I'm a Moral Leadership in Nontraditional Spaces Panelist at NC State University!

I was generously invited to fly out this week to NC State University in Raleigh, North Carolina, to serve as a Moral Leadership in Nontraditional Spaces panelist for their Honors Village and Forum.

They believe that my interdisciplinary, ecologically-focused artwork and professional practices embody moral leadership, but that many people don’t necessarily think of people like me first when conceptualizing or discussing moral leadership - hence the “nontraditional spaces.” I’m excited to see where our discussions and Q&A take us!

The dates I was asked to attend just happened to line up with Morningside’s spring break, so while all the panel activities are happening today (Monday, March 6th), I’ll also be a guest participant in an honors philosophy course later on in the week and plan to explore Raleigh, too, before returning home!

An advert from NC State University promoting Shelby Prindaville’s Moral Leadership in Nontraditional Spaces Panel held for their Honors Village and Forum

Concordia High School Pause PAWS Speaker Event and Radio Interview

Below is the YouTube video of my speech given on Friday, February 17, 2023 in the Pause PAWS notable alumni speaker series at Concordia High School (CHS), and here’s a link to our KNCK radio interview, embedded into the NCK Today article, “Professional Artist and Educator Shelby Prindaville Presents to Concordia High School Students.” My solo show in the Frank Carlson Design Room is in connection with this speaker event.

I wasn’t expecting to receive any gifts, so when the CHS Student Council President Jenna McFadden presented me with a framed honorary letter with an explanatory plaque at the end of my speech (see the photo in the NCK Today article image below), I was surprised and humbled! I had a great time connecting with the CHS student body, got to see some great student artwork (one such talented artist is Daegan DeGraff - check out her Facebook artist page!), and really appreciated getting to work with Brandt Hutchinson and his colleagues in this community service.

NCK Today Coverage of Solo Show and Guest Speaker Event

Screenshot of the NCK Today press coverage.

I grew up in Concordia, Kansas, and attended high school at Concordia High School (CHS). Recently, CHS Career and Community Coordinator Brandt Hutchinson reached out and invited me to join their notable alumni speaker series called Pause PAWS.

I agreed as long as we arranged for an exhibition of my artwork at the same time; if I’m going to be speaking about my career as a professional artist, it is important to me that the audience has a chance to see my artwork firsthand. Brandt immediately coordinated with the Frank Carlson Library to host a solo show in the Frank Carlson Design Room.

The show installation, opening reception, and lecture are all coming up this week! Here’s the first piece of press about it, via NCK Today. As the article shares, “Shelby will be speaking to current Concordia High School students from 9 am to 9:30 am on Thursday, February 16th in the historic CHS Auditorium.  The presentation will be live-streamed for the general public by Chris Stiles' high school video production team on their YouTube channel, USD 333 Media Productions.

The Frank Carlson Library will be hosting Shelby's art exhibit from February 17th to March 3rd.  The public is welcome to meet the artist by attending the opening reception for the exhibit from 5 pm to 6 pm on Thursday, February 16th at the Frank Carlson Library.”

Haemanthus Deformis

I like growing South African and Namibian bulbs. There are some commonly grown ones you’ve almost certainly encountered - amaryllis, clivia, ledebouria, oxalis - and types that are rarer. The genus haemanthus is one of my favorite of these geophytes, though I keep a variety and am quite drawn to ledebouria as well.

Within the genus of haemanthus, I started with the moderately common Haemanthus pauculifolius a few years ago (though I ordered Haemanthus albiflos from Glasshouse Works, but they’re very similar and easily confused so they must have mislabeled their specimens), and I was pretty quickly charmed. I added three rarer species from Shire Bulbs to my roster last year: Haemanthus crispus, Haemanthus humilis subsp. hirsutus, and Haemanthus deformis.

This winter, all four of my haemanthus species are doing well, but my two Haemanthus deformis bulbs have been a particular delight to watch as they’ve settled in and are now growing mature leaves for the first time with me. H. deformis leaves are showstoppers! They have a kind of alien quality to their size and growth habit - you can already see the appeal in the photos below, but the leaves should get even bigger and more tightly flush to the surface with age. The first image is how the bulbs arrived in December 2021 after I’d potted them, and the second two images are of them this winter - with some surrounding plants included to provide a sense of scale in the second photo. (The white marks on the leaves are just mineral deposits from watering.) You can see that I already needed to pot them up again this fall.

