Whiterock Conservancy Journal 3

On the ninth day, we visited the farm again (and I took some photos of a few farm animals and the inside of the historic Garst Farmhouse!) because I wanted to wander around the large and relatively clear Garst Home Pond; I brought the underwater camera I purchased for scuba diving with me and hoped to take some cool fish photos! However, I didn’t think this plan through very well, as I wore my normal tick-prevention gear of long pants and sneakers (sprayed thoroughly with Off! Deep Woods repellent), so I didn’t want to wade in if I could help it. Luckily there were a few spots with large enough rocks at the edge where I could get on top of them and then submerge the camera to capture initially flighty but ultimately curious bluegill fish (Lepomis macrochirus)!

We then stopped off for a wardrobe change and I forded the river with the walking stick this time to harvest some more “blue” clay, which made the whole journey much easier! After this, my last two friends departed, and I was on my own for the rest of the residency.

I spent the whole of the tenth day working on the base drawing and then some of the sculptural elements for a mixed media frog relief.

On the eleventh day, I worked on artwork some more as well as investigated the town of Coon Rapids a bit more - I visited the antique store, the bakery/café, and the Mexican restaurant. I also stopped into Adel, IA, to check out Harvey’s Greenhouse as I’d been told they have multiple greenhouses, with one entire one being devoted to cacti and succulents. In the evening, Liz Garst stopped by and we chatted, I showed her my work thus far, and she tried to tell me of a site she thought I might try for red clay… but when my navigational ineptitude was making it clear I’d never be able to check it out based on her verbal instruction, she then took me on a short Gator ride to physically point to the location!

On the twelfth day, I worked on artwork some more.

The thirteenth day brought a thunderstorm! This was welcome in that the area desperately needs rain, but unwelcome in the sense that I had planned to try to go to the potential red clay site but couldn’t given the weather. I also couldn’t bike either! Instead, I continued to work on artwork and during a pause in the rain took a stroll down to the river beach.

On my last full day, I adventured again! In the morning I took the Gator the same route Liz showed me to try out a different site for red clay; the way becomes impassable by UTV at a certain point, so I had to hike the rest of the way without a trail. This meant wading through grass that in some cases was taller than me, and the ground in some areas was still sodden from the rain! I made it though, only to find it was much the same as the other cliff my friends and I had tried. Ah, well; I gave it my best efforts this go-round and perhaps this unfinished business will call for a future residency here again at some point! I worked on artwork in the afternoon, as the daytime temperatures toward the end of this residency were in the mid-90’s, and in the evening, I biked the Steve Garst trail from the Visitor’s Center into Coon Rapids. Along the way, I passed by a pond that had wild river otter in it! I felt blessed, but also a bit frustrated; I was wearing shorts since I was biking and the very tall grasses, nettles, and other plants surrounding the pond made it impossible to photograph through well but were also not pleasant on the skin as I tried to get closer. I also had a height disadvantage! So the best photographic proof I have is pretty Nessie-level in quality, which also means I don’t have good artwork reference imagery, but it was a really cool experience nonetheless.

The following morning, I packed up all of my artwork and belongings, cleaned the place up, finished my entry in the Whiterock River House Journal (a physical guest book), and headed out in the early afternoon! The final photos in this slideshow are of the River House itself.

Whiterock Conservancy Journal 2

The fourth day of my residency at the Whiterock Conservancy involved taking the Gator UTV out to the Garst Farmhouse Historic District - a long trip! We saw a coyote for just a moment, and several turkey vultures. There was also a ridiculously friendly miniature donkey at the farm who I enjoyed making the acquaintance of. I didn’t take many photos on this day as I had discovered to my dismay the previous night when attempting to swap out and recharge my very low camera battery that I had somehow managed to overlook packing my charger and spare battery (which was charging in it). I’m still not sure how that happened; it’s one of the most important items to bring along and I’m usually so good at packing! I think it’s a combination of not having traveled much the past year along with a more procrastinated packing approach (admittedly in part due to the proximity of the residency).

