teaching
Final grades have been submitted, I was applauded for my 5-year work anniversary milestone at Morningside University’s annual holiday banquet, and supply orders for the next semester have been placed! Over winter break, I will be working on a number of studio projects in ceramics and painting. I will share more about those as they unfold.
I look forward to 2025!
The head art teacher for the Sioux City Community School District reached out to me last year and asked if we would be willing to host a competitive art show in Morningside’s Eppley Art Gallery for three regional high schools’ artists: North, East, and West High Schools. Each high school’s art teacher would select the entries, and then I was asked to judge the pieces and award prizes as well as provide a critique of the artwork for the students.
I enthusiastically agreed! The show, Art Under Review, has been on exhibition in Eppley Art Gallery from the beginning of the spring semester on January 10. I will be announcing awards and critique feedback on January 31. The visiting student artists will also get to attend an art workshop and take a campus tour. The show will continue through February 2, 2024.
Time flies, and we’re starting up another school year again! This Fall 2023 I will be teaching Design, Graphic Design I, Graphic Design Internship, and Advanced Studies in Graphic Design at Morningside University. I will also be taking Intro to Japanese!
Miriam Moore’s new Sioux City Garden Club logo design!
I love to partner with community organizations in art department coursework with beneficial, real-world projects. This semester, I agreed to host a design competition within our graphic design program for the Sioux City Garden Club! Their president, La Vone Sopher, reached out to me and we worked out a plan: students in Graphic Design I and II would submit logo designs, and the club would proffer a $50 first place (and use that logo) as well as a $25 second place prize.
Students in these two courses submitted 26 designs, and there were a lot of quality options for the garden club to choose from! The board winnowed it down to six, and had the club members vote to select their first and second place designs. Graphic design and history major Miriam Moore’s logo was the winner!
I like to take on these sorts of projects - even though it invariably adds to my workload - because students get to work with actual clients, the top designers receive compensation, and all students create portfolio pieces while the winner sees their work enter the community. It also raises both the winning artists’ and our art department’s visibility… particularly when we issue press releases about the successful conclusion of the partnership!
Here’s the Morningside University press release (complete with a quote from me), which was picked up by KWIT and a KTIV television interview.
Me and one of our brand new alumni at the 2023 Morningside University graduation ceremony!
This was a special year for me, as this graduating class is the first I’ve had at Morningside University where I’ve seen them through from start to finish - it’s my fourth year here, too!
Graduation was on Saturday, May 13th, and it’s always heartwarming with a dusting of saudade. I’m excited to see my students continue to progress in their professional and personal lives, but it’s always a little sad not to have them around nearly as much as I’ve become accustomed to. New students will be arriving in the fall, though, so the cycle will begin again!
Now that I’ve gotten the last workshop’s pieces published, I can tell you about the one I just finished! It took place on Saturday, April 22, 2023. Despite that late April date, the weather was decidedly more wintry - it was 34 degrees Fahrenheit with snow on the ground when we arrived, and I think it warmed up to around 40 by the time we left 8 hours later. Fortunately, the inside of the garage/storage room we glazed within got a bit warmer with the help of some space heaters, but I was still happy I wore my snow boots for extra warmth!
Possibly due to the weather, though, I had my best raku luck yet! I brought nine pieces, and all nine survived without even one crack - and my glaze results all fell on a scale of good to fantastic. I’ll share those with you shortly, but here are some photos from the workshop day itself first. In attendance from Morningside University was me, our ceramics instructor Paul Adamson, alumna Deb Allard and student Hannah Nichols.
Happy New Year! This spring 2023, I will be teaching ART 210 Graphic Design I, ART 225 Painting I, ART 470 Graphic Design Internship, and ART 490 Senior Art Seminar here at Morningside University.
