I Bought a Rock Tumbler!

I’ve wanted a rock tumbler for a couple of years, but not quite enough to commit. However, I have also begun to amass broken ceramics, from raku thermal shocks to glaze fusing with kiln shelves to squirrel casualties (they try to bury nuts in my outdoor container plant collection in the fall, and repeatedly fail while digging up my plants and breaking planters in the process). Some of the broken pieces were favorites, so I just carefully collected the pieces and held onto them. (I did try to glue one planter back together, and realized that just doesn’t work well enough.)

It dawned on me that given my now multi-year interest in ceramics, I’ll have a renewable resource for the rock tumbler beyond an occasional rock harvest. I’ve beachcombed tumbled tiles before and even used them in assemblages, so I know I like the aesthetic - and, of course, the conceptual power of the push/pull between man and nature that creates them. If I make them myself out of my own handmade ceramics, I could generate enough to use the tumbled pieces for magnets or mosaics! I can also use any rejects as top dressing for plants, and I have a near infinite need there as my plant collection is unreasonably large and continuously expanding.

I began to research rock tumblers in early November. At first, I thought I’d just get a hobby one like the entry-level National Geographic model. However, I learned it doesn’t cost that much more to buy a quality version. I decided to go with Lortone as the maker. I wanted a rotary style - vibratory models also exist, but for my ceramic purposes I need the rotary tumbling action as vibrations are more helpful for surface polish while tumbling is what knocks down harsh edges.

Most rock tumbling aficionados recommend a double-barreled design, but those were sold out and I imagined it might take several months for stock to replenish given holiday demand - I didn’t want to wait that long! I considered going for a bigger volume barrel next, but then I thought about the quantity of material I have to do at any one time and in reality, it’s not that much. I eventually settled on the Lortone Model 3A tumbler. While I think I’d likely have gone with the double-barreled 33B if it’d been in stock, I also think that running two barrels at once is more for those who plan to process mostly rocks rather than ceramics. With rocks, you need to go through several stages of polish to achieve a smooth finish; with ceramics, they start with a smooth glass finish and you just need to knock the sharp sides down! I can do that in just one rough grit tumbling session.

I’ve only owned my tumbler for a few weeks, so I’m still learning, but I’m having a lot of fun and have run through my backlog of broken ceramics already! In trying to find more fodder, I’ve realized I can easily recycle my ash test tiles I created when testing ash glaze recipes for my Whiterock 41.816, -94.646 ceramic collection, so I’m still working on processing those. I love that I now have a use for otherwise already-served-their-purpose ceramics like test tiles too.

Here are some photos of one tumble from start to finish! (You can click into any of the images to see them at a larger size.)


I'm a Sharon Walker Faculty Excellence Award Winner!

I’m thrilled to share that I am a 2022 Sharon Walker Faculty Excellence Award honoree!

From Morningside University: “Thanks to the continued generosity and love for Morningside shared by Jim and Sharon Walker ‘70, three faculty members were honored with a Sharon Walker Faculty Excellence Award. The 2022 honorees are Dr. Kim Christopherson, educational technologist and a professor in the Sharon Walker School of Education; Dr. Tom Paulsen, a professor and department head for the Regina Roth Applied Ag and Food Studies program; and Shelby Prindaville, art department chair, director of the art galleries, and associate professor in the School of Visual & Performing Arts.

Established in 2003, recipients for the Sharon Walker Faculty Excellence Awards are selected from a field of applicants by a panel of three outside evaluators. Each receive a $10,000 honorarium and $2,000 to use for faculty development. Several themes guide the Sharon Walker Faculty Excellence Awards process:

  • The committee firmly believes that there must be a holistic approach to examining the criteria (teaching, scholarship, advising, and service) and no single item should be seen in opposition to another. Indeed, effective teaching is enhanced by quality advising, active scholarship, and dedicated service to the university.

  • These awards are meant to celebrate Morningside University’s extraordinary faculty by recognizing up to three exemplary recipients each year.

  • The committee takes its charge from the President and the donors very seriously and recognizes the difficulty of the selection process.”

The application requires a minimum of seven letter of recommendation writers, and I am really grateful for all of my letter writers’ time and support! I’m very happy both personally and because this is the first time anyone in the art department has received this honor, which feels like important representation.