I was just beginning to resign myself to needing to drive a round-trip five hour journey to retrieve it when my friends all came together for me and managed to send the charger and spare on their way with a friend who was arriving to join our party that evening. After she got here with my fully charged spare and the charger itself, I was so relieved! We celebrated by going on a five-person evening hike of the Shooting Star Trail. It has a lot of beautiful ferns, and I found two absolutely tiny wild strawberries which I harvested for chromatography purposes.

The fifth day of our residency brought another two of my friends and their children! We set off as a group of eight on a hike of the Pond Hopper Trail with its abandoned log cabin, explored the beach again, and checked out the River House Barn.

On the sixth day, the eight of us hiked the Riverside Trail and explored the 805 Cabin area. We then went on the Templeton Rye distillery tour in nearby Templeton, IA! In the late afternoon, we returned to the beach and I harvested some of the “blue” clay that is a part of the cliffside across the river while a couple of my friends played in the river and were nibbled upon by minnows. To get to the clay, I needed to cross the river, squelch through the very-eager-to-eat-shoes opposite bank, and then climb up a relatively steep cliffside before digging it out and trying not to gather too many rocks, roots, dirt, and other materials in the process. I didn’t get a ton of it - maybe six or seven pounds - as after the vein I was digging became exhausted, the others were all even higher and I thought they were too steep to tackle. Plus I was worried about trying to manage too heavy a weight on the return journey!

It was an even more precarious climb back down with the clay in hand, and crossing the river while laden also proved difficult! I resolved to go a second time and make use of the walking stick in the house to get some more from a bit higher up. The rest of the evening I cleaned most of the clay of rocks, pebbles, sandstone grit, and roots. One of my friends departed to start her own adventure hiking the Loess Hills for four days.

We took it pretty easy on the seventh day in the morning. I had been told that there was both “blue” and red clay in the land trust, but while I was told explicitly where the blue clay could be harvested, the red clay was just an aside. In the afternoon, we went on a Gator adventure to try to see if there was red clay harvestable in this other cliffside we’d seen on the way to the Garst Farmhouse. Unfortunately, when we got up close and started poking, it was all sandstone and solid rock; we managed to harvest about a teaspoon of red clay from one tiny little pocket! Later on I asked the groundskeeper who told me about the red clay where it was located, and he tried and failed to find it as well. He said it’s only harvestable in particular seasons/weather events and it’s just not possible right now.

Late that afternoon my two friends with their children also went back home, so it was just me and my two remaining friends who had arrived at night on the second day. We went on an evening Gator trip to see the final stretch of double track trail that we hadn’t yet explored on the other side of the bridge near the Garst Farmhouse, and were rewarded with a swooping show by a flock of swallows (which was nigh unphotographable due to their speed and size).

On the eighth day, we visited Des Moines as none of the three of us had been there before!

Whiterock Conservancy Journal 1

On my first day here, I unloaded my car which I had packed with art supplies, groceries, my bicycle, and a small suitcase. I’m staying at the River House, which is a very nice three-story house filled with art and books. I then headed over to Liz Garst’s house - she is the founder of the Whiterock Conservancy - and spoke with her and a couple members of her family for a while before heading back to the River House and testing out the Gator UTV.

The second day I met two of the groundskeepers here, and one - Amanda - took me on a small tour of the prairie loop, the abandoned log cabin and turtle pond loops, and discussed with me some ideas on good pigmentation and animal sighting opportunities. I shared with her that I have had a deep desire to see a wild tree frog for the past few months, and she replied that she sees them occasionally and will keep an eye out. I also rode my bicycle on the main trail loop that goes down through the campground and out past the turtle ponds, and met a couple of very nice women camping on the way! I spotted a number of turtles from afar as well as some frogs, geese, and dragonflies. I also harvested some plants and soil samples with the intent of doing some new chromatography artwork. In the evening, two of my friends joined me as my guests for about a week of my two-week residency!

