Storm Drain Decoration in My Painting I Class!

Timed for Earth Day and in collaboration with the Sioux City Environmental Advisory Board and the Morningside Sustainability Committee, my ART 225 Painting I class took on an extra-credit project to decorate two campus storm drains with goals of raising awareness (what goes into the storm drains comes right back out again without mediation into a local creek that feeds into Bacon Creek which feeds into the Missouri River) and beautification.

The first storm drain we painted on Earth Day itself, and there was a bunch of press interested in documenting it! We had crews from Morningside’s Marketing Department, the city of Sioux City, local ABC News affiliate KCAU 9, and the Sioux City Journal documenting our work, which was pretty fun.

Here’s a group photo of the completed piece, which is directly in front of the Morningside community gardens! The paint we used will hopefully hold up for a while, but when it eventually flakes off, it is biodegradable and should not contribute to the problem of storm drain pollution.

Me and my ART 225 Painting I students who worked on the Morningside Community Garden storm drain site!

A second group of ART 225 Painting I students and I painted a second site which is located across from our new agricultural greenhouse the following Tuesday. The weather was colder than we’d have liked, but we persevered! Note that some chalk blueprints are still visible in the photo but will be rinsed away with the next rain.

Me and my ART 225 Painting I students who worked on the new agricultural greenhouse storm drain site, minus one who had to leave a bit early.

My Artist For the Earth Opening Reception!

Well, Earth Day 2021 was quite eventful! I’ll do a separate post on the ART 225 Painting I project we took on earlier in the day, but this post is all about how my opening reception went for my Artist for the Earth solo show at The Block Gallery in downtown Sioux City.

First of all, I want to say a big thank you to the Morningside Art Department federal work study studio art assistants Devyn Reilly and Rachel Steinkamp for helping me to install the show. While I’ve installed many a show alone, it is so much nicer to have skilled help working alongside you! I also had Rachel take some nice shots of the show after we installed it, so I might add more to the blog later, but here are a few photos I took tonight.

The last photo in the grid is thanks to some of my lovely friends, who not only came out to support me at the reception but also gifted me with a bouquet of flowers and purchased artwork and reproductions. A bunch of wonderful colleagues, students, and community members also came through and many left with various pieces of artwork as well. It was a lovely evening!

Upcoming Solo Exhibition: Artist for the Earth Shelby Prindaville at The Block Gallery

I was invited to have a solo exhibition at The Block Gallery in downtown Sioux City, and since my work is ecologically-focused, gallery director Gia Emory and I agreed that opening the show on Earth Day 2021 seemed appropriate! I also went ahead and registered it with the Earth Day Network, which coordinates Artists for the Earth and thus gave me an easy show title to boot!

This show will not only display some of my 2D work, but will also include pieces of my ceramics! I’m quite excited about that, as this will be the first time ever that I’ll be exhibiting ceramic artwork.

The exhibition poster for my Artist for the Earth show at The Block Gallery!

The exhibition poster for my Artist for the Earth show at The Block Gallery!

It's National Poetry Month!

I’ve always enjoyed attending annual state poet laureate presentations and have several books of poetry in my own collection. So when Morningside’s creative writing instructor Brendan Todt reached out to me to ask if I’d be willing to record a video of myself reading a poem aloud in support of National Poetry Month for a virtual 2021 Morningside Friday is Writing Day event shared online, I said sure!

Brendan suggested it might be nice if I chose an art-themed poem, which was an interesting challenge. I ended up selecting Three for the Mona Lisa by John Stone!

More Ceramics!

Here are some more of my ceramic pieces! The first two are of a lovely little bowl; it’s so varied and hard to photograph that unless I uploaded seven photos and a video I think you’ll miss out on some of its detail, but trust me when I say it’s really nice in person and is one of my best pieces thus far. All the rest are, as you can often expect of me, planters with drainage holes. I like all of these a lot and am particularly into the new white/blue/brown and deep brown/white glaze combinations.

The final image in the grid is wheel-thrown from an earlier cycle but has since been planted with an Episcia or “flame violet” cultivar! I am reminded by that planter that I should really make time to wheel throw again at some point, but then again I really like the personality and handcrafted appearance of my pinch pot practice…

Birdwatching!

A still from the video - I’m the birdwatcher in the striped shirt!

A still from the video - I’m the birdwatcher in the striped shirt!

I love spending time outdoors, and I enjoy opportunities to do so while learning, exercising, and having new experiences. On the first day of spring this year - March 20th - I joined some friends in a birding hike at the Dorothy Pecaut Nature Center in Stone State Park. To our surprise, part of the way through a cameraman appeared to document the event for the local news!

