally invasive scourge. In places where it can withstand the winters, it quickly multiplies until it covers all the available surface area of bodies of water. In doing so, it not only crowds out other, native surface plants and can make surface transportation difficult (for both people and wildlife), but it also shades out the underwater ecosystem. Along with many other territories, it is an invasive plant in the US Southeast, and at one point the US Congress considered but ultimately didn’t pass a bill to introduce hippopotamus to Louisiana to help manage the water hyacinth population.

This is Adrift, acrylic on artisanal handmade paper, 19.25x14.5”, 2023.

"Adrift" water hyacinth painting by artist Shelby Prindaville.

BROTA and Buenos Aires Series "Gardens of Memory" Wabi-Sabi

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I know, I know… I made so much new work on this past summer’s BROTA residency in the Buenos Aires Botanical Garden that I still haven’t posted it all online yet - so here’s another reveal!

This piece is titled Wabi-Sabi because I think it’s reminiscent of Japanese wabi-sabi aesthetics. It is a mixed media piece including a NOID dried leaf collected from the Buenos Aires Botanical Garden, methylcellulose and toner photographic transfer, and matte medium on artisanal handmade paper, 14x11”, 2019. 

BROTA and Buenos Aires Artwork Series "Gardens of Memory" Sycamore Leaf Diptych

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Here is a new diptych, meaning partner pieces that will always be shown together. Diptychs can also be framed or otherwise physically linked together, too, but in this case I am framing them separately. These are mixed media pieces including sycamore leaves, methylcellulose, toner, and acrylic on artisanal handmade papers. The first paper is a very eco-friendly renewable dyed banana paper that I collaboratively made on a former residency in Peru, and the second is a handmade silk paper from Ato Menegazzo Papeles in Buenos Aires.