On the third day, my friends and I ate breakfast together and then took the Gator UTV out for a spin, and I taught one of them how to use it. Then I biked the turtle pond section while they Gatored it, and we met at the top of the hill and hiked the Bluebell Trail together. It took us about 4 hours to get back to the UTV, but that was at a very leisurely pace and we collected a lot of chromatography material along the route! On the way back home, I passed Amanda and stopped to say hello; she remarked that she had seen a tree frog as well as a toad about five minutes previously near a tree and pointed it out. I hopped off my bike and went to search the radius, and I miraculously found the tree frog! He even held really still on the branch he was on while I took him out of the brush and permitted a decent amount of photos before he got froggy on me. That evening we were all invited to cocktails at Liz’s house where she shared more about Whiterock’s mission of conservation and sustainable agriculture as well as her family history - including a visit from Soviet Union premier Nikita Khrushchev during the Cold War to learn about hybrid corn from her grandfather!

Artist Residency at the Whiterock Conservancy!

I am currently attending a fully funded artist residency at the Whiterock Conservancy outside of Coon Rapids, IA! Whiterock Conservancy is a nonprofit land trust. I was invited to attend after applying along with a recommendation from my friend Terri McGaffin, who completed a residency here a couple months ago!

The residency is hosted at the River House, and the conservancy spans over 5,500 acres; as such, I brought my vehicle and bike along, but I have also been provided with a Gator UTV as a part of the experience. I wasn’t sure whether I’d enjoy driving a UTV around, but it turns out I do! As you’re motoring up a steep hill in total isolation and crest the top to see the landscape unfold around you, you can’t help but feel the wonder of both nature and human ingenuity.

Stay tuned for photos of my explorations, journal entries, and new artwork!

African Violets

My pink-flowered variegated NOID African violet from a plant society sale in Baton Rouge, LA.  I’ve owned and created multiples of this plant since approximately 2010.

My pink-flowered variegated NOID African violet from a plant society sale in Baton Rouge, LA. I’ve owned and created multiples of this plant since approximately 2010. (January 2023 edit: I believe it might be ‘Precious Pink’.)

We all know I keep a large number of plants. Some genera never do well for me; others do well pretty much across the board, and then there are those that can be hit or miss. African violets, or Saintpaulia spp., are in the last category for me. (I know some of that is due to my unwillingness to adapt my own tending processes - I’m not super into wick watering, for instance, and I often top-water which can easily result in crown rot.) The first AV I remember keeping well enough to be notable is a NOID I picked up from a plant society sale in Baton Rouge, LA, around 2010. It’s a variegated dusty-pink-and-green standard AV, with pink flowers. It’s my most tried-and-true and therefore my favorite. (January 2023 edit: I believe it might be ‘Precious Pink’.)

The same pink-flowered variegated NOID African violet pictured above, but a few months later after it upped its variegation intensity.  Variegation is dependent on environmental factors including fertilization, light levels, soil type and age, and so on.

The same pink-flowered variegated NOID African violet pictured above, but a few months later after it upped its variegation intensity. Variegation is dependent on environmental factors including fertilization, light levels, soil type and age, and so on. (January 2023 edit: I believe it might be ‘Precious Pink’.)

After this NOID variegated standard was clearly sticking around, I bought a couple other standard green-leafed types from grocery stores. Either quickly or slowly, those all passed away. Time ticked onward.

I picked up a cute miniature AV with blue-violet flowers from Family Tree Nursery in Kansas City, and it seemed to be doing OK. I tried out a couple Primulina species, a very close relative in the Gesneriad family - one died quickly but the other thrived for a time, but then ended up deteriorating as well. I bought a gorgeous lime-flowering dark-green-ruffled-leaf standard and another AV I can’t remember well from the KC Gesneriad Society that both quickly went downhill. The mini kept doing all right, so I was up to two AVs that seemed to be able to handle the care and setup I provided. Time continued to pass.

The blue-flowered mini from Family Tree Nursery in Kansas City.

The blue-flowered mini from Family Tree Nursery in Kansas City.