In this ABC television affiliate KCAU 9 video clip, you’ll hear about what we were up to but also get a glimpse of me on the trail - I’m the birdwatcher in the striped shirt, black face mask, maroon hat, and grey backpack. On this hike, I learned how to focus binoculars and became a little more familiar with some of the more common birds in the region: the white-breasted nuthatch, the red-bellied woodpecker, and the downy and hairy woodpeckers (they look very similar but have different beak lengths). We also saw a couple of bald eagles and turkeys, though I had already been able to identify those!

Upcoming Exhibition: Packard Group National Exhibition 2021

I have a painting, Comfort Zone, on display in the Packard Group National Exhibition 2021 in a drive-in movie art reception at No. 7 Center in Vermillion, SD, in addition to a virtual exhibition! The art reception will take place at 8:30pm on Friday, April 2nd, 2021, and on that same date an online gallery will open to viewers as well.

New Ceramics!

My latest batch of ceramics has come out of the final firing! I started these pieces around three months ago, but ceramics take time and sequential processing. Though there’s still quite a bit of trial and error, I feel that I am honing my glazing skills! There are several glazing combinations from this go-round that I’m definitely going to be revisiting. There is also a new glaze color in this set - Green Tweed - that we didn’t have on hand before; I glazed it blind (meaning I had no samples of it to see how it’d turn out) so I didn’t use it on too many pieces, but it turns out I really like it both solo and in combination with other colors so I’ll be adding into a more regular rotation.

Above you see three new small dishes or bowls. The photography of ceramics is difficult because they are three-dimensional objects with variance - how many photos do I need to share to truly capture enough of each artwork? For these, I think one photo sufficiently captures each piece, though on the one with the hand-painted rings, there are rings on the exterior of the dish as well which I’m not sure is evident. Maybe I should have taken a side photo too?

However, for the small bowl above, I think at least two photos are needed to understand the glazing; another could provide even more coverage, but I believe only one would be insufficient.

All of the eight pieces immediately above are planters with drainage holes, as demonstrated by the final photo in the grid.

For many of the more complexly glazed pieces, I think my photographs - even multiple - don’t fully capture their totality. I should experiment to see if different photo setups can help, but also I think some artwork is always going to be best suited for in-person appreciation!

Current Exhibition: Rhode Island Watercolor Society's Painting Through the Pandemic

I have been juried into the Rhode Island Watercolor Society's Painting Through the Pandemic national online exhibition. They had just over 500 total entries and accepted 100 of those including my newest painting Velocity! The juror for this show is Jack Haran, former president of both the North River Arts Society and New England Watercolor Society.

The show will be posted online on their Facebook page on Saturday March 6th, 2021, with a virtual opening on the 6th at 7pm via Zoom - visit the show page on their website for more information and for the link.

New Artwork: Displacement

I just finished the second piece in my crystal series, which I’m titling Displacement. It is a companion piece to Reclamation. This series explores ocean acidification as well as natural reclamation of manmade constructions and catastrophes.

Displacement is a mixed media relief including driftwood, aragonite, calcite, and salt crystals, acrylic, and QuickCure Glaze on a wood panel, 7.25x6.75x3.25”, 2021.

Shelby Prindaville, Displacement, mixed media relief including driftwood, aragonite, calcite, and salt crystals, acrylic, and QuickCure Glaze on a wood panel, 7.25x6.75x3.25”, 2021.

For The Birds: A Story of Lowes' Clearance Plants

I had a few items I needed to pick up at Lowes recently, so I stopped in. As you might suspect of a person who has over 200 plants, if I go to a place for any reason that happens to sell plants, I will also look over the plants. You might be surprised to learn that despite being a person who has over 200 plants, I still sometimes not only look over but also buy plants from Lowes and Home Depot. This is really to their garden sections’ credit; these two big box stores do not just offer the same tried-and-true suite of plants year in and year out but rather - a bit belatedly due to the scale of the endeavor - follow houseplant trends and occasionally offer exciting and somewhat hard-to-find options. (Though if a plant is for sale at Lowes or Home Depot, it isn’t going to be rare for too much longer.)

On this day they had some new-to-me begonias in stock. For the longest time, I wouldn’t grow any begonias because the first time I tried - probably over a decade ago by now - the begonia died extremely quickly and I held a grudge against the whole genus. However, this past summer in quick succession I bought a cane begonia I liked the look of on extreme clearance and obtained a free cutting of another; both did relatively well for me and then I acquired a small Rex begonia a little later. Over this winter, that Rex begonia has begun to flourish and charm me and the two cane begonias have continued to do relatively well. As this nascent collection of begonias was forming, I also began to research more about begonias and now… well, I’m giving them a real try. It’s too early to say whether they’ll be suited for me or I for them in the long term, but I’m enjoying the discovery process.