Come Check Out the 2022 Morningside Art Sale!

As a part of my service to Morningside University, I am the director of the Eppley and Helen Levitt Art Galleries. I scheduled a faculty show, a guest artist show, and a senior thesis show for this fall, but there was a small window of time left over that wasn’t big enough for another exhibition… so I decided to hold an art sale!

Anyone from Morningside’s community - faculty, staff, students, or alumni - was invited to sell their arts and crafts, as long as they donate a minimum of 15% of their sales to one of our three art-focused clubs on campus: Art Club, Photo Club, or the Morningside Student Advertising Agency (MSAA). I asked one of our work study students, Su Montoya Alvis, to design the poster for this event (pictured right).

The sale opened on Monday, October 31st, and runs on weekdays from 1-5pm in Eppley Art Gallery through Friday, November 18th, 2022. It’s open to the public, so please feel free to stop in and check out all of the goods on offer! I myself put in matted 8x10”, 10x10”, 11x14” reproductions and photos, 5x5” greeting cards, and a variety of ceramics. A wide variety of arts and crafts are available from others, including ceramics, crochet, drawings, fiber arts, graphic design prints and stickers, jewelry, mixed media, paintings, photography, and printmaking.

Below are a few photos focusing on my section of the sale, but there is much more to browse!

Longview Farm House Art Gallery Solo Show Photos!

My Longview Farm House Art Gallery solo show in Town and Country, MO (a St. Louis suburb), is still up through November 17th! It is viewable during gallery hours, which are weekdays from 9am-4pm, and the address is 13525 Clayton Road, Town & Country, MO 63141. For those of you who can’t visit in person, here are some photos!

I also took a few photos while checking out the Gateway Arch (both from outside as well as from the inside at the top through the small windows) and the Missouri Botanical Garden with my good friend Susan Nelson!

Whiterock Art Show Photos!

Here are some photos from my three-person show Whiterock Art at the Betty Strong Encounter Center in Sioux City, IA! You can still check out this exhibition in person through November 13, 2022. I have 37 works on display, including 20 chromatograms, 15 site-specific ceramics, and 2 painted bas reliefs on panel using the polymer clay I helped create (QuickCure Clay).

As you can see, I arranged dried botanicals harvested from Whiterock Conservancy in four of my 41.816, -94.646 ceramic vessels to show this ceramic collection’s utility and connection to the landscape. My friend, former colleague, and master ceramist Susan Nelson inspired me to do this, as she often shows and photographs her ceramic work with ikebana, or the art of Japanese flower arrangements. I also placed a representative sampling of the small rocks, twigs, and other debris I cleaned out of the clay in a fifth display inside one of the smallest dishes.

At the reception for the show, I sold four of the 41.816, -94.646 ceramic pieces! I was pretty pleased with that, particularly because my price point for pieces in this collection was significantly higher than that of my stoneware work, given all the additional labor that went into this site-specific series. One of the buyers selected a piece holding dried botanicals, and another picked the vessel containing the rocks, twigs, and debris cleaned out of the clay body; both shared with me that they plan to keep those displays intact. That intent surprised me, but I’m happy that my decorative touches felt so appropriate that they’ll continue on beyond the exhibition!

My 41.816, -94.646 Ceramics

In my three-person show Whiterock Art at the Betty Strong Center here in Sioux City, IA, I have 37 pieces on display! There are 2 painted reliefs, 20 8x8” chromatograms, and 15 handmade ceramics. I’ll post photos from the show and reception shortly, but right now I want to focus on those 15 ceramic pieces in detail.

My Whiterock Conservancy ceramic body of work is special in that it is 100% site-specific in every component. I dug my own clay out of the Middle Raccoon river beach cliff, cleansed it of rocks, roots, and other debris, and then I did not amend it (often potters mix additives into their harvested clay to improve elasticity or other desirable characteristics, but I thought that would weaken this collection’s conceptual power). Below are images documenting my clay collection!

I handbuilt 15 different vessels, and as I was doing so, I thought about if I should glaze them at all, and if so, would transparent glaze from non-local sources taint the project…? I shared this quandary with friends, including my wonderful former colleague and master ceramist Susan Nelson.