I attended another KC Gesneriad Society sale. I was a bit wary given all the other deaths, but figured I’d try a few more out. I bought one AV with a beautiful set of flowers already growing that flowered but then croaked pretty soon thereafter, a cupped-leaf and a “girl-leaf” mini AV, and a trailing Russian hybrid called ‘Zimniy Tsvetok‘ (I distinctly remember a society member trying to persuade me it wasn’t worth getting, but I liked the look of it so I went ahead anyway) as well as a few Episcia species (another relative in the Gesneriad family). I also picked up another miniature, this time with a sort of white/yellow/pink variegation, from Family Tree Nursery. Around this time I also branched out into Sinningia species (yet another Gesneriad), and had middling levels of success and failure there too.

My girl-leaf mini that’s doing the best of its clones and even proffered a couple flowers recently!

My girl-leaf mini that’s doing the best of its clones and even proffered a couple flowers recently!

The “girl-leaf” mini AV began to fall apart, but some harvested leaves managed to grow pups. Those plants have matured into their own issues, and I’d categorize this plant as just barely managing to stay afloat in my AV collection. I wouldn’t be surprised if it’s eventually - or even rather soon - another goner. However, the most stable girl-leaf mini has just begun to bloom, which is a positive turn! It has put off a couple of light pink flowers.

The cupped-leaf mini has also continually struggled, though I’d say it seems to have stabilized a bit more than the girl-leaf mini has even though I don’t think I’ve seen it flower yet (or if I have, it was sufficiently long ago for my memory to fail me). I didn’t take a photo of it for this post as I was documenting the rest, due to a combination of its currently underwhelming stature and lack of flowers. All the Episcias have done just fine, though I have learned I dislike how often they have to be restarted in order to look nice. However, they do make good gifts since I am forced to propagate them so frequently!

The variegated mini that’s getting relatively large but which I believe has yet to flower for me.

The variegated mini that’s getting relatively large but which I believe has yet to flower for me.

The variegated mini has been doing better, and I have one plant of it that is actually looking pretty adult though I’ve yet to see it flower either. The first and mother to all of my blue-violet-flowering minis had a very weird crown situation set in, but it had been so prolific and stable in pupping beforehand that I have several replacement plants solidly in the ranks. I think it’s nearing the tried-and-true category, though I’ll still need a couple more years to be sure.

My RS ‘Zimniy Tsvetok’ trailing violet, which is one of my current favorites but seems to have peaks and valleys in vitality and has yet to propagate successfully.

My RS ‘Zimniy Tsvetok’ trailing violet, which is one of my current favorites but seems to have peaks and valleys in vitality and has yet to propagate successfully.

However, the real surprise for me is the RS ‘Zimniy Tsvetok’ trailing violet. It took a while to settle in when I brought it home, and it was touch-and-go for a time. Then it started to flourish, and it did very well for over a year, but eventually its leaves began to bleach and I thought it might not be salvageable. I pulled it out from its fluorescent light stand, repotted it, and put it in a shaded southern window (an oxymoron, I know) in an attempt at rehab. Its color slowly restored and it started growing again. It is now my biggest AV and - at least currently - my most consistent flowerer. The one propagation I’ve tried of it hasn’t done well at all, which does worry me in an “heirs and spares” sense, but the main clump (it’s a trailer, so it’s the only one in my collection that is meant to have multiple heads) is beautiful.

So at present, I keep six varieties of AV. Three are doing well: the tried-and-true NOID variegated AV from Baton Rouge, the blue-violet-flowering mini from Family Tree Nursery, and the RS ‘Zimniy Tsvetok’ trailing violet from the KC Gesneriad Society sale. Three are in various stages of surviving: the girl-leaf mini and the cupped-leaf mini (not pictured) from the KC Gesneriad Society sale, and the variegated mini from Family Tree Nursery. We’ll see how it continues to go!