Late last spring, I budgeted for and acquired two types of color-blindness-alleviating glasses for my design class in specific and the Morningside art department in general. Today was my introduction of our first color theory project in that class, so I brought the glasses out and said that if any students were having trouble either grasping the assignment or seeing colors change, they should try the glasses out to see if they could make a difference.
One of my students told me that he was not seeing the colors change in the project examples, but he was sure he wasn't color blind. I shared that there's a spectrum so it doesn't have to be all-or-nothing color blindness, and he could just test out if the glasses would help or not. He tried the deutan pair on and saw no difference. Next he tried on the protan pair and was surprised as he immediately registered color changes. I sent him outside just to check the world out and he came back after a few minutes and said he had no idea how much red was in our bricks or that there were maroon/brown moments mixed in the grass. Then he rocked the glasses for the rest of the class period while working on the color theory exercises.
You guys. I knew the glasses would help some students eventually, but on their debut they are already making a difference to a student for this project and more meaningfully for his general understanding of and experience with the world around him. I am so happy.
If you’re curious, the company I bought them from is EnChroma, and by coincidence it also happens to be International Color Blindness Awareness Month, so I’m both doing my part by raising awareness but also if you wanted some yourself, EnChroma is currently celebrating with 20% off.
Though we began having faculty meetings and events last week, classes start this Wednesday here at Morningside University. I will be teaching ART 103 Design, ART 210 Graphic Design I, ART 405 Advanced Studies in Graphic Design, and ART 470 Graphic Design Internship this semester!
Here are some day-of photos from the April 2022 raku workshop I attended at Dakota Potters Supply in Sioux Falls along with Morningside ceramics instructor Paul Adamson and students Lauren Hedlund and Debora Allard. The photo of finished works are some of the student pieces - I’ll post separately about my own!
I was invited to take part in the ART 246 Intaglio and Collograph Printmaking course’s finals etching trade. The end of the semester is always a busy time, but I said yes; I haven’t done an etching in ten years and it’s always good to refresh and grow, plus it’s a nice interaction for all involved. Our talented instructor Stephanie VonderAhe provided me with an already beveled 3x4” copper plate with hard ground applied. The assignment was themed “the view from here.” As I was mulling over the theme and how it might fit into my artistic practice, I decided to do a portrait of Ashlar - I see her every day.
I drew the piece at home, and I just accepted any mistakes I made as I didn’t really have time to re-ground any spots. When I thought it was done, I put the plate into the acid bath for a 40min etch, took it out, and printed it. That first print was pretty good, but the drawing seemed a little flat and there were a number of areas where I wanted to add or deepen shadows and develop a sense of volume. Stephanie added a new layer of hard ground for me, and I went back into the plate a second time. We then put it in the ferric chloride again for 40 more minutes.
I printed an edition of 16, but several of those had print errors (are you supposed to count those? - I’m now thinking you’re not, but I did!). As intended, I gave away 7 to the class. I framed up one for myself, and gifted another to my parents and a third to my sister. I have just a few good prints left, but of course I do still have my plate…
I’m pretty happy with how it turned out! Of course, I see some areas I could improve upon were I to do another plate or had time to fix mistakes prior to etching, but overall it’s a nice representation of Ash.
Well, last week we wrapped up the Fall 2021 semester, and next up is Spring 2022! I will be teaching Graphic Design I, Painting I, Painting II, Graphic Design Internship, Advanced Studies in Drawing, Graphic Design, and Sculpture, and Senior Art Seminar.
Morningside’s 15th annual Into the Streets event took place today; we had over 800 Morningside students, faculty, and staff volunteer with non-profit organizations across the region! I volunteered with Art Club students, and we brainstormed display changes and restored the Lila Mae's House Break the Silence exhibit, which raises awareness about sex trafficking.
