And here are process pictures of Singularity from start to finish!
LSU Vet Med Artist Residency Artwork 5 Process
And here are process pictures of Singularity from start to finish!
light green stain
And here are process pictures of Singularity from start to finish!
This is actually the first piece I began here at the LSU School of Veterinary Medicine! I never know how to properly answer people as to how long a piece of artwork takes to finish, as my optimal process involves working on several different pieces simultaneously. If you count start to finish, I worked on it for a month and five days - however, there were a number of days in there that I didn’t touch this piece or only worked on it for a couple of hours…
The subject in this piece is a three-day-old baby Nubian goat; she was fully healthy but was brought in to accompany her brother who was failing to thrive and unfortunately didn’t make it.
Singularity, mixed media including Clinical Pathology’s Diff-Quik Eosin Y stain, Clinical Skills' fluorescein, Histology’s light green stain, and acrylic on basswood panel, 12x24x1.5”, 2022.
As I mentioned in my first post about this painting, the coloration of the background comes from my novel usage of veterinary stains and medicine as art media, and I continued that color palette into the subject as well. However, there was a lot of trial and error in the creation of the background, and a cyan coloration that was produced ended up quickly going almost entirely fugitive (bleached out). I reinforced it with acrylic droplets as a final step, but as the painting continues to age, the background purple coloration is also beginning to fade. I may need to redo the whole background eventually, but right now I am adopting a wait-and-see approach!
This painting has already had a number of failed backgrounds, because two of the chemicals I tried to use for pigmentation clearly did not work from the start. The first I attempted was chlorhexidine, and the second was light green stain from Histology. “Wait a minute!” you might say to yourself. “Those chemicals are still listed in the mixed media!”
You’d be correct - I left them in because I kept sandwiching new chemicals between layers of acrylic medium, and I can’t be sure that some of those initial layers didn’t create the compositional effects that later resulted from the Diff-Quik methylene blue counter stain. That is the chemical that brought both the purple and strong cyan into to the background, but the cyan came from watering down or thinning out the stain and it began going fugitive quickly. The purple stuck around long enough that I thought it was permanent, but now it too is beginning to fade. I’ll continue to update you as to where this painting ends up, in terms of both aesthetics and process!
Here’s my second finished piece from my LSU Vet Med artist residency! I’m still mulling over the title - my current tentative selection is Wild Card, but I’m open to other suggestions.
I’ve met a lot of very cool animals here already, so this is high praise indeed - this is my favorite animal I’ve met thus far. ZooMed has a superstition they observe: you cannot name a wildlife patient, or its health will go downhill. This little fellow therefore doesn’t have a name, but he’s a real character. He has charisma and attitude in spades. When I arrived, he was a nestling and still had these “Einstein” feathers he’s rocking in the below image, but he’s now a fledgling and is getting closer to release every day!
I specifically chose the elongated landscape aspect ratio of this panel as mimicking the dimensions of the pathology slides. The coloration of the background comes from my novel usage of veterinary stains and medicine as art media, and I continued that color palette into the subject as well. However, as you’ll understand more clearly in the process post I’ll make soon, there was a lot of trial and error in the creation of the background, and a cyan coloration that was produced ended up quickly going almost entirely fugitive (bleached out). I reinforced it with acrylic droplets as a final step.
This is a mixed media painting of a wild brown thrasher nestling including Clinical Pathology's Diff-Quik methylene blue counter stain, Histology's light green stain, ZooMed's chlorhexidine antiseptic, and acrylic on basswood panel, 10x20x1.5", 2022.