Distrust of the Medical Community

I’m going to preface and close this post with my strong support of getting vaccinated, both in general and specifically with the COVID-19 vaccine. I have received both doses of the Pfizer COVID-19 vaccine; the sooner we achieve local and global herd immunity, the sooner we can regain a more normal world.

The United States is beginning to approach a new stage in the COVID-19 vaccination process: we are running out of people excited to queue, and are now attempting to convince those who are passively or actively opposing getting a COVID-19 vaccine to join the vaccinated so that we can reach herd immunity.

I have several students who have told me that they have rejected the chance to get vaccinated against COVID-19. While I haven’t grilled them on their own individual rationales, I know that there may be more than just political beliefs at play. The medical community is not infallible, and those patients who are privileged and/or lucky enough to have always received stellar health care are very fortunate - but others unfortunately do not have the same experiences.

A lot of people including myself bring up the Tuskegee Syphilis Study when discussing this topic. It wasn’t that long ago; it lasted for 40 years and only ended in the 1970s (after a number of earlier attempts to shut it down were unsuccessful). That’s still within the lifespan of people around today. But here’s another example from right now in 2021: nonconsensual pelvic exams unrelated to medical need have been and are still regularly being performed in the United States on women under general anesthesia - with one of the explicit rationales being that if women were asked for their consent beforehand, they might not give it. The state I’m currently living in - Iowa - banned this practice in 2017. That’s only four years ago. Furthermore, most of my life has been spent living in states that allowed or still currently allow this practice. Some doctors and medical institutions continue to lobby for nonconsensual exams under general anesthesia to continue. These can also extend to involuntary rectal exams on both sexes as well as penile and prostate exams. This is, sadly, just another of many examples of systemic medical transgressions and disparities.

As mentioned in the opening of this post, I have recently been fully vaccinated with the Pfizer COVID-19 vaccine, and I am grateful for that! I hope we can convince more folks to join us in this fight to attain herd immunity. But in order to do so, we need to acknowledge that some have legitimate concerns backed by personal or community experiences - and we also need to do better at tackling medical inequalities and oversteps. You can take action, too - through contacting your representatives and advocating for change, donating to organizations that are fighting these battles on the policy and legal fronts, and so on!

A Couple Commencement Photos

It was a good graduation! Here are a couple photos from the Morningside Flickr account of me processing and congratulating students.

It's Commencement!

Well, that was a strange and hard academic year we just finished, due to the pandemic, but I’m proud of our community for getting through it as best we could and being able to celebrate a range of accomplishments along the way.

Today is the graduation for our class of 2021! We had a wonderful string of senior thesis shows over the past month - the disciplines of graphic design, photography, animation, ceramics, drawing, and painting were all variously on display in the exhibitions of Courtney Klocke, Anna Uehling, Abby Koch, Kazune Oguro, and Carissa Powell. In fact, Kaz and Carissa’s two-person show will stay up through May 17th if you haven’t yet seen it and want to stop in!

Scandals in the Houseplant Hobby Part II

If you haven’t read my blog post titled “Scandals in the Houseplant Hobby,” I recommend you do that first, as this is a follow-up!

To recap: plants, notably the Philodendron ‘Pink Congo,’ that have been gassed (or occasionally painted) with ethylene to induce a temporary discoloration that may appear to unsuspecting buyers as a permanent variegation have begun to enter the houseplant trade. At the time of my first post, ‘Pink Congo’ was the only affected type I could list with specificity, but I mentioned that others were out there.

This spring, I’ve so far noticed two more pop up on one of the Facebook groups for houseplants - and this time, they’re both succulents. The first is Crassula ‘Buddha’s Temple’ and the second is Sinocrassula yunnanensis. Here are a couple screenshots I took of the plants for sale - in the second picture, it’s the middle row of plants that are impacted. Both were advertised as being Korean imports.

With the Crassula ‘Buddha’s Temple,’ people challenged the seller who initially defended these plants as untreated, natural variegation, but then a day later returned and admitted that upon follow-up, her importer confirmed that they were fakes. However, at least when I saw it, the Sinocrassula yunnanensis sales post made by a different seller hadn’t attracted any questions or consternation.