Jurying the SCAC's 34th Annual Youth Art Month Exhibition

I was asked to jury the Sioux City Art Center’s 34th Annual Youth Art Month Exhibition. Serving as a juror or judge is always an honor, and I love getting to see what young artists are creating! I judged the entries a couple of day ago, and I look forward to the awards ceremony next month.

From the Sioux City Art Center: “Celebrating Youth Art Month, the Sioux City Art Center will feature its 34th Annual Youth Art Month Exhibition from February 26 – April 9, 2023. This year’s exhibition features work by middle school students and is juried by Morningside University professor Shelby Prindaville. Youth Art Month is an annual, nation-wide observance celebrating art education for children and encourages public support for quality school art programs. Created in 1961, YAM began as Children’s Art Month for the purpose of emphasizing the value of all children participating in art.

The reception for Youth Art Month will be on Sunday, February 26, 2023, from 1:30 – 3:00pm. Presentation of awards will take place at 2:00pm.”

New Artwork: Earth Measurer

An in-progress photo showing my contour drawing which underpins the finished painting!

I made the acquaintance of this inchworm at Whiterock Conservancy, and began the contour drawing over a year ago. I picked it back up this winter break!

The title of the piece, Earth Measurer, is the English translation of the Ancient-Greek-derived “geometer.” Geometridae is the scientific name for the family of caterpillars (and moths) that make use of the distinctive method of locomotion that is not only described in the family’s scientific name but also in many of their common names: inchworm, spanworm, looper, and measuring worm.

After spending a lot of time really looking at inchworm anatomy and learning terminology (FYI, they have true legs and prolegs), I am again impressed with the variety and richness of animal forms in the world; there’s plenty of alien to explore right here. This past summer, while painting mosquitoes from LSU Vet Med’s epidemiology department, I was surprised by how hairy they are upon examination. Similarly, on this so-called hairless caterpillar, there’s still a fair amount of hair, called setae! I included it in the painting as well, though you’ve got to get close to the painting or zoom in quite a bit to see it.

This is Earth Measurer, acrylic on basswood panel, 6x12x1.5”, 2023.

Siouxland Woman Magazine Featured Artist Profile

Below is the digital spread of my featured artist profile in Siouxland Woman Magazine’s Volume 9 Issue 2, published in January 2023! While it’s the current issue, you can also look at the whole magazine online here.

Landscape Ceramics

I’ve been working on a series of landscape ceramics for some time now, and I plan to continue to add pieces! Here are some I completed in early 2022; these are all stoneware fired to Cone 6. The first three are vases, and then there’s a bowl, an egg-shaped vessel, and six small planters.

Morningside University News and the Morningsider Lite

The Morningside University News got in on the press action surrounding the 2022 Walker Awards, publishing “Christopherson, Paulsen, and Prindaville named 2022 Sharon Walker Faculty Excellence Award Winners” on December 7, 2022.

In addition, the Morningsider Lite newsletter republished the above article as well as the piece the Morningside University News produced earlier this fall on my veterinary school residency in its Volume 3, Issue 2 in December 2022.

My Second Inside Mside Podcast of the Year!

Walker Awards Inside MSide Podcast graphic

You might remember that I sat down to record an Inside Mside Podcast (episode 16) earlier this fall. I’ve recently joined another (episode 28) with my fellow honorees Dr. Kim Christopherson and Dr. Tom Paulsen to discuss our winning the 2022 Sharon Walker Faculty Excellence Awards.

You can watch or listen to this latest episode on YouTube here, or in the embedded video down below!

I Bought a Rock Tumbler!

I’ve wanted a rock tumbler for a couple of years, but not quite enough to commit. However, I have also begun to amass broken ceramics, from raku thermal shocks to glaze fusing with kiln shelves to squirrel casualties (they try to bury nuts in my outdoor container plant collection in the fall, and repeatedly fail while digging up my plants and breaking planters in the process). Some of the broken pieces were favorites, so I just carefully collected the pieces and held onto them. (I did try to glue one planter back together, and realized that just doesn’t work well enough.)

It dawned on me that given my now multi-year interest in ceramics, I’ll have a renewable resource for the rock tumbler beyond an occasional rock harvest. I’ve beachcombed tumbled tiles before and even used them in assemblages, so I know I like the aesthetic - and, of course, the conceptual power of the push/pull between man and nature that creates them. If I make them myself out of my own handmade ceramics, I could generate enough to use the tumbled pieces for magnets or mosaics! I can also use any rejects as top dressing for plants, and I have a near infinite need there as my plant collection is unreasonably large and continuously expanding.