After a couple of weeks mulling it over, Susan arrived at a different solution: ash glazing. I learned from her that ash can be used as a glaze, often in combination with clay to lower its melting point and smooth out the finish. I reached out to Whiterock Conservancy co-founder Liz Garst to see if I could collect some of the ash they generate, and she was kind enough to collect me a gallon bag of ash from a slash pile burn primarily composed of invasive honeysuckle bushes.

I inter-library-loaned a book on natural and ash glazes and conducted a variety of tests to determine the best ash glaze mixtures, application methods, and firing temperatures - but I also had deadlines to meet that meant I couldn’t dally too long in the experimentation phase. I eventually settled on using three ash glaze mixtures that used different proportions of clay to ash mixed with water and put 6 pieces in a Cone 8 electric kiln firing and 9 pieces in a Cone 9 gas kiln firing. Below (respectively from left to right) is a still wet raw ware handbuilt bowl, bisque-fired pieces, my work study students and I experimenting with ash glaze recipes in the ceramics studio, and ash-glazed bisque ware awaiting its glaze firing.

Below are are the finished pieces in the 41.816, -94.646 collection. Those title numbers are the latitude and longitude of the artworks’ origin, and if you input them into a map application you’ll see a pin drop on Whiterock Conservancy near the river beach! I love that these ceramics are made of the land itself, and are glazed with the conservation efforts of people today trying to restore what we’ve lost in ecosystem health and diversity. The colors, texture, and variation resonate in this body of work, and I look forward to comparing these pieces with future geographic coordinate collections, as I plan to create site-specific ceramics from other localities as well.

Upcoming: Longview Farm House Art Gallery Solo Show

I’m excited to share I have yet another solo show coming up very soon! Later this week, I will drive down to the St. Louis suburbs to install at Longview Farm House Art Gallery in Town & Country, MO. This show will run from October 6 - November 17, 2022. It will be viewable during gallery hours, which are weekdays from 9am-4pm.

The opening reception will be held at Longview Farm House Art Gallery on Thursday, October 6th from 4:30-7:30pm. The address is 13525 Clayton Road, Town & Country, MO 63141.

After I return, I’ll share some photos with you!

Upcoming: Whiterock Art at the Betty Strong Center!

You may remember I attended an artist residency at Whiterock Conservancy outside of Coon Rapids, IA, in summer 2021. My good friend and colleague Terri McGaffin had already completed a residency there that spring 2021, and turned me on to the opportunity. Another Sioux City artist, Pauline Sensenig, then followed suit this summer 2022.

All of us will be exhibiting our work in a three-person show called Whiterock Art at the Betty Strong Encounter Center in the Lewis & Clark Interpretive Center in Sioux City, IA, from October 2 - November 13, 2022. The reception will be on Sunday, October 2nd at 2pm, and I hope you can join us - there will be a reception and presentation by Whiterock’s own Liz Garst, co-founder and Board of Directors member of Whiterock Conservancy.

I designed our show logo, postcard, and poster (viewable at the exhibition) - below you can take a look at the digital postcard.

Show postcard back design

My Lauritzen Gardens Show!

If you haven’t checked my solo show at Lauritzen Gardens (Omaha’s Botanical Center) out yet, you have a bit more than a week left to do so as it closes at the end of the business day on September 24th! If you plan to check it out, make sure to pick up an image list from the entry kiosk to reference while looking at the artwork as well as a rack card - both for my own artwork on the face, as well as the show info and future exhibition information on the back.

Here are some photos of the installation for those of you who aren’t able to see it in person!

Color-Blindness-Alleviating Glasses!

Late last spring, I budgeted for and acquired two types of color-blindness-alleviating glasses for my design class in specific and the Morningside art department in general. Today was my introduction of our first color theory project in that class, so I brought the glasses out and said that if any students were having trouble either grasping the assignment or seeing colors change, they should try the glasses out to see if they could make a difference.

One of my students told me that he was not seeing the colors change in the project examples, but he was sure he wasn't color blind. I shared that there's a spectrum so it doesn't have to be all-or-nothing color blindness, and he could just test out if the glasses would help or not. He tried the deutan pair on and saw no difference. Next he tried on the protan pair and was surprised as he immediately registered color changes. I sent him outside just to check the world out and he came back after a few minutes and said he had no idea how much red was in our bricks or that there were maroon/brown moments mixed in the grass. Then he rocked the glasses for the rest of the class period while working on the color theory exercises.