To me, both plants look really unnatural and kind of diseased or wrong, but then again I am deep in the hobby and know what plants ought to look like - I also think painted succulents and dyed and fake flowers look bad, so clearly my taste isn’t everyone’s as those treatments do have a ready audience in more amateur growers! I do wholeheartedly believe that any altered plant - whether it be gassed with ethylene, painted, dyed, glued with false flowers, etc. - should come with a clear label that lays out what has been done, the lifespan of the manipulation, and the impact to the health of the plant.

Storm Drain Decoration in My Painting I Class!

Timed for Earth Day and in collaboration with the Sioux City Environmental Advisory Board and the Morningside Sustainability Committee, my ART 225 Painting I class took on an extra-credit project to decorate two campus storm drains with goals of raising awareness (what goes into the storm drains comes right back out again without mediation into a local creek that feeds into Bacon Creek which feeds into the Missouri River) and beautification.

The first storm drain we painted on Earth Day itself, and there was a bunch of press interested in documenting it! We had crews from Morningside’s Marketing Department, the city of Sioux City, local ABC News affiliate KCAU 9, and the Sioux City Journal documenting our work, which was pretty fun.

Here’s a group photo of the completed piece, which is directly in front of the Morningside community gardens! The paint we used will hopefully hold up for a while, but when it eventually flakes off, it is biodegradable and should not contribute to the problem of storm drain pollution.

Me and my ART 225 Painting I students who worked on the Morningside Community Garden storm drain site!

A second group of ART 225 Painting I students and I painted a second site which is located across from our new agricultural greenhouse the following Tuesday. The weather was colder than we’d have liked, but we persevered! Note that some chalk blueprints are still visible in the photo but will be rinsed away with the next rain.

Me and my ART 225 Painting I students who worked on the new agricultural greenhouse storm drain site, minus one who had to leave a bit early.

My Artist For the Earth Opening Reception!

Well, Earth Day 2021 was quite eventful! I’ll do a separate post on the ART 225 Painting I project we took on earlier in the day, but this post is all about how my opening reception went for my Artist for the Earth solo show at The Block Gallery in downtown Sioux City.

First of all, I want to say a big thank you to the Morningside Art Department federal work study studio art assistants Devyn Reilly and Rachel Steinkamp for helping me to install the show. While I’ve installed many a show alone, it is so much nicer to have skilled help working alongside you! I also had Rachel take some nice shots of the show after we installed it, so I might add more to the blog later, but here are a few photos I took tonight.

The last photo in the grid is thanks to some of my lovely friends, who not only came out to support me at the reception but also gifted me with a bouquet of flowers and purchased artwork and reproductions. A bunch of wonderful colleagues, students, and community members also came through and many left with various pieces of artwork as well. It was a lovely evening!

Upcoming Solo Exhibition: Artist for the Earth Shelby Prindaville at The Block Gallery

I was invited to have a solo exhibition at The Block Gallery in downtown Sioux City, and since my work is ecologically-focused, gallery director Gia Emory and I agreed that opening the show on Earth Day 2021 seemed appropriate! I also went ahead and registered it with the Earth Day Network, which coordinates Artists for the Earth and thus gave me an easy show title to boot!

This show will not only display some of my 2D work, but will also include pieces of my ceramics! I’m quite excited about that, as this will be the first time ever that I’ll be exhibiting ceramic artwork.

The exhibition poster for my Artist for the Earth show at The Block Gallery!

The exhibition poster for my Artist for the Earth show at The Block Gallery!

It's National Poetry Month!

I’ve always enjoyed attending annual state poet laureate presentations and have several books of poetry in my own collection. So when Morningside’s creative writing instructor Brendan Todt reached out to me to ask if I’d be willing to record a video of myself reading a poem aloud in support of National Poetry Month for a virtual 2021 Morningside Friday is Writing Day event shared online, I said sure!

