collages

BROTA and Buenos Aires Series "Gardens of Memory" NOID Leaf Skeleton

Information is power. I try to ID all of the species I work with, as each species is important and adds layers of meaning and interest to my pieces. Accuracy is equally important however - randomly guessing at species IDs does more harm than good, in my opinion. The first leaf skeleton piece I shared with you, which incorporated a sacred fig or Ficus religiosa leaf skeleton, was identifiable due to its very specific and unusual shape. In this NOID leaf skeleton, however, the shape alone does not sufficiently distinguish the leaf from other trees in the Buenos Aires Botanical Garden. Since it is a skeleton, I also cannot use leaf color, texture, weight, and/or attached branches or flowers to contribute more identification information. Though I researched for some time hoping to find a conclusive match, I eventually had to concede that I cannot definitively identify the leaf species which is what makes it a NOID (a term we use in plant identification that - perhaps obviously - stands for no identification).

This artwork is mixed media including a NOID skeleton leaf, matte medium, and handmade artisanal paper and is 12.5x9.75” (unframed dimensions).

BROTA and Buenos Aires Artwork Series "Gardens of Memory" Sycamore Leaf Diptych

Here is a new diptych, meaning partner pieces that will always be shown together. Diptychs can also be framed or otherwise physically linked together, too, but in this case I am framing them separately. These are mixed media pieces including sycamore leaves, methylcellulose, toner, and acrylic on artisanal handmade papers. The first paper is a very eco-friendly renewable dyed banana paper that I collaboratively made on a former residency in Peru, and the second is a handmade silk paper from Ato Menegazzo Papeles in Buenos Aires.