metal leaf paper

Arts Itoya Painting Progress Pics!

I often get asked about my studio practice and processes, so I like to share some photos of how my artwork develops! Here are progress images from my Arts Itoya residency in Japan. Note that I do not take the time to precisely color adjust progress photos, and they are often taken in poor lighting conditions (late at night) and sometimes at angles. I also can forget to pause to take pictures when I’m in a rush!

First, here’s Duality:

Next, Pursuit (Ichi-go Ichi-e):

Then we have Lifelong Renter:

Shingling:

Messenger:

And finally, Fleeting:

Arts Itoya Painting 5: Messenger

My fifth painting is of a sika deer (Cervus nippon), painted atop a decorative camellia metal leaf washi paper. I applied the paint atop the gilding in a thin, translucent layer so that the metal leaf is still visible. In areas where the paint colors are similar to that of the metal, it’s difficult to see much difference head-on - but in darker coloration spots, you can discern it. However, if you stand at an angle or due to the light environment when reflections are apparent, the gilded decoration is visible throughout the whole painting. Below are two photos of the same painting, visually demonstrating what I describe above!

I encountered wild sika deer in Yakushima (the subspecies C. nippon yakushimae) and in Nara as well as saw them in zoos in Fukuoka and Yamanashi City. They are famous in Nara, as more than 1,200 roam freely around Nara Park and the grounds of several temples and shrines due to the deer serving as sacred messengers to the gods in the Shinto religion.

This is Messenger, acrylic on gilded washi mulberry paper, 26x18”, 2024.

Shelby Prindaville's acrylic painting of a sika deer on gilded washi paper.

Shelby Prindaville's acrylic painting of a sika deer on gilded washi paper, with the metal leaf visible throughout.

Arts Itoya Painting 2: Pursuit (Ichi-go ichi-e)

My second painting is atop an aluminum leaf paper. This paper was hard to work with, as the paint doesn’t grip to it as well as I’d like (and my new Holbein metal primer did not help), and the tape I used to anchor the paper to a board ended up removing the foil off the corners. However, I persevered! The subject is a male Japanese rhinoceros beetle, called kabutomushi here in Japan: Allomyrina dichotoma. The adults only live for 2-3 months after pupating.

I plan to carefully varnish the beetle before framing this piece, but I’ll do that at home - so for here, it’s done! All of the metal leaf papers are hard to photograph, but I’m pretty happy with the below image.

This is Pursuit (Ichi-go ichi-e), acrylic on aluminum leaf paper, 11.5x17”, 2024. The Japanese romaji in the title, ichi-go ichi-e or 一期一会 in kanji, is a four-character Japanese proverb that means “one time, one meeting” and is about embracing the present.

Shelby Prindaville’s acrylic painting of a kabutomushi or Japanese rhinoceros beetle (Allomyrina dichotoma) on aluminum leaf paper.