You guys. I knew the glasses would help some students eventually, but on their debut they are already making a difference to a student for this project and more meaningfully for his general understanding of and experience with the world around him. I am so happy.

If you’re curious, the company I bought them from is EnChroma, and by coincidence it also happens to be International Color Blindness Awareness Month, so I’m both doing my part by raising awareness but also if you wanted some yourself, EnChroma is currently celebrating with 20% off.

And Now, the Morningside University News!

A screenshot of the beginning of the Morningside University News article about my LSU Vet Med residency.

The Morningside University News just got in on all the excitement - “Associate professor of art Shelby Prindaville uses skills towards historical process” was published on August 26th! The image on the right is a screenshot of the introduction, but check out the whole article in the link above or take a look at this PDF.

Country Roads Magazine Feature!

A screenshot of the beginning of the write-up.

Country Roads Magazine just published a fabulous article on my LSU Vet Med artist residency in both their digital and September print edition! On the left, you can see a screenshot of the beginning of the write-up to whet your appetite.

You can read the digital piece here, see a full PDF, or pick up a physical copy if you’re in the Louisiana/Mississippi distribution zone!

Lauritzen Gardens Solo Show

Just a reminder that I will be installing my solo show at Lauritzen Gardens (Omaha’s botanical center) today, and you can see the show in person from August 17-September 24, 2022! I’ll publish some photos from my installation and of the exhibition itself in a subsequent post for those of you unable to visit in person.

Screenshot of Shelby Prindaville's exhibition listing on Lauritzen's website

Sioux City Journal Feature!

A screenshot of the beginning of the SCJ feature

I’ve been getting some nice Louisiana press for my summer LSU Vet Med artist residency, and now there’s great local coverage as well - with more in the works! Here’s the Sioux City Journal digital article “Morningside professor participates in first-ever artist residency at LSU vet school” by reporter Dolly Butz, and here’s a PDF of the print version!

Louisiana PBS Televised Feature!

Some documentation of the interviews for my LPB PBS feature.

Louisiana Public Broadcasting Service’s The State We’re In did a televised feature on my artist residency and exhibition at the LSU School of Veterinary Medicine - you can watch it here!

From their own website: “Louisiana: The State We’re In, Louisiana's only statewide news magazine, is in its 45th season on the air. The program airs Fridays at 7PM and Sundays at 4:30PM on the six-station LPB network that includes stations in Alexandria, Baton Rouge, Lafayette, Lake Charles, Monroe, and Shreveport. It also streams at lpb.org/livetv and airs on LPB’s sister station WLAE-TV32 in New Orleans on Fridays at 7PM and on WYES-TV, the PBS station for New Orleans and the Gulf Coast, at 7:30PM.

This award-winning show combines in-depth coverage about the important issues in the state along with expert analysis. […] It is one of the longest-running television programs in the nation.”

My LSU Vet Med Exhibition and Opening Reception!

Here are photos from my solo exhibition and opening reception at the LSU School of Veterinary Medicine, co-sponsored by the LSU School of Art! The reception was amazing; over 80 people attended and they were all very engaged throughout the evening. We began with a welcome speech delivered by LSU School of Veterinary Medicine Dean Oliver Garden, followed by speeches from LSU College of Art + Design Dean Alkis Tsolakis and LSU School of Art Director Rod Parker, and then my artist lecture!

By the end of the evening, 6 of the 8 paintings/relief/sculpture were sold (only Hosts and Singularity remain available), and 3 of the 13 ceramics were purchased in addition to countless prints and greeting cards. Through the course of the rest of the exhibition, 3 more ceramics sold along with additional prints and greeting cards. I was a little surprised at how popular the mosquito reproductions were as they sold out quite quickly, but I’ve since learned there’s a well-known joke that mosquitoes are the state bird of Louisiana!

In the slideshow, you’ll see that in addition to the artwork walls and reproduction sales table, I also had a display table of some of the veterinary materials - medicines, chemicals, stains, tools, bones - I used in each of the pieces of artwork!