I began to research rock tumblers in early November. At first, I thought I’d just get a hobby one like the entry-level National Geographic model. However, I learned it doesn’t cost that much more to buy a quality version. I decided to go with Lortone as the maker. I wanted a rotary style - vibratory models also exist, but for my ceramic purposes I need the rotary tumbling action as vibrations are more helpful for surface polish while tumbling is what knocks down harsh edges.

Most rock tumbling aficionados recommend a double-barreled design, but those were sold out and I imagined it might take several months for stock to replenish given holiday demand - I didn’t want to wait that long! I considered going for a bigger volume barrel next, but then I thought about the quantity of material I have to do at any one time and in reality, it’s not that much. I eventually settled on the Lortone Model 3A tumbler. While I think I’d likely have gone with the double-barreled 33B if it’d been in stock, I also think that running two barrels at once is more for those who plan to process mostly rocks rather than ceramics. With rocks, you need to go through several stages of polish to achieve a smooth finish; with ceramics, they start with a smooth glass finish and you just need to knock the sharp sides down! I can do that in just one rough grit tumbling session.

I’ve only owned my tumbler for a few weeks, so I’m still learning, but I’m having a lot of fun and have run through my backlog of broken ceramics already! In trying to find more fodder, I’ve realized I can easily recycle my ash test tiles I created when testing ash glaze recipes for my Whiterock 41.816, -94.646 ceramic collection, so I’m still working on processing those. I love that I now have a use for otherwise already-served-their-purpose ceramics like test tiles too.

Here are some photos of one tumble from start to finish! (You can click into any of the images to see them at a larger size.)


I'm a Sharon Walker Faculty Excellence Award Winner!

I’m thrilled to share that I am a 2022 Sharon Walker Faculty Excellence Award honoree!

From Morningside University: “Thanks to the continued generosity and love for Morningside shared by Jim and Sharon Walker ‘70, three faculty members were honored with a Sharon Walker Faculty Excellence Award. The 2022 honorees are Dr. Kim Christopherson, educational technologist and a professor in the Sharon Walker School of Education; Dr. Tom Paulsen, a professor and department head for the Regina Roth Applied Ag and Food Studies program; and Shelby Prindaville, art department chair, director of the art galleries, and associate professor in the School of Visual & Performing Arts.

Established in 2003, recipients for the Sharon Walker Faculty Excellence Awards are selected from a field of applicants by a panel of three outside evaluators. Each receive a $10,000 honorarium and $2,000 to use for faculty development. Several themes guide the Sharon Walker Faculty Excellence Awards process:

  • The committee firmly believes that there must be a holistic approach to examining the criteria (teaching, scholarship, advising, and service) and no single item should be seen in opposition to another. Indeed, effective teaching is enhanced by quality advising, active scholarship, and dedicated service to the university.

  • These awards are meant to celebrate Morningside University’s extraordinary faculty by recognizing up to three exemplary recipients each year.

  • The committee takes its charge from the President and the donors very seriously and recognizes the difficulty of the selection process.”

The application requires a minimum of seven letter of recommendation writers, and I am really grateful for all of my letter writers’ time and support! I’m very happy both personally and because this is the first time anyone in the art department has received this honor, which feels like important representation.

Come Check Out the 2022 Morningside Art Sale!

As a part of my service to Morningside University, I am the director of the Eppley and Helen Levitt Art Galleries. I scheduled a faculty show, a guest artist show, and a senior thesis show for this fall, but there was a small window of time left over that wasn’t big enough for another exhibition… so I decided to hold an art sale!

Anyone from Morningside’s community - faculty, staff, students, or alumni - was invited to sell their arts and crafts, as long as they donate a minimum of 15% of their sales to one of our three art-focused clubs on campus: Art Club, Photo Club, or the Morningside Student Advertising Agency (MSAA). I asked one of our work study students, Su Montoya Alvis, to design the poster for this event (pictured right).

The sale opened on Monday, October 31st, and runs on weekdays from 1-5pm in Eppley Art Gallery through Friday, November 18th, 2022. It’s open to the public, so please feel free to stop in and check out all of the goods on offer! I myself put in matted 8x10”, 10x10”, 11x14” reproductions and photos, 5x5” greeting cards, and a variety of ceramics. A wide variety of arts and crafts are available from others, including ceramics, crochet, drawings, fiber arts, graphic design prints and stickers, jewelry, mixed media, paintings, photography, and printmaking.

Below are a few photos focusing on my section of the sale, but there is much more to browse!