Brendan suggested it might be nice if I chose an art-themed poem, which was an interesting challenge. I ended up selecting Three for the Mona Lisa by John Stone!

More Ceramics!

Here are some more of my ceramic pieces! The first two are of a lovely little bowl; it’s so varied and hard to photograph that unless I uploaded seven photos and a video I think you’ll miss out on some of its detail, but trust me when I say it’s really nice in person and is one of my best pieces thus far. All the rest are, as you can often expect of me, planters with drainage holes. I like all of these a lot and am particularly into the new white/blue/brown and deep brown/white glaze combinations.

The final image in the grid is wheel-thrown from an earlier cycle but has since been planted with an Episcia or “flame violet” cultivar! I am reminded by that planter that I should really make time to wheel throw again at some point, but then again I really like the personality and handcrafted appearance of my pinch pot practice…

Birdwatching!

A still from the video - I’m the birdwatcher in the striped shirt!

A still from the video - I’m the birdwatcher in the striped shirt!

I love spending time outdoors, and I enjoy opportunities to do so while learning, exercising, and having new experiences. On the first day of spring this year - March 20th - I joined some friends in a birding hike at the Dorothy Pecaut Nature Center in Stone State Park. To our surprise, part of the way through a cameraman appeared to document the event for the local news!

In this ABC television affiliate KCAU 9 video clip, you’ll hear about what we were up to but also get a glimpse of me on the trail - I’m the birdwatcher in the striped shirt, black face mask, maroon hat, and grey backpack. On this hike, I learned how to focus binoculars and became a little more familiar with some of the more common birds in the region: the white-breasted nuthatch, the red-bellied woodpecker, and the downy and hairy woodpeckers (they look very similar but have different beak lengths). We also saw a couple of bald eagles and turkeys, though I had already been able to identify those!

Upcoming Exhibition: Packard Group National Exhibition 2021

I have a painting, Comfort Zone, on display in the Packard Group National Exhibition 2021 in a drive-in movie art reception at No. 7 Center in Vermillion, SD, in addition to a virtual exhibition! The art reception will take place at 8:30pm on Friday, April 2nd, 2021, and on that same date an online gallery will open to viewers as well.

New Ceramics!

My latest batch of ceramics has come out of the final firing! I started these pieces around three months ago, but ceramics take time and sequential processing. Though there’s still quite a bit of trial and error, I feel that I am honing my glazing skills! There are several glazing combinations from this go-round that I’m definitely going to be revisiting. There is also a new glaze color in this set - Green Tweed - that we didn’t have on hand before; I glazed it blind (meaning I had no samples of it to see how it’d turn out) so I didn’t use it on too many pieces, but it turns out I really like it both solo and in combination with other colors so I’ll be adding into a more regular rotation.

Above you see three new small dishes or bowls. The photography of ceramics is difficult because they are three-dimensional objects with variance - how many photos do I need to share to truly capture enough of each artwork? For these, I think one photo sufficiently captures each piece, though on the one with the hand-painted rings, there are rings on the exterior of the dish as well which I’m not sure is evident. Maybe I should have taken a side photo too?

However, for the small bowl above, I think at least two photos are needed to understand the glazing; another could provide even more coverage, but I believe only one would be insufficient.

All of the eight pieces immediately above are planters with drainage holes, as demonstrated by the final photo in the grid.

For many of the more complexly glazed pieces, I think my photographs - even multiple - don’t fully capture their totality. I should experiment to see if different photo setups can help, but also I think some artwork is always going to be best suited for in-person appreciation!

Current Exhibition: Rhode Island Watercolor Society's Painting Through the Pandemic

I have been juried into the Rhode Island Watercolor Society's Painting Through the Pandemic national online exhibition. They had just over 500 total entries and accepted 100 of those including my newest painting Velocity! The juror for this show is Jack Haran, former president of both the North River Arts Society and New England Watercolor Society.

The show will be posted online on their Facebook page on Saturday March 6th, 2021, with a virtual opening on the 6th at 7pm via Zoom - visit the show page on their website for more information and for the link.