So, I walk into Lowes’ plant area - which is fully indoors due to the winter - and spot two interesting new begonia cultivars for sale: ‘Linda Dawn’ and ‘Benigo.’ I begin to investigate them closely. The price point is on the high side - $20 each - because they are relatively rare, of medium size, and come with ceramic cache pots. I hem and haw as I look them over about whether I want to pay this much, but I grow more and more inclined not to because the begonias are very clearly partially eaten. In fact, as I really examine the plants, all the young and mature leaves are damaged and missing parts. Only the very newest growth looks whole. It looks quite a bit like caterpillar damage, so I start to think that the greenhouse these were grown in prior to being shipped out had a caterpillar infestation. I don’t see any current caterpillars, though, but I assume the plants were probably fogged as they were shipped out. I decide to walk away, but I’m sad because I would enjoy trying these plants out in my collection if I didn’t feel like the price was unfair for the quality of the plant on offer.

I double back and make my way to a garden center employee I spotted earlier. I ask if there’s any chance I could buy a small cutting or if they might offer a discount on the plants because they are all partially eaten.

The garden center employee knows exactly what I am talking about, and shares with me how the plants are being damaged, which is a genuine surprise to me.

The birds are eating them.

You see, all big box stores with garden centers have become little urbanized ecosystems of their own, complete with wildlife. Pigeons, sparrows, finches, the occasional hawk - there are some animals who spend their whole lives living at a big box store. And this Lowes’ indoor birds have been eating birdseed for sale supplemented with plants they enjoy munching on. Hemigraphis alternata is a very enjoyable snack, and so are these begonias in question.

My new begonias - ‘Benigo’ is on the left and ‘Linda Dawn’ is on the right.

My new begonias - ‘Benigo’ is on the left and ‘Linda Dawn’ is on the right.

(Apparently this Lowes had for a period of time in the past put kill traps out to catch the birds, but they have since switched to catch and release at a nearby nature center which is a much more humane policy.)

In terms of pest identification, the birds are good news for me in that I am pretty confident I won’t accidentally and unknowingly introduce one of their birds into my collection - which does happen sometimes with insect, fungal, or mildew infestations.

The garden center employee adds that they were considering clearancing these begonias anyway because the plants have been around since Christmas without selling and now there is all the accumulating bird damage, so I am given clearance prices and happily walk away to give both begonia ‘Linda Dawn’ and ‘Benigo’ a try!

New Artwork: Synthesis, and Upcoming Invitational Exibition

In late December I was invited to participate in an upcoming exhibition and fundraising support event called The Maskuerade for local art gallery Vangarde Arts which has, as is unfortunately the case with many arts organizations, suffered during the pandemic.

Vangarde Arts has been a great supporter of the arts in Sioux City as well as of Morningside College, so I happily agreed to participate. Vangarde provided each invited artist with a white cotton 3-ply face mask, and asked that each mask be made into a unique artwork. The pieces are then to be auctioned off with the proceeds going to support their organization.

This was more of a challenge than I think many viewers might realize for several reasons:

  • The substrate (the face mask) is rather small and of a defined form already, so there’s limited room to work.

  • As an artist, I think you want to embrace the media you’re working with - so making it unrecognizable as a face mask to me ends up defeating the purpose of the challenge.

  • While I think one could pretty easily paint on a cotton mask as a canvas, I question whether viewers will easily differentiate an original painting from an existing fabric print. This meant I felt I needed to get somewhat sculptural while still embracing the substrate and its intended function in order to really make it transform identifiably into an original artwork.

  • I didn’t want to lose my own artistic focus and hand - I wanted to make this piece work within my oeuvre rather than existing outside of it.

I mentally wrestled for weeks just in trying to develop a concept, and then with only a vague starting point in mind I then physically wrestled with the mask itself for a couple weeks to try to see if that manipulation would inspire me to come up with an artistic solution. Finally all the reflection and experimentation paid off, and with an idea in mind all I then had to do was execute it!

This is Synthesis, a wearable mixed media artwork including a white cotton mask, thread, acrylic, gel, Cladonia rangiferina “reindeer lichen,” Tillandsia usneoides “Spanish moss,” pine needles, and bark. Its dimensions are 7x13x4.5”.

Synthesis, a wearable mixed media artwork including a white cotton mask, thread, acrylic, gel, Cladonia rangiferina, Tillandsia usneoides, pine needles, and bark; 7x13x4.5”, Shelby Prindaville, 2021.

The Maskuerade exhibition will have open house hours on February 11, 12, and 18 from 6-7pm in Vangarde Arts which is located at 416 Pierce St, Sioux City, IA 51101. An online auction will be open from February 15-18, and a silent auction and Fat Tuesday on Friday celebration will be held February 19 at 6pm with a live auction following at 7pm.