I’ve always wanted to do raku firing ever since I first saw a piece of raku pottery and learned of the technique as a child - but it’s never been an opportunity I could take advantage of until now! A few months ago I attended a Saturday raku workshop at Dakota Potters Supply in Sioux Falls, SD, joined by my ceramics faculty member Paul Adamson and graduating senior Anna Uehling. Raku, first practiced in Japan, is a low-firing technique that makes use of wide temperature swings, reduction, and carbon trapping to create some really ornate artwork. Due to the low-fire nature of the process, the pieces are mostly decorative; they are neither watertight nor food-safe.
Here is a slideshow of the day’s adventures. This post will be followed by a series of posts exploring each of the three different glazing techniques I tried! There were five different techniques available, and I was most interested this first go-round in three of them.
Crackle glazes (either clear or white), with the goal that carbon gets trapped in the crackles
The “baked potato” technique, wherein you coat the bisqueware in ferric chloride, sprinkle it with sugar, salt, and/or horsehair, and then bundle it up in aluminum foil like a baked potato before firing it
Copper glazes
Ferric chloride spray
Horsehair and/or feather application
Well, that was a strange and hard academic year we just finished, due to the pandemic, but I’m proud of our community for getting through it as best we could and being able to celebrate a range of accomplishments along the way.
Today is the graduation for our class of 2021! We had a wonderful string of senior thesis shows over the past month - the disciplines of graphic design, photography, animation, ceramics, drawing, and painting were all variously on display in the exhibitions of Courtney Klocke, Anna Uehling, Abby Koch, Kazune Oguro, and Carissa Powell. In fact, Kaz and Carissa’s two-person show will stay up through May 17th if you haven’t yet seen it and want to stop in!
Timed for Earth Day and in collaboration with the Sioux City Environmental Advisory Board and the Morningside Sustainability Committee, my ART 225 Painting I class took on an extra-credit project to decorate two campus storm drains with goals of raising awareness (what goes into the storm drains comes right back out again without mediation into a local creek that feeds into Bacon Creek which feeds into the Missouri River) and beautification.
The first storm drain we painted on Earth Day itself, and there was a bunch of press interested in documenting it! We had crews from Morningside’s Marketing Department, the city of Sioux City, local ABC News affiliate KCAU 9, and the Sioux City Journal documenting our work, which was pretty fun.
Here’s a group photo of the completed piece, which is directly in front of the Morningside community gardens! The paint we used will hopefully hold up for a while, but when it eventually flakes off, it is biodegradable and should not contribute to the problem of storm drain pollution.
Me and my ART 225 Painting I students who worked on the Morningside Community Garden storm drain site!
A second group of ART 225 Painting I students and I painted a second site which is located across from our new agricultural greenhouse the following Tuesday. The weather was colder than we’d have liked, but we persevered! Note that some chalk blueprints are still visible in the photo but will be rinsed away with the next rain.
Me and my ART 225 Painting I students who worked on the new agricultural greenhouse storm drain site, minus one who had to leave a bit early.
It’s pretty neat to see former students continue achieving in art! A former student of mine, Paul Stouffer, who took one-on-one lessons from me while I was in graduate school at LSU is a finalist in the 2020 Pabst Blue Ribbon Art Can Contest.
Well, we submitted final grades last week and we’re officially moving on to preparations for next semester! I will be teaching Painting I/II, Graphic Design I, Graphic Design Internship, and Senior Art Seminar for Spring 2021.
Recently, I was invited by my mentor and former professor Kelli Kelley to guest lecture via Zoom in Louisiana State University’s ART 4889 Advanced Drawing Workshop! It was fun to get a chance to catch up with Kelli and to virtually meet LSU art upperclassmen and graduate students.
I give propagations of plants out to students as gifts, and sometimes as prizes for answering art questions correctly (if more than one student is interested in adopting the plant). So far, students this semester have received Cyanotis kewensis, Zamioculcas zamiifolia, Tripogandra serrulata, Kalanchoe daigremontiana, and Kalanchoe beauverdii. Then this showed up in my inbox a few weeks ago:
If you’re wondering, I said yes.