Longview Farm House Art Gallery Solo Show Photos!

My Longview Farm House Art Gallery solo show in Town and Country, MO (a St. Louis suburb), is still up through November 17th! It is viewable during gallery hours, which are weekdays from 9am-4pm, and the address is 13525 Clayton Road, Town & Country, MO 63141. For those of you who can’t visit in person, here are some photos!

I also took a few photos while checking out the Gateway Arch (both from outside as well as from the inside at the top through the small windows) and the Missouri Botanical Garden with my good friend Susan Nelson!

Whiterock Art Show Photos!

Here are some photos from my three-person show Whiterock Art at the Betty Strong Encounter Center in Sioux City, IA! You can still check out this exhibition in person through November 13, 2022. I have 37 works on display, including 20 chromatograms, 15 site-specific ceramics, and 2 painted bas reliefs on panel using the polymer clay I helped create (QuickCure Clay).

As you can see, I arranged dried botanicals harvested from Whiterock Conservancy in four of my 41.816, -94.646 ceramic vessels to show this ceramic collection’s utility and connection to the landscape. My friend, former colleague, and master ceramist Susan Nelson inspired me to do this, as she often shows and photographs her ceramic work with ikebana, or the art of Japanese flower arrangements. I also placed a representative sampling of the small rocks, twigs, and other debris I cleaned out of the clay in a fifth display inside one of the smallest dishes.

At the reception for the show, I sold four of the 41.816, -94.646 ceramic pieces! I was pretty pleased with that, particularly because my price point for pieces in this collection was significantly higher than that of my stoneware work, given all the additional labor that went into this site-specific series. One of the buyers selected a piece holding dried botanicals, and another picked the vessel containing the rocks, twigs, and debris cleaned out of the clay body; both shared with me that they plan to keep those displays intact. That intent surprised me, but I’m happy that my decorative touches felt so appropriate that they’ll continue on beyond the exhibition!

My 41.816, -94.646 Ceramics

In my three-person show Whiterock Art at the Betty Strong Center here in Sioux City, IA, I have 37 pieces on display! There are 2 painted reliefs, 20 8x8” chromatograms, and 15 handmade ceramics. I’ll post photos from the show and reception shortly, but right now I want to focus on those 15 ceramic pieces in detail.

My Whiterock Conservancy ceramic body of work is special in that it is 100% site-specific in every component. I dug my own clay out of the Middle Raccoon river beach cliff, cleansed it of rocks, roots, and other debris, and then I did not amend it (often potters mix additives into their harvested clay to improve elasticity or other desirable characteristics, but I thought that would weaken this collection’s conceptual power). Below are images documenting my clay collection!

I handbuilt 15 different vessels, and as I was doing so, I thought about if I should glaze them at all, and if so, would transparent glaze from non-local sources taint the project…? I shared this quandary with friends, including my wonderful former colleague and master ceramist Susan Nelson.

After a couple of weeks mulling it over, Susan arrived at a different solution: ash glazing. I learned from her that ash can be used as a glaze, often in combination with clay to lower its melting point and smooth out the finish. I reached out to Whiterock Conservancy co-founder Liz Garst to see if I could collect some of the ash they generate, and she was kind enough to collect me a gallon bag of ash from a slash pile burn primarily composed of invasive honeysuckle bushes.

I inter-library-loaned a book on natural and ash glazes and conducted a variety of tests to determine the best ash glaze mixtures, application methods, and firing temperatures - but I also had deadlines to meet that meant I couldn’t dally too long in the experimentation phase. I eventually settled on using three ash glaze mixtures that used different proportions of clay to ash mixed with water and put 6 pieces in a Cone 8 electric kiln firing and 9 pieces in a Cone 9 gas kiln firing. Below (respectively from left to right) is a still wet raw ware handbuilt bowl, bisque-fired pieces, my work study students and I experimenting with ash glaze recipes in the ceramics studio, and ash-glazed bisque ware awaiting its glaze firing.

Below are are the finished pieces in the 41.816, -94.646 collection. Those title numbers are the latitude and longitude of the artworks’ origin, and if you input them into a map application you’ll see a pin drop on Whiterock Conservancy near the river beach! I love that these ceramics are made of the land itself, and are glazed with the conservation efforts of people today trying to restore what we’ve lost in ecosystem health and diversity. The colors, texture, and variation resonate in this body of work, and I look forward to comparing these pieces with future geographic coordinate collections, as I plan to create site-specific ceramics from other localities as well.