My Social Media

If you’re reading this from my blog, well, you’re in the heart of my social media already! I share the most content here, and I always publish new artwork on my blog first. However, I’ve been asked by some colleagues and students what my social media presence is like, particularly regarding my professional social media, so let’s get meta! (Also, note that I run my web browser in dark mode, so that’s why all the images below have dark backgrounds with white text. I find dark mode to be easier on my eyes.)

I retweet this blog, meaning that every blog post I make is also put onto my Twitter account. It’s 99% of my Twitter content; once in a blue moon I will tweet something other than a blog post, but it’s quite rare. I don’t reach many new viewers via Twitter since my own activity on the site is so low, but because it takes no effort to retweet these posts I figure I might as well.

I also publish most new artwork on Facebook and Reddit. On Facebook, though I make art posts public, the engagement is almost entirely from friends, colleagues, and former students. Reddit, however, engages complete strangers.

Often, I publish new artwork on Instagram too. I should be more consistent about posting on it, but for me Instagram begins to feel repetitive given my other sites/applications usage. Occasionally, I also share artwork on MetaFilter, which is text-based and a much smaller and more heavily moderated community than Reddit but is in some ways similar.

I have made artwork, reproduction, and commission sales via my blog, MetaFilter, Facebook, and Reddit. Sales are not my primary goal in engaging with viewers through social media - and I really should set up a shop at some point on this website so I can just direct buyers there - but they are another nice indication of audience appreciation!

I'm A Geoselenic Artist!

An image of one of my paintings (Velocity, if you’re curious, as I went with my most recent work to date) is going to be sent to the Moon on a shielded microSD card in a 'Moonbox' from NASA contractor Astrobotic, so my work will be in a lunar digital archive! (Until radiation breaks through and wipes it away.)

A fellow space enthusiast who purchased a Moonbox to send microSD cards up and had extra storage available shared this opportunity with me (and others) and I excitedly submitted and was approved. I wanted to know what kind of exhibiting artist this will make me since international is no longer enough (and galactic seemed too broad), so I asked a bunch of friends and students what adjective means the Earth and Moon together.

There was a lot of speculation - interstellar also seems too broad, and the offerings of stratospheric, universal, lunatic (haha), and interplanetary didn’t fit the bill either. But my friend Bernie Langer came through with "geoselenic,” which is exactly the term I was looking for! (Apparently it’s of Hellenic derivation; Bernie also followed up with the Latin-derived “terralunar” which I like even better but which sadly hasn’t yet made it into a dictionary.)

Also, I can’t mention being a geoselenic artist without linking some relevant forefathers.

I'm a Sioux City Art Center Board of Trustees Member!

Back in October, I learned that the Sioux City Art Center Board of Trustees had a couple openings through a friend already on the Board - so I applied. In December, I had a virtual interview with City Council, and I recently learned that I was approved! I look forward to serving my community in this function for the next two years.

SCAC BoT Certificate.jpg

Behind The Scenes of Velocity

Sometimes viewers want to know how a piece of artwork was made, and if there are any in-progress pictures to show the process. I often don’t take as many photos of that as I could; I’m more focused on the creation than pausing for documentation, and I also think that too many process photos can slightly tarnish the magic of the completed piece.

Nevertheless, here’s a photo of the drawing in development of Velocity which underpins the painting! Usually I can get away with mostly only doing a contour and then painting the rest freehand, but this piece is so reliant on form, pattern, and detail that I needed a stronger blueprint for this one.

Amazon.com Subscribe & Save Opacity

I ordered an item on Amazon, and it arrived not as described. I notified Amazon online of this, and they elected to issue me a refund without my needing to bother with returning the item. Great!

A couple weeks later, I’m scanning through my credit card activity as usual just to make sure there are no surprises, and I don’t see this refund. I wait another two days since this happened right around Christmas and I thought it might be delayed/pending without being listed as such. It still doesn’t appear, and other more recent charges have posted.

I call Amazon Customer Service and ask what happened to the refund. The CSR I got - who was a delight - said that contrary to their text description of what would happen, it didn’t refund onto my credit card but rather via an Amazon gift card. I replied that I’ve made some purchases via Amazon since then, and I didn’t see a positive balance or reduced order total. He said I already used the amount. I asked on what, and this is where it gets interesting - “I” used it on a recent Subscribe & Save order.

Subscribe & Save orders, as of this blog post publication date anyhow, do not show up in your order history, and the price you pay each time is not tracked anywhere on the website that’s viewable to the customer. Furthermore, the email I was sent about the item I was going to receive via Subscribe & Save didn’t mention a gift card balance or reduced cost. Unless I noticed on my credit card statement that the amount of that charge was lower than what the email indicated and connected the dots (which I didn’t), there was no other indication to me for what had happened to my refund.

Amazon gave me another refund since the first didn’t make it back to the original payment method, which was nice of them since I was apparently already secretly refunded. However, I think Subscribe & Save orders and payments should be viewable to consumers on the website order history for transparency